Ziane never submitted any evidence during the investigation. I found something. We're finished. All I need you to do is to confirm some facts for me. These are facts that will help me prove what happened to Oliver Hughes. I'll tell you what I know. What good can come from sending you to prison? Now, if you tell anybody about Charmataines... (SCREAMS) (SCREAMS) BANG! BANG! (PANTS) CHEERING CHANTING IN FRENCH (SPEAKS FRENCH) Salut! Salut! BOY: Salut! (SPEAKS FRENCH) (SPEAKS FRENCH) DISTANT CHEERING CAR BEEPS Alex? BOTH: Alex? BOTH: Alex? OMINOUS MUSIC Alex? Alex? MUSIC GROWS Alex? Alex? (SHOUTS IN FRENCH) Alex? Alex? Alex? Alex! (SPEAKS FRENCH) Alex? AMATORSKI'S 'COME HOME' # Oh my love, # we pray each day. # May you come home # and be OK. # For now we'll wait # for you, for you # to come home. # Captions by Alana Cruikshank. Edited by Jessica Boell. Captions were made possible with funding from NZ On Air. Copyright Able 2015 DOOR BUZZES, THUDS DOOR CLOSES MURMURING IN FRENCH (SPEAKS FRENCH) > My leg? Good days and bad. Wasn't the way I hoped my career would end. < And thanks to you, the last case I worked on remains unsolved. If you stayed on the Hughes investigation, you think that you would have found the boy? We'll never know. I had no choice. You understand? I could not let you see that file. < And yet I did, Monsieur Charmataines. I saw it. After everything I've done for the journalist, everything I gave him, he still turned me in. Look, I didn't come here to talk about the past, Monsieur Charmataines. Then why do you keep calling me? Then why do you keep calling me? You were seen at the pool where Oliver was taken. You took something, placed it in an evidence bag, and yet you never submitted anything into evidence. How come? and yet you never submitted anything into evidence. How come? I-I don't remember. We have a witness. < Are you listening to me? Someone saw you. EMILY: What did you take? What did you take? God, it takes nothing to tell us, and it means everything to us. < Everything. OK. But you must bring my son to see me. But you must bring my son to see me. < Excuse me? Bring my son, and I will tell you what you wish to know. (SCOFFS) You want to see your son? (SCOFFS) You want to see your son? Your son? Listen, if you concealed any evidence that stopped us from finding Olly` Look, I cannot compel him to visit if he doesn't wish to. Look, I cannot compel him to visit if he doesn't wish to. Then I suggest you try, because that will be the only way that I will talk to you. My son, Anouar, is studying at UPEC, Paris-Creteil. (SPEAKS FRENCH) DOOR BUZZES DOOR BANGS, LOCK TURNS CAR ENGINES ROAR CELL PHONE RINGS CELL PHONE RINGS Hello? Mr Hughes, it's Malik Suri. Don't hang up. Why? Why? Because I know what happened to your son. I have Vincent Bourg on record. He's saying that you attacked him,... I have Vincent Bourg on record. He's saying that you attacked him,... Tony? > ...that you broke into his flat. He told you Ian Garrett paid for his alibi. Your assaults on Greg Halpern and Vincent Bourg establish a pattern of violence, and your knowledge that Garrett was a paedophile, well, that establishes motive. What are you trying to say? What do you know about my son's disappearance? I believe Ian Garrett killed your son. Why else would he pay for Bourg's alibi? The police cleared Garrett. But you didn't know that when you killed him, did you, Mr Hughes? With Mr Bourg's statement, legally I could make the clear implication. The police would do the rest. It would open up an investigation. Any parent in your position, people will understand, but only if you tell your side of the story. OMINOUS MUSIC BIRDS TWITTER I still can't believe they actually post bees. You know the Queen must be placed in a separate cage to the other bees? The only thing dividing them is a wall, like a plug of sugar, which the other bees will eat away at until the queen is free. It's a way of, uh, getting them accustomed to her scent. So, um, they accept her as their queen. Just the way we met, yes? (CHUCKLES QUIETLY) What? What? Why couldn't you have just taken up birdwatching? Well, you might as well count blades of grass on the ground. This, this will give us honey. Since when have you ever eaten honey? Since when have you ever eaten honey? (SPEAKS FRENCH) Come on. Come and sit down and have something to eat. C'est un ordre. Come on. Come and sit down and have something to eat. C'est un ordre. (CHUCKLES) CHATTER ON TELEVISION Have you seen this? Yes. Yes. (SPEAKS FRENCH) Yes. (SPEAKS FRENCH) I saw it when the story first broke. Do you think it's got anything to do with the Oliver Hughes case? Do you think it's got anything to do with the Oliver Hughes case? I don't know. Maybe, I don't know. Have you called Laurence to find out more? Of course not. I'm not interested any more. You wanted me to let go. That man, Ziane, hurt you. All those surgeries. We thought you were gonna lose your leg altogether. Yeah. Yeah. He could have killed you, Julien. And call me selfish, but no case, not Oliver Hughes, or Ian Garrett, nothing is more important than having you here, safe and well, with me. Come on, amour. (SPEAKS FRENCH) I still have one good leg. I assure you, I` I don't miss it. Not at all. Huh? Huh? OK. (TEARFULLY SPEAKS FRENCH) PILLS RATTLE (SIGHS) WATER GUSHES (INHALES DEEPLY) DOORBELL RINGS DOORBELL RINGS AGAIN Tony? Tony? Someone's at the door. Huh? Huh? Could you get it? Oh. Oh. DOORBELL RINGS REPEATEDLY Oh. DOORBELL RINGS REPEATEDLY (GROANS) Could you get it, please? Yeah. (BREATHES DEEPLY) Did you talk to Peter? No. No. If you keep not showing up, they'll have to let you go. DOOR OPENS TONY: Thought you were coming tonight. Look. Oh my God. Oh my God. What? What is it? It'll be all right. You don't know that. How do we decide? WOMAN: Mrs Price? TENSE MUSIC What? It can't be a coincidence. The ground's only two miles away from the pool, and he was taken fast, like Olly. and he was taken fast, like Olly. We don't know that for sure. and he was taken fast, like Olly. We don't know that for sure. They're connected. They have to be. We should be there. I'll see what time there's a train. Listen, are you sure this is a good idea? What? If they're connected, if they find any leads on this boy... Oh yeah. Maybe you shouldn't come, Em. No. No, I'll be fine. Look, we can do this on our own. No one's gonna judge you. Look, we can do this on our own. No one's gonna judge you. No, I want to come. Right, I'll book the 3 o'clock. TENSE MUSIC GROWS CHILDREN SHOUT Bonjour. Bonjour. Inspecteur Relaud. Bonjour. Inspecteur Relaud. Merci. RAPID TALKING IN FRENCH (SPEAKS FRENCH) > CHURCH BELLS RING You all right? You OK? Yeah, I'm fine. Thanks for asking. (SPEAKS FRENCH) (SPEAKS FRENCH) Laurence. Thanks for seeing us. Thanks for seeing us. What's happened? What do you know? Please, Mr and Mrs Hughes, I understand you're anxious, we all are, but you shouldn't have come. We have every right to be here. We have every right to be here. We want to help. I have no time to brief you now. Perhaps if you call Baptiste? I have no time to brief you now. Perhaps if you call Baptiste? Baptiste is here? He called as soon as the news broke, offering his advice. He knows what I know. And when I have time, I promise, I will call you when I can, OK? Excuse me. I'm sorry. I'm just so sorry. MARK: He's my responsibility. COMMS CHATTERS IN FRENCH SOMBRE GUITAR MUSIC MUSIC CONTINUES TONY: Good to see you. TONY: Good to see you. You too. Sylvie? Emily. Hello. < Thanks for fitting us in. < Thanks for fitting us in. < Nonsense. The moment I heard the news, I thought about your boy. He was always in my prayers. He was always in my prayers. (COUGHS) (SPEAKS FRENCH, SIGHS) He still doesn't have the smoking ban through his thick head,... He still doesn't have the smoking ban through his thick head,... (COUGHS) ...and this is what comes from such a habit. So, room number six. Thank you. Thank you. Please. You will always have a home here. < Thanks, Sylvie. SOMBRE GUITAR MUSIC MUSIC CONTINUES Oh, TV works in this room, at least. Tony,... I think I've made a mistake. I` I thought I'd be OK. I thought... I'm coping a lot better now, but I just... (SIGHS) This room, and it's` it's just the same. Sylvie's been so nice to us, you know? So good. Christ knows the business we must have cost them over the last few years, her and Alain. It's the least we can do. Doesn't it get to you? Of course it does. Why are we here? We need to go. I want to stay somewhere else. I want to stay somewhere else. Why? So we can forget? No, no, I` I didn't mean it like that, I just` I think... I don't` I think this is punishing ourselves. I don't` I think this is punishing ourselves. Well, you run away if you want. I mean, that's all you've done, ever since he disappeared ` run away and pretend like it never happened. How much did you drink on the train? How much did you drink on the train? Surprised you even noticed, the amount of medication you're on. I'll be at the Marquis. SOFT GUITAR MUSIC MUSIC CONTINUES Why don't we just go in and ask to see him? We are here to ask for his help, not to embarrass him. CELL PHONE RINGS Is everything all right? Oh, yeah, it's just the bank again. I'm not their favourite customer. Oh, yeah, it's just the bank again. I'm not their favourite customer. (CHUCKLES WEAKLY) CHATTERING Excusez-moi, is it, uh, Anouar Charmataines? Excusez-moi, is it, uh, Anouar Charmataines? Oui. Je suis Julien Baptiste. Je presente Tony Hughes et sa femme Emily. Je suis Julien Baptiste. Je presente Tony Hughes et sa femme Emily. Hello, uh, do you speak English? Yeah. Yeah. We're here about your father. (SPEAKS FRENCH) (SPEAKS FRENCH) Khalid Ziane, Khalid Charmataines? I have nothing to say about my father. Anouar! Anouar, your father knows something that could help us find our son, but he won't tell us, not unless you agree to meet him. We` You must know what my father did. You must know what my father did. Yes, we understand that. You must know what my father did. Yes, we understand that. No, you don't. You can't. I had no idea who he was. I had no idea what he had done. When your son was taken, all of that changed. Because of this, I found out that he caught my mother in bed with another man, that he beat her, and she ended up dead of those injuries, so I would never know her. Then he just left me. He left me on my own, he ran away, changed his name and had a new family. That man has no right to call himself your father. You don't have to feel sorry for him or to speak to him. But trust me, I'm telling you, if you don't look him in the eye, you'll regret it until your dying day. I do understand. Every son needs to know who their father is. Every son needs to know who their father is. Even if he is a monster? I'm begging you, Anouar. Please. SOMBRE MUSIC < Anouar! (SIGHS) PHONE RINGS DISTANT CHATTER DIAL TONE Hello? Hello? Mark, this is Julien Baptiste. I hope I am not disturbing you. I hope I am not disturbing you. Hey, no, not at all. Not at all. How did it go with Ziane's son? Not as we would hope. We've returned to Chalons de Bois without him. Sorry to hear that. Sorry to hear that. We'll try another approach with Ziane. In the meantime, I was hoping for your help. In the meantime, I was hoping for your help. Anything. Ziane was leaking information to that journalist. Ziane was leaking information to that journalist. Malik. Mm. There's a chance that Malik knew about the evidence Ziane found. I'll get right on it. I'll get right on it. Thank you, my friend. PHONE BEEPS KNOCK ON DOOR Monsieur Baptiste. Monsieur Baptiste. Yes. Ah, Baptiste. GENTLE, SOMBRE MUSIC MUSIC CONTINUES RECEIPT PRINTER WHIRS MUSIC GROWS (RETCHES) (RETCHES) COLLECTIVE GROANING (COUGHS) (GROANS) Go home. No, I` I'm good. I can work. No, I` I'm good. I can work. Just... go home. You've been looking like shit for days. I'll sort it out. SOMBRE MUSIC RESUMES Don't worry. We'll find a way to get through to Ziane. How could you be so relaxed? How could you be so relaxed? I'm not relaxed. I'm just getting used to it. You've clearly been spending a lot of time with Julien. It's good for you. Before I came out here, Mark and I... called off the wedding. Before I came out here, Mark and I... called off the wedding. Oh, no. I'm sorry. (CHUCKLES) (SIGHS) Sometimes I wonder if I was just lying to myself anyway. Like, having this new family was just a plaster to cover up the pain, stop the bleeding. Maybe I don't wanna cover it up any more. So, what about you? What do you mean? What do you mean? I mean, what is going on with you? Just getting what's coming to me. What do you mean? Malik Suri. He knows about Ian Garrett. He knows what I did. How? I've no idea. But he says he's got enough to go to the press. Maybe it's what I deserve. Don't say that. You shouldn't say that. It was an accident. Wasn't it? I killed him. I'm sorry. WHISPERS: I'm sorry. (BREATHES HEAVILY) Are you all right? WHISPERS: I'm sorry. ETHEREAL MUSIC This bloody place. Tell me about it. I'm a bit drunk. (CHUCKLES) Let's get you back to your hotel. Let's get you back to your hotel. Oh no, let's just wait here a moment. This place... It's actually beautiful. I've spent so long resenting this town, I forgot to ever really look at it. Its like the world conspired against us. That night, when... when we lost Olly, I didn't just lose him. I lost you too. And I thought we could survive anything, us two. I thought, if anything, something that horrific would make us stronger. I pushed you away. It was my fault. I was the one. GENTLE PIANO MUSIC CHURCH BELLS CHIME GENTLE MUSIC CONTINUES Hey. Hey. Hey. Hey. Hey. Uh, do you mind if I join you? No. I thought you were at the inn. Uh, Tony is. How's James? How's James? He's good. He's with his mum this weekend. Always mentions you every time I see him. Well, actually, he talks about 'the pretty lady with the present.' How was his, uh, swimming race? He did really well. He came second. Oh. He looks so pleased. Listen, um, tell me to mind my own business. Are you and Tony OK? Well, you see us pretty regularly. Um, what do you think? I shouldn't pry. I shouldn't pry. No, I was serious. I mean, you're a` you're a detective. What do you see when you look at me and Tony? (SIGHS) I see two people who have been through something dreadful. I see two people who have been through something dreadful. I see an alky and a basket case. Hey, come on, that's not fair. Now, you` you picked yourself up after that night on the bridge. You went back to London, you forced yourself back into work, back into some kind of life. You know, you've gotta give yourself credit for that, even if Tony won't. You know, you've gotta give yourself credit for that, even if Tony won't. It's not his fault. He... He blames himself... for Olly. And I told him a long time ago that I blamed him too. I don't think he's ever forgotten that. But you are trying to put yourself back together, and you can't let Tony stand in the way of that. Wow, they're beautiful pictures. He's such a lovely boy. You're very lucky. I am lucky. CHURCH BELL CHIMES Should have known you'd follow us out here. Well, I have a job to do. Well, I have a job to do. Is that what you call it? Oh, and a new mouth to feed, I can see. Yeah. Maybe. There's quite a high risk of my child having cystic fibrosis. They wanna... run some tests to make sure. But to do the test, well, that carries a risk of miscarriage. And if it's positive, then what? Can I see? If someone had told me when Olly was born, 'You're going to lose him. 'He's going to be taken from you. 'And you'll never know why, 'and you'll never see him again.' I'd still have had him. Not that it's any of my concern. What, no questions for me? No. GUNFIRE, SHOUTING GUNFIRE CONTINUES GUNFIRE CONTINUES CRASH! SHOUTING SHOUTING IN FRENCH SUSPENSEFUL MUSIC GUNFIRE CONTINUES ON TELEVISION HELICOPTER WHIRRS WHISPERS: Hey. WHISPERS: Hey. Tony. Thanks for this. It means a lot. We arrested Claude Duchamps an hour and a half ago. Just remember, please, it is against protocol to show you in here. If Detective Walsh was not a friend... We'll be discreet, I promise. We'll be discreet, I promise. Follow me, please. MAN SPEAKING IN FRENCH The child was abducted by his own father. He and the mother had a bad divorce, so he feared he would lose custody, so he arranged for his brother to take the child somewhere public, so he would be above suspicion. He was thinking of your son's case when he planned it. He knew the connection would be made in the eyes of the public. Who would do that? Who would let someone believe that their own child`? It's more common than you think. Most child abductions are done by the parents. CLAUDE DUCHAMPS SPEAKS FRENCH He says, 'You asked me why? 'She was going to leave the country with her new husband. 'I lose the right to see my son, my own flesh and blood. 'You ask me why? It is because I love him with all my heart, 'and I would do anything for him. 'Anything.' CLAUDE DUCHAMP CONTINUES SPEAKING FRENCH MOURNFUL STRING MUSIC BIRDS TWITTER, PEOPLE CHATTER Tony. I can't believe it. I can't believe it. What? You're not... You're not... What? You're not... What? ...relieved? No, I am. Jesus Christ, Tony. That woman, she thought she'd lost her son. Jesus Christ, Tony. That woman, she thought she'd lost her son. We did lose our son. Why would you wish that on anyone else? How can you be upset about that boy being found? I thought we might be on to something. It might be connected. And you're sad that they aren't? That this child is... What the hell is wrong with you? Don't tell me there isn't some small part of you what wanted it to be related, so that it might tell us something, might point us in some kind of direction after all these years? No! No! Why? Because you've given up on him! Is this what our lives are now? We don't talk any more. We don't sleep together. Christ,... (SIGHS) I can't even remember the last time I smiled. We're allowed to smile, Tony. It doesn't make us bad people. It makes us human, because we have to at least try, or we might as well give up on life. But you already have, haven't you? Haven't you? Look, I think we should get a divorce. Fine. (SOBS) No, um... Oh God, I'm sorry. Oh God, I'm sorry. Listen` No, I'm sorry. Oh God, I'm sorry. Listen` No, I'm sorry. WHISPERS: I'm sorry. No. No. I'm so sorry. No. I'm so sorry. No, no. The truth is, I think Mark's better for you than I ever was. He's been there for you all these years. He put you before everything else. I didn't. After Olly was taken, I couldn't even... see you any more. All I saw was him. His eyes, his smile, always reminding me it was my fault. I just want you to be happy. You deserve that. Life's short. Just stop thinking about Malik and what's gonna happen if it all comes out, and just... just... grab life while you can. Just grab it. SOFT PIANO MUSIC What? You've had too much to drink. MUSIC SLOWLY BUILDS MUSIC CONTINUES CELL PHONE VIBRATES MUSIC BUILDS Hello? Hello? ANOUAR: Monsieur Baptiste. Merci. (COUGHS) How many times this morning? Twice. There is a bug going around at work. You've been feeling nauseous all week, though, no? I went to Oxford. Maybe the travelling... I think we'll take a week off the treatment. No. No. Your body is rejecting the chemicals. It needs time to adjust. Perhaps a smaller dose... Perhaps a smaller dose... You don't understand! It is working. On the contrary, Mr Bourg, it's doing the opposite. It's making you sick. Without it, I will be sick. My mind will be sick. Help me. Please. Please? Please? (SIGHS) BIRDS TWITTER DOOR CLOSES DOOR CLOSES Bonjour. BAPTISTE AND SYLVIE SPEAK FRENCH (GROANS) The foie gras, eh? (SPEAKS FRENCH) (SPEAKS FRENCH) No, merci. I... Listen. I, um, I need to talk to you about something. Sure. I have something to say. Sure. I have something to say. Yeah, I know, Hold on. Sure. I have something to say. Yeah, I know, Hold on. Yeah, please. Malik Suri called me yesterday. He knows about Ian Garrett, about what I did. How? How? He didn't say. Just that he has enough to go to print. Well,... (SCOFFS) he doesn't have any proof. The only proof is, uh... The only proof is, uh... ...the shirt. I know. I destroyed it. He doesn't need proof, Julien. He just needs to make an allegation. People will start looking into it, and then you could get dragged into the whole mess. Those construction guys at Audresselles saw you take the shirt. What if Laurence asks them about it? I make my own decisions, sir. I'm prepared to face the consequences. No. It's not right. I'm going to confess. You know, if I get in front of it, then you won't get sucked in. I need to write a statement. Well,... (CLEARS THROAT) you've made up your mind. I will not try to change it. But please, allow me to help you with your statement. We must place events in a certain light, just so, in order that people may fully understand what you did. OK then. OK then. And first we'll go and see Khalid Ziane. Why? He won't see us without his son. Then it's a good thing Anouar will be joining us at the maison d'arret, huh? I spoke with him last night. I wanted to tell you when I came in, but, you know... Your statement... (CHUCKLES) You can call Emily now. You can call Emily now. Yeah. May I? May I? Uh, yeah. TENSE MUSIC DOOR BUZZES, THUDS MUSIC CONTINUES MUSIC BUILDS DOOR CLANGS (GRUNTS) MUSIC CONTINUES (GASPS) (GRUNTS) (PANTS) (GASPS) MUSIC SWELLS DOOR BUZZES (BREATHES HEAVILY) (STOPS BREATHING) MUSIC STOPS (SPEAKS FRENCH) CHAINS RATTLE, ROPE GROANS Someone had him killed because he was gonna talk. Someone had him killed because he was gonna talk. Yes. The question is who knew that he was about to speak to us? What, so that's it? There's nothing else that we can do? There is some hope. A small hope. Someone Ziane fed information to. MACHINE BUZZES MACHINE BUZZES One more. Deep breath, deep breath. Let's turn that off. Let's turn that off. DOORBELL RINGS Good job. Let me take it off now. Good job. Let me take it off now. WOMAN: I'll get it! > Oh, we're finished now. All right. High five. Oh, missed. High five. Oh! High five? Whoa! Can we talk? So, what's this about? Back in 2006 the man you exposed as Khalid Charmataines was leaking you information from the Hughes case. I believe he gave you something that he found on a recanvas of the scene, something that you never gave back. You've a very vivid imagination, detective. Can I still call you that? Can I still call you that? What? Can I still call you that? What? Detective. I heard you were leaving the force. I heard you were leaving the force. No, no, I'm still a copper, which is how I got hold of this. These are the financial records of Evett-Reed Associates, a private forensic firm based in Amersham. I knew you wouldn't be able to resist playing detective. This shows that you submitted an item for analysis round about the time of the Hughes' disappearance. Paid for it in cash so it didn't show up on your statements, but your name was still recorded. I think I'm gonna call my lawyer. I think I'm gonna call my lawyer. (INHALES SHARPLY) Oh, I think that's the worst thing you could do. Julien Baptiste says you're gonna make a claim in your book that Tony Hughes killed Ian Garrett. When the case is reopened, you'll find that's more than just a claim. The case isn't gonna be reopened though, is it? Cos I'm gonna make you an offer, and if you cooperate, and if you give back whatever you're holding, along with the lab report and kill this story, then I won't have to put you in a French prison for obstruction of justice. You ever been in a French prison, Malik? Obviously not. Obviously not. Charmataines was in one. In fact, he was murdered in one a few hours ago. UNEASY MUSIC Have we got a deal, Malik? MUSIC CONTINUES SAFE BEEPS MUSIC BUILDS (CLICKS LIGHTER) MUSIC CONTINUES I've made bad decisions, yeah. But that doesn't make me a bad person. Why would you say that Tony Hughes killed Ian Garrett? Why would you say something like that? MAN SPEAKS FRENCH OVER PA SYSTEM SUSPENSEFUL MUSIC MUSIC CONTINUES DIAL TONE This is the voicemail of Tony Hughes. I can't take your call. Leave your name and number. I'll get back to you as soon as I can. RECORDED VOICE: Please enter the four-digit code to access your voicemail. EMILY: Tony? I just told you I wanted a divorce, and you looked at me like it was nothing. God, I'm just trying to get through to you, to talk you, and... I don't blame you for what you did to Ian Garrett. I mean... The things he did... If you care about us at all, please call me back. Maybe it's not too late. RECORDED VOICE: Message deleted. SUSPENSEFUL MUSIC CONTINUES RECORDED VOICE: You have no new messages. PHONE BEEPS MUSIC GROWS (SLAMS DOOR) Sylvie. Sylvie. They say on the news that they found the boy. It's, uh, good news, huh? Uh-huh. Uh, look, Sylvie, I'm gonna be staying for a while anyway. The missing boy might have nothing to do with Olly, but, um, I've been doing some digging of my own. I'm gonna get hold of the old police files. Even without them, I think I've got a couple of leads, so, uh... No time like the present. And I'd like my old room back, if it's still available. Are you sure? It's... not too much of a reminder? I want to be reminded. Oh, of course, yes. Thanks. CELL PHONE RINGS Hello? SOMBRE PIANO MUSIC (SNIFFS) (SNIFFS) PILLS CLATTER KNOCK ON DOOR Hey. Hey. Hey. (SNIFFS) I was just checking you were OK. I was just checking you were OK. No, you don't` I'm fine. Do you wanna come in? Yeah. (SNIFFS) I` I saw you and Tony at the commissariat` I` I saw you and Tony at the commissariat` We're getting a divorce. SIGHS: Oh shit. I'm sorry. > I think this last year we just stayed together because of Olly, because being with Tony reminds me of him, and what it was like to be a family. But neither of us are really there for each other at all, or ourselves. I suppose when... all your dreams are about drowning or suffocating, it's probably time to get out. I've been through it. I know. GENTLE PIANO MUSIC MUSIC CONTINUES MUSIC BUILDS MAN SPEAKS FRENCH OVER PA SYSTEM TRAIN GROANS, SQUEAKS We appreciate you coming, Mark. We appreciate you coming, Mark. Ca va? (KISSES) (KISSES) So, um,... this is what Ziane gave Malik Suri. The initial lab reports were inconclusive about the blood stains, but we have enough to run more DNA. Hopefully it will come up with something. I know what it is. I know who it belongs to. Captions by Alana Cruikshank. Edited by Jessica Boell. www.able.co.nz Captions were made possible with funding from NZ On Air. Copyright Able 2015