I've found something. INTRIGUING MUSIC See the boy in the background there? Oliver's scarf. Tony, it's there. EMILY: What happened in that house? I don't ask questions, for my safety. Now I keep seeing him scared and desperate ` seeing that man. (GASPS) He was here. The bosses have been distracted. They are transporting something. The bosses have been distracted. They are transporting something. MARK: Sex trafficking. ALL SHOUT IN FRENCH Antoine! They're members of, uh, Caid de Cite. Allez-y! Go! Go! (SHOUTS IN FRENCH) > This is what Ziane gave Malik Suri. INTRIGUING MUSIC CONTINUES As long as you carry that picture, you'll carry your son with you. Thank you, Sylvie. (SIGHS) I know what it is; I know who it belongs to. SWING SQUEAKS BOYS SHOUT IN RUSSIAN EERIE MUSIC BIRD SQUAWKS SHOUTING CONTINUES WIND HOWLS SOFTLY FOOTSTEPS PLOD BOY SHOUTS EERIE MUSIC CHILD CHUCKLES BOY SHOUTS IN RUSSIAN MUSIC CONTINUES (SPEAKS RUSSIAN) BOYS SHOUT EERIE MUSIC INTENSIFIES 1 PENSIVE MUSIC # Oh, my love. # We pray each day. # May you come home # and be OK. # For now we'll wait for you, # for you to come home. # Captions by Sarah Maiava. Edited by Anne Langford. www.able.co.nz Captions were made possible with funding from NZ On Air. Copyright Able 2015 ENGINES HUM Let love and faithfulness never leave you. Bind them around your neck; write them on the tablet of your heart. Then you will win favour and a good name in the sight of God and man. Trust in the Lord with all your heart and lean not on your understanding. You've come here today to seek God's help; to control these desires within you, because you understand it would be wrong to hurt a child, and I tell you this ` > God will grant that help. > Your thoughts are not your actions; > your sexual desires are not the same as your behaviours. > We are all God's children. > Stay the hour. You may not have faith, but you'll find the lessons we teach could be useful. I shouldn't have come. I'm, uh... (STAMMERS) I'm sorry. > Why are you leaving? I'm not an old man, but I feel tired as one. I thought science would help me to get rid of this sickness, but my body rejected it, and now I'm here ` (INHALES, EXHALES SHARPLY) thinking that God will save me? (CHUCKLES SOFTLY) Or Jesus will? If we believe this,... (SNIFFS) we must also believe that he was the one that made us this way, monsters that we are. It's never too late to make a change. DOOR SQUEAKS, CREAKS ENGINE RUMBLES BRAKE CREAKS, ENGINE CUTS TENSE MUSIC BIRD TWEETS MUSIC CONTINUES DOG BARKS IN DISTANCE JULIEN SNIFFS (SNIFFS) (SNIFFS) Why don't we go in and speak to her? No. What if she goes quiet? Asks for a` a lawyer? Search warrant? That won't happen. It can happen. Maybe she's involved. Maybe she's involved. No, no way. Maybe she's involved. No, no way. Trust me; I know what I'm doing. I did trust you; you slept with my wife. I did trust you; you slept with my wife. Tony, just stop it. (EXHALES) TENSE MUSIC CONTINUES There she is. Wait, wait, wait. CELL PHONE RINGS TENSE MUSIC CONTINUES COINS JINGLE MUSIC CONTINUES Seven, eight. There's nine. 10. COINS CLINK, RUSTLING Is it there? There's five coins there. Seven. Julien? Julien? It's missing. (SMACKS LIPS) 12. (PANTS) TENSE MUSIC CONTINUES ELEVATOR HUMS ELEVATOR CLUNKS Bonjour, Madame. Nous revenons pour Alain Deloix. NURSE: La chambre en face, mais il doit repose. Where is he? Where is he? There. MUSIC CONTINUES (PANTS) (EXHALES) DOOR SQUEAKS MUSIC SLOWLY FADES Alain. Alain. (GRUNTS SOFTLY) Sylvie showed me something recently ` your sobriety chips. She keeps them all in a box at the hotel. One for every year. Only, one was missing. Back in 2006, you hadn't had a drink for 12 years. This was found near the pool where Olly was taken. (BREATHES RAGGEDLY) (BREATHES RAGGEDLY) It's yours, isn't it? TENSE MUSIC WEAKLY: (GROANS SOFTLY) Je suis fatigue. Look at it. Alain, regardez. Regardez le. Look at it. Look at it. Look at it. Look at it. Tony, please. (SOBS) TENSE MUSIC CONTINUES (CONTINUES SOBBING, BREATHES RAGGEDLY) What did you do to my son, eh? What did you do to my boy? Tell me what you did with him! Tell me! Tell me what you did with him! (GASPS) (GASPS FRANTICALLY) Alain. WHISPERS: Alain. Listen. You're dying, aren't you? Aren't you? Look at me. Look, you have nothing to lose by telling us the truth. (SNORTS) Please. I'm begging you. PENSIVE MUSIC I'm begging you. < (BREATHES DEEPLY) You had just arrived at the hotel. < You were with your boy. (MUTTERS PLAYFULLY, CHUCKLES) Hello. Um, we want to go here. OK. Uh, well, it just looks very close on the, um, map, and I wanted to check` Oi. Oi. Yes. It is not too far. Oi, stop that. Oi, stop that. From this place, go to left about 10 minutes. < Uh-huh. < Uh-huh. < Turn right, et voila. (CHATTERS INDISTINCTLY) (LAUGHS) FAN HUMS SOFTLY, MAN CHATTERS ON TV CRICKETS CHIRP (CHATTERS INDISTINCTLY) BOTH CHATTER La c'est tout ce que j'ai dis. > TV CONTINUES PLAYING > Oui. (CHUCKLES) Cherie. Cherie. (STAMMERS) Oui? ENGINE TURNS OVER, RUMBLES Whoa! I got you. I got you. One more? One,... two,... (SQUEALS) (SQUEALS) Whoa! (CHUCKLES) ENGINES HUM, PEOPLE CHATTER DOOR SQUEAKS, FOOTBALL COMMENTARY PLAYS ON TV COMMENTARY CONTINUES CHEERING ON TV OMINOUS MUSIC (SPEAKS FRENCH) What would you like to drink? I think a cup of, hmm, I know, some hot butter. No! It's delicious, I'm telling you. It's delicious, I'm telling you. PEOPLE SHOUT It's delicious, I'm telling you. PEOPLE SHOUT What about some frogs' legs? No! No! Lemonade? Yeah? Yeah. Yeah. Come on, then. Hold my hand. PEOPLE SHOUT, COMMENTARY PLAYS ON TV One beer, one lemonade. HUBBUB CONTINUES INTRIGUING MUSIC CHEERING (CHEERS) Super! (EXCLAIMS IN FRENCH) Whoo-hoo! (CHUCKLES) Whoo-hoo! (CHUCKLES) FRENCH COMMENTARY PLAYS ON RADIO CHEERING INTRIGUING MUSIC CONTINUES CHEERING CONTINUES MUSIC CONTINUES SOFTLY: Don't be scared. SOFTLY: Don't be scared. (WHINES) TYRES SCREECH, THUD! FRENCH COMMENTARY PLAYS ON RADIO, ENGINE HUMS BRAKE CLICKS COMMENTARY CONTINUES, CRICKETS CHIRP TENSE MUSIC (GASPS) No. No, no. (SOBS) WEAKLY: I` I checked his pulse, but there was nothing. I couldn't hear him breathing. BOTH SOB He was lying there... so still. (WHIMPERS, PANTS RAPIDLY) RADIO COMMENTARY CONTINUES SOFTLY SOBRIETY CHIP CLINKS, PHONE KEYPAD BEEPS (PANTS) LINE RINGS WOMAN SPEAKS FRENCH (WHIMPERS) (WHIMPERS) WOMAN: Allo? (SPEAKS FRENCH) Allo? (WHIMPERS) (WHIMPERS) WOMAN CONTINUES SPEAKING FRENCH (RETCHES, WHEEZES) (SPITS, PANTS) DISTANTLY: Olly! Olly! TENSE MUSIC Olly! Olly! Olly! (WHIMPERS SOFTLY, MUTTERS) Je suis desole. Je suis desole. (SOBS) Olly! (WHIMPERS, PANTS) (SOBS) TENSE MUSIC CONTINUES BOTH SOB WEAKLY: I was... afraid. I panic. (WHEEZES) And the body,... what did you do with it? MUSIC CONTINUES You could never have done this alone... with the roadblocks we'd put up, with the search parties. You had help. You had help. No. You had help. No. Yes. (PANTS WEAKLY) (SIGHS) Yes. PEOPLE CHATTER IN FRENCH PHONE RINGS Mr and Mrs Hughes, I am Georges Deloix, the juge d'instruction assigned to this case. I assure you, my men are doing everything in their power to find your boy. Can you tell us exactly what's happening? Can you tell us exactly what's happening? You are in excellent hands. If you will excuse me now. If you will excuse me now. Pardon. If you will excuse me now. Pardon. Oui. PHONES RING PHONES RING I thought you might like something to drink. The machine here is, um... Who's he? Who's he? Le juge d'instruction ` the investigating judge. Not a judge like you have in England. Not a judge like you have in England. PHONE RINGS, CHATTER CONTINUES Allo? Allo? ALAIN STAMMERS ALAIN SOBS UPBEAT MUSIC What does a sieve and most NZ homes have in common? Hundreds of tiny holes. Like water streaming through a sieve, heat streams out of houses through holes and gaps in ceilings, walls, floors and windows. Heat always finds places to escape. Add it up, and it's like having a hole this big in your wall. You can turn up the heating, but you'll just be burning money. So trap heat in with effective insulation in ceilings, walls and floors and draught-proof doors and windows. Consider curtains that go right to the floor. Here's a tip ` drawing curtains before the dark retains the heat from the day. A properly insulated house is like having a thermal blanket wrapped around your home, trapping heat in, keeping it warm and comfortable. If we all made a small effort all the time, we could save the country over $100 million in energy each year. I'll see you next time. ENGINE ROARS (YELLS) (WHIMPERS) (WHIMPERS) THUD! (WHIMPERS) THUD! (SPEAKS FRENCH, YELLS IN FRENCH) (YELLS) Non. Non. Non! (CRIES) (PANTS RAPIDLY) OK. OK. Calme-toi, OK? OK. Calme-toi, OK? Oui. (SNIFFS) CRICKETS CHIRP (BREATHES RAGGEDLY) Ecoutez-moi bien. D'accord? SUSPENSEFUL MUSIC ENGINE RUMBLES MUSIC CONTINUES KEYS JINGLE DOOR CLANKS, SQUEAKS MUSIC CONTINUES ENGINE HUMS SOFTLY (PANTS) (SNIFFS) MUSIC CONTINUES MUFFLED CHEERING (PANTS) CHEERING, WHISTLING FIREWORKS WHISTLE, BANG > FIREWORKS, CHEERING CONTINUES IN DISTANCE (BREATHES RAGGEDLY) MAN SPEAKS OVER PHONE Georges Deloix. OK. OK. (SNIFFS) OK. (SNIFFS) What is it? Listen, a long time ago, I did you a favour. I need to call it in. < Georges,... (PANTS) he gave a call to someone t` to dispose of the body. of the body. Who? of the body. Who? (WHIMPERS, PANTS) I thought... I thought he was dead. I didn't know. If I'd known... If I'd known... Who did Georges call? > (PANTS) < He called a man he knew from his early career ` a Romanian, he said. > Caid de Cite? Caid de Cite? Yeah. Georges had the connection. SUSPENSEFUL MUSIC MUSIC CONTINUES THUMPING, FOOTSTEPS ABOVE SUSPENSEFUL MUSIC CONTINUES QUICK FOOTSTEPS (GRUNTS) (SNIFFLES, CRIES OUT) (GRUNTS) MUSIC CONTINUES (PANTS) (SOBS SOFTLY) Why? Why did they keep him in there? Georges told me... (COUGHS, WHEEZES) More water. (PANTS SHALLOWLY) (GULPS) (GRUNTS) (GRUNTS) If Olly was alive, why didn't Georges take him to the hospital? Please. Please don't make me say. (WHEEZES) (WHEEZES) Tell me. Tell me! (STAMMERS) It's all right. It's all right. You don't need to hear this. Yes, we can finish. Yes, we can finish. No! I want to hear it. We need to hear it. I will call the team to pick up Georges right now. I will call the team to pick up Georges right now. Yeah. > Continuez. KNOCK ON DOOR Mon Dieu. (SIGHS) SOMBRE PIANO MUSIC Your brother screwed up. The boy was still alive when I got here. The boy was still alive when I got here. What? He was alive? (PANTS) Where is he? D` Did you take him to hospital, for Christ's sake? Where is he? D` Did you take him to hospital, for Christ's sake? He saw my face. You think I would take the chance? < You called me to get rid of the boy. It's done. (SIGHS) SOMBRE PIANO MUSIC CONTINUES MUSIC CONTINUES 1 Our son Oliver is 5 years old. He loves cars, ice cream, animals ` uh, foxes in particular. CAMERAS CLICK CAMERAS CLICK He's everything to us. (BREATHES DEEPLY) He's our little boy. SOMBRE MUSIC CONTINUES CLICKING CONTINUES If you have him, we are begging you, please let him go. Take him to somewhere safe and let the police know where he is. > Please bring him home to his family > who love him. > Please bring him home. (WHISPERS) Please. > (CRIES) (SNIFFLES) SOMBRE MUSIC INTENSIFIES BOTH SOB SOFTLY < JULIEN: Where is he now? (SPEAKS FRENCH) Georges tells me... it is not good that I ask those things. You're a monster! This cancer is my punishment. I beg you,... please,... do not tell Sylvie. I beg you. Do not punish her for my sin. SOTTO VOCE: Please. SOBS: Do not punish her. MUSIC CONTINUES Tony. (COUGHS) MUSIC SOFTENS (BREATHES WEAKLY) A team are on their way now to arrest Georges. (SIGHS) I can't believe he was involved. EERIE MUSIC Laurence, tell me something. Georges called you earlier when we went to the Hotel L'Eden. What did he want? What did he want? He wanted an update on the case. SUSPENSEFUL MUSIC PEOPLE CHATTER Alors? Alors? It est partit avec son passeport. D'accord. PHONE RINGS, CONVERSATION CONTINUES IN FRENCH BIRDS TWITTER ENGINES HUM IN DISTANCE Tony. Um,... I'm checking out. I'm checking out. KEYS JINGLE Tell me what happened. Did you find out something? Oliver's dead, Sylvie. He died not long after he was taken. > (GASPS SOFTLY) (SIGHS) WHISPERS: I'm so sorry. Alain. Say goodbye to Alain for me. I'll do, of course. PENSIVE MUSIC Take care, Sylvie. DOOR SQUEAKS MUSIC CONTINUES 1 ENGINE HUMS (TURNS OFF ENGINE) (SIGHS) Look after yourself,Tony, yes? I will. I will. And start trying to live your life, eh? I will. > MAN SPEAKS FRENCH IN DISTANCE I just keep thinking... the only person that saw the body was Georges,... the only person that saw the body was Georges,... The search is in hand. ...but in the reports, it says that you investigated a lead in Paris, 2006. An undercover source had heard that the Caid de Cite were planning to move a package to the Far East. I mean, you must've thought that could've been Oliver, eh? I mean, you must've thought that could've been Oliver, eh? It turned out to be nothing but a ruse to flush out Leon. but a ruse to flush out Leon. Yeah, but the rumour must've started somewhere. > (SIGHS) Tony, Alain confessed to us what happened. His own brother, the man who he trusted with this secret, would have no reason to lie to him about seeing Oliver's body. would have no reason to lie to him about seeing Oliver's body. Yeah, but that's just it ` we don't have a body. More often than not, this is the case in these situations. It's the sad reality. I am sorry to say this, but the painful truth is what happened to your boy is perhaps the best you could've hoped for. Rather he died than end up in the hands of a man such as Ian Garrett or that he became one of those poor children kept captive away from sunlight and human contact > in someone's prison of a basement for` for their whole lives. You wish he were alive, but what kind of a life is that? But how can I leave with Georges still out there? Without knowing? This time we must leave the search to others. Laurence is on the case. And stop torturing yourself with what might have been when we've already heard the truth. (SIGHS) Oh. I got you this. It's, um, a rehab centre in London. It's supposed to be the best. I just thought your daughter... I know it's none of my business, but I thought, um,... you can't give up trying. Trust me. > Just don't give up no matter what. Thank you. Well,... have a good trip home. What home? Home... Home is not just a place, Tony; it's whatever there is in your life that stops you feeling alone. PENSIVE MUSIC MUSIC CONTINUES PEOPLE CHATTER BIRDS TWITTER, CHILDREN SHOUT SOMBRE MUSIC KEYS JINGLE CHILDREN LAUGH CHILDREN SHOUT > SOMBRE MUSIC CONTINUES ROPE CREAKS SOFTLY BIRDS TWITTER EERIE MUSIC ENGINES HUM MUSIC CONTINUES Il est la. MUSIC CONTINUES GUNSHOT, BIRDS SQUAWK SQUAWKING CONTINUES GUNSHOT BIRDS TWITTER BIRD CLUCKS EERIE MUSIC CONTINUES Georges! > Lachez votre arme! > BIRD CLUCKS MUSIC CONTINUES GUN CLICKS Non. Non. GUNSHOT Non. GUNSHOT Non! Non! (SIGHS SOFTLY) MAN CHATTERS DISTANTLY > MAN: (CHUCKLES) He had to ask the suspect how the new Lexus he was driving handled. > He seemed more interested in the transmission modes > than the four pounds of coke we'd found packed inside the spare wheel. Oh, Ladies and gentlemen, to Mark and Emily. Oh, Ladies and gentlemen, to Mark and Emily. ALL: To Mark and Emily. GLASSES CLINK PEOPLE CHATTER, CHUCKLE GLASS CLINKS Right. Um, I know it's not usual for the bride to make a speech, and in this instance, she probably shouldn't with the amount of wine I've drunk,... (CHUCKLES) and I wasn't going to, but, um` but I wanted to say something; I wanted to thank you all... BIRDS TWITTER ...for everything. When something bad happens, um, a tragedy like ours, it's the other people that help you through it. GENTLE MUSIC Me and my ex-husband, we were both... (SIGHS) lost ` so much so that we even lost each other along the way. But there were other people there to help us ` to stop us from drowning... (SIGHS) ...and to help us to try and start living so we could stand on our own two feet,... BOTH CHUCKLE SOFTLY ...and, you see, without these people, we'd be nowhere, and the good things that happen to us would mean nothing... MONITOR BEEPS ...and neither would the bad,... BEEPING CONTINUES (SOBS) GENTLE MUSIC CONTINUES ...and you've always been there, and that's what's kept me going. < People always tell me how brave I am, but, to be honest, I think that's bullshit. (CHUCKLES SOFTLY) You're the brave one, Mark, for sticking with me. Uh, to Mark and Emily. ALL: To Mark and Emily. Now cheer up and put some bloody music on! Now cheer up and put some bloody music on! CHEERING, APPLAUSE GENTLE MUSIC CONTINUES 1 1 (RUBS HANDS TOGETHER) PEOPLE CHATTER IN DISTANCE FOOTSTEPS APPROACH FOOTSTEPS APPROACH Hey. Hey. Oh, hi. Sorry. I, um, got some cake on my sleeve. Oh, let me help. LIGHT MUSIC PLAYS IN DISTANCE Here. Hmm. Oh God. That's yours, isn't it? Oh God. That's yours, isn't it? Mm-hm. I like that you put it up. I think it was Mark, actually. I think it was Mark, actually. Oh. I think it was Mark, actually. Oh. (CHUCKLES) Well, he's a man of taste. God, the amount of '80s music he listens to... I started to miss your damn blues obsession ` briefly. That's not really doing the job. That's not really doing the job. Don't worry about it. That's not really doing the job. Don't worry about it. It's fine. No. It's fine. It's fine. (SIGHS) PHONE VIBRATES It's Julien. I'll speak to him later. (SIGHS) It's a lovely wedding. Well, bit last-minute but, uh, didn't really have the money for it since... Yeah. CHATTER CONTINUES Did you read about Vincent Bourg? He was in some kind of treatment programme for what he was, and, well, he committed suicide. I dunno. I... I think he was wrong for giving up. I believe that people can change; they can leave their past behind them. Anyway,... (SIGHS) are you OK, Tony? Yeah, I'm fine. Can I tell you something? Anything. (SIGHS) When we found out that Olly died, I actually felt relieved... just to know what happened, but I only felt it for a split second. Isn't that just awful? CHATTER CONTINUES > CHATTER CONTINUES > No. I understand. But it's a new day ` it's your day. (CHUCKLES SOFTLY) (CHUCKLES SOFTLY) You should be out there. No. No, I'd like to stay here with you ` well, if that's OK. Yeah. EERIE MUSIC EERIE MUSIC CONTINUES PEN SCRATCHES Julien. Julien. Hi, Tony. Um, listen. (STAMMERS) I'm sorry. I hope I didn't wake you. It's OK. It's OK. I got your message... about Georges. Jesus. Did he leave anything behind, any clues, anything that could help us? Did he leave anything behind, any clues, anything that could help us? (SIGHS) Please. Please, Tony. Um, what about the Romanian who cut Rini's throat? If the Caid de Cite helped Georges get away, and we find them` and we find them` Listen, Tony. Your son is gone. That's enough. But,... (SIGHS) we don't have his body. You know, all we have is what Alain told us, and` and, uh,... (SIGHS) you know, which means we don't have anything for sure. If you can't live with your doubts, they will destroy you, Tony. WIND HOWLS SOFTLY BOYS SHOUT IN RUSSIAN SHOUTING CONTINUES, SWING SQUEAKS (PANTS) HOWLING CONTINUES CHILD CRIES, CHILDREN CHATTER < BOY SPEAKS RUSSIAN WHISPERS: It's you. It's you, isn't it? (GASPS SOFTLY) My boy. My little boy. Olly, come here. No, no. No, I don't want to hurt you. I'd never hurt you. (PANTS, SPEAKS RUSSIAN) (MUTTERS) Open it. Open it. Open it. WHISPERS: Here. (PANTS) You` You see, Olly? (SPEAKS RUSSIAN) (SPEAKS RUSSIAN) Here. CAR DOOR CLOSES CAR DOOR CLOSES WHISPERS: My boy. Come here. Yes, Olly. It's you. Tell me. Tell me it's you. Tell me, Olly. Tell me it's you. POLICEMAN SPEAKS RUSSIAN POLICEMAN SPEAKS RUSSIAN No, no. It's my son. (SPEAKS RUSSIAN) No, it's my son. No! No! No, it's my son! Olly. No. No. Olly, come here. Come with me! Olly, come here. Come with me! POLICEMEN SHOUT IN RUSSIAN No! No! Olly! (SPEAKS RUSSIAN) He's my son! No! Olly! Olly! (SHOUTS IN RUSSIAN) Olly! (SHOUTS IN RUSSIAN) I've found you! (YELLS) SOMBRE MUSIC CAR DOOR CLOSES, ENGINE HUMS, TYRES SCREECH MUSIC CONTINUES Captions by Sarah Maiava. Edited by Anne Langford. www.able.co.nz Captions were made possible with funding from NZ On Air. Copyright Able 2015