(GIRL SCREAMS) (SCREAMS) (SCREAMS) (INDISTINCT CHATTER) (MUFFLED SCREAMING) (KNOCK) (SIGHS) HOW ABOUT I DRIVE, HUH? (INDISTINCT POLICE RADIO CHATTER) THERE WE GO. (SIGHS) WHEW. ABOUT TIME YOU SHOWED UP. YEAH, WELL, SOME COUPLES, IT SEEMS THEY LIKE TO TALK. DID THEY SEE ANYTHING? THEY, UH, THEY DON'T KNOW THE GIRLS. THEY DIDN'T SEE THE CAR, NOTHING. J.D.: HOW MANY MORE MILES DO WE HAVE LEFT TO COVER HERE? SARA: WE'RE ON STONE HOLLOW AND WE NEED TO CHECK THESE 2 ROADS AND CIRCLE BACK AROUND. HARRIS WANTS US BACK TO BASE BY MIDNIGHT, SO... (INDISTINCT POLICE RADIO CHATTER) MAYBE THE PERIMETER'S NOT WIDE ENOUGH. MAYBE-- THIS GUY'S A TRAVELLER. MAYBE THE FIRST BODY IS THROWING US OFF. YOUR TURN. # I KNOW THE REASON # (SWING CREAKING) (MUSIC BOX PLAYING FAINTLY) (MUSIC VOLUME INCREASES) (CRASH) (PANTING) NEW PAINT, NEW PLATES. IT'S OUR GUY. SHIT. BACK IN THE CAR, LET HIM THINK WE'RE LEAVING. WE'LL GET TACTICAL OUT HERE. ALL UNITS, THIS IS PREDATOR 5 REQUESTING BACK UP. WE'RE ON STONE HOLLOW ROAD. WE HAVE THE UNSUB'S VEHICLE-- (GIRLS SCREAMING) THEY'RE STILL ALIVE. COME ON! F.B.I.! (HOUSE CREAKING) (FLIES BUZZING) (CAT HISSING) (DOOR CLOSES) (MUSIC BOX PLAYING) (GIRL SCREAMING) (GUNSHOTS) (GUNSHOT) (J.D. PANTING) OH, GOD. CHECK THE GIRLS. SARA! (PANTING) (WATER DRIPPING) TALK TO ME, SARA. PREDATOR 5 TO BASE, OVER. WE HAVE SITUATION SECURE. REPEAT, SITUATION IS SECURE. THE SUSPECT IS DEAD. (SIGHS) SO ARE THE GIRLS. (INDISTINCT POLICE RADIO CHATTER) THERE WERE 3 SHOTS FIRED. (GASPS) HEY! SARA! SARA, DROP! YOU'RE IN THE LINE. GET DOWN. (GUNSHOTS) (CAMERA BEEPS) (WATER DRIPPING) (GROANS) (SIGHS) MAN, THOUGHT YOU GUYS WERE NEVER GOING TO GET HERE. (SIGHS) HEY, HARRIS! I'M FUCKING STARVING. (FLIES BUZZING) (CHIRPS) (INDISTINCT POLICE RADIO CHATTER) (CAR ENGINE STARTS) SO, TOMORROW, I HAVE A SENIOR STAFF MEETING WITH THE DIRECTOR. A Q4 PERFORMANCE REVIEW, AND AN ACADEMY COURSE TO PREP, BUT NOW, INSTEAD, I GET TO WASTE MY WHOLE DAY AT YOUR FUNERALS. SPECIAL AGENT MOORE, WHEN IS THE SITUATION SECURE? ON THE DRIVE HOME. ON THE DRIVE HOME. THAT'S RIGHT, ON THE DRIVE HOME. SIR, WE DIDN'T-- SHUT UP. CIGARETTES ON THE TABLE, MOORE AT THE DOOR, DIFFERENT BRANDS, 2 CARS OUT FRONT, 4 PLACE SETTINGS, NOT 3. ALL SHOULD HAVE ALERTED YOU TO THE POSSIBILITY THAT THERE MIGHT BE ANOTHER SUSPECT. I THINK, UH-- SORRY, WHAT? (SIGHS) WHAT DID YOU SAY? I THINK YOU ENJOY WATCHING US FAIL, SIR. BETTER IN HERE THAN OUT THERE. YOU KNOW THIS REALLY HAPPENED? THE UNSUB WAS APPREHENDED IN UNDER 2 MINUTES WITHOUT A SHOT FIRED. TOOK YOU GUYS 7 MINUTES, AND YOU KILLED YOUR PARTNER. HAVE SOME CAKE. HARRIS: THE MAJORITY OF MURDERS ARE COMMITTED BY SOMEONE KNOWN TO THE VICTIM. THOSE THAT ARE NOT SOLVED WITHIN THE FIRST 48 HOURS SELDOM ARE. NOT SO WITH SERIAL KILLERS. ONE ADVANTAGE IN THIS LINE OF WORK IS KNOWING THAT AS LONG AS THE UNSUB IS OUT THERE, YOU'LL ALWAYS HAVE ANOTHER CHANCE. WITH EACH NEW KILLING COMES A RESETTING OF THE CLOCK. TIME IS ON YOUR SIDE. THE MODEL FOR THIS EXERCISE WAS A MISSING PERSON SEARCH IN BUFFALO, 1982. THE DEAD MAN WAS AN ACCOMPLICE WHO WAS KILLED THE DAY BEFORE. THE KILLER STAGED A SUICIDE IN ORDER TO TRY AND EFFECT AN ESCAPE. AS YOU CAN SEE, SOME OF YOU RESPONDED BETTER THAN OTHERS. WELL, EXACTLY HOW MANY TIMES HAS A PROFILER BEEN IN A KILLER CAPTURE SITUATION SINCE 1982? ARE YOU SUGGESTING I'M PREPARING YOU FOR SOMETHING YOU MAY NEVER EXPERIENCE? SUCCESS COMES WHEN YOU UNDERSTAND THAT YOUR MOST LETHAL WEAPON ISN'T YOUR FIREARM, BUT YOUR BRAIN. A LOT OF THE OLD GUARD HERE DON'T BELIEVE IN MY METHODS. A LOT OF THEM THINK I'M CRAZY. YOU'RE A PRIVILEGED GROUP. YOU'RE ALL SMART, OR YOU WOULDN'T BE HERE. I JUST WANT YOU TO BE SMARTER. OUR FINAL EXERCISE WILL BE ON THE ISLAND OF ONEGA. THE SIMULATION WILL BE A TEST PRIMARILY OF YOUR TEAMWORK. I HOPE YOU'RE READY. THEN HOW COULD WE HAVE SAVED THE GIRLS AT THE OLD HOTEL? YOU COULDN'T. THEY WERE DEAD NO MATTER WHAT YOU DID. I DON'T UNDERSTAND. WHAT'S THE POINT OF THE EXERCISE IF WE COULDN'T SAVE THEM? THE POINT IS TO GET USED TO IT. (MAROON 5 PLAYS HARDER TO BREATHE) # HOW DARE YOU SAY THAT MY BEHAVIOUR IS UNACCEPTABLE... # GOOD EVENING, MY FINE, YOUNG F.B.I. FRIENDS. I AM A PRETTY LITTLE THING JUST OUT OF LIT CLASS AT G.M.U. PLEASE NOTE THE JIMMY JOYCE IN MY KATE SPADE. (CHUCKLING) MY PARENTS ARE LOADED, AS PER MY EXPENSIVE ENSEMBLE, AND THAT "J," WHERE IS IT? ON MY KEY RING. MEANS I'M EITHER A JILL OR A JENNIFER. THOSE BEING THE FAVOURITE "J" NAMES OF BELTWAY PARENTS CIRCA 1981. I LIKE TO HANG WITH MY GIRLFRIENDS AND HAVE A GOOD TIME, BUT I'M REALLY JUST A MATURE WOMAN LOOKING FOR A MATURE MAN. AND I RECENTLY QUIT SMOKING. WHY'D YOU SAY THAT? YOU SEE THEY WAY SHE KEEPS EYEING THE GUY NEXT TO HER? IT'S NOT HIM. IT'S HIS CIGARETTE. SPOKEN LIKE A WOMAN WHO KNOWS. HOW LONG HAS IT BEEN, NICOLE? 3 DAYS? THE LOVELY NICOLE AND HER PERSONAL DEMONS. I'M SURPRISED THERE'S ENOUGH ROOM AT THE TABLE FOR ALL OF US. TAKE ME 5 MINUTES TO GET HER NUMBER. TAKE ME 2. YOU'RE ON. OH, MONEY'S COMING OUT. 20? 20 WORKS. WHOO! 20 WORKS. WHOA, BIG MONEY. HI. I THINK I KNOW YOU, DON'T I? YOU'RE, UM... UH, JILL, RIGHT? JEN. JEN, JEN, YES, YES. JEN, OF COURSE. OK, OBVIOUSLY, YOU DON'T REMEMBER ME. MY NAME IS, UH, BOBBY, BOBBY WHITMAN. RAFE, YOU'RE UP, PROFILE. OK... BLACK SUIT, BLOND HAIR, MARTINI. AND THE SOPHISTICATED TYPE, ON THE PROWL FOR PRETTY YOUNG THINGS. PREFERABLY BLOND, PREFERABLY A CHEERLEADER WITH GREAT BIG-- OH, YOU'VE GOTTA BE KIDDING ME. (LAUGHING) RIGHT ABOUT THE BLOND. THEY'RE ON FIRE. I THINK YOU'RE, UH, PROJECTING. UH, I DON'T KNOW, IT WAS LIKE 2 SECONDS AT A LECTURE LAST SEMESTER. G.M.U. LIT DEPARTMENT, RIGHT? THE MOODY LECTURE? YEAH, YEAH, MOODY, HECK OF A WRITER. UM... I'M ACTUALLY NOT EVEN A STUDENT MYSELF. I, UH, WORK IN FINANCE. OH, FINANCE? OH! RIGHT, BOBBY. YEAH. HI, HOW ARE YOU? HI, I'M GOOD. UH, HE'S GOT 15 SECONDS. THANK YOU. WELL, LUCAS, LOOKS LIKE TONIGHT WASN'T YOUR NIGHT. WELL, I KNOW HER, HER NAME IS JEN. I TOLD HER TO PLAY ALONG. YOU'RE FULL OF SHIT. YOU NEVER KNOW. OOH. OOH... (LAUGHTER) SO, WHAT IS GOING ON IN THAT HEAD? WE'RE PROFESSIONALS, WE SHOULDN'T HAVE TO PUT UP WITH HARRIS' SHIT. ALL RIGHT, WHAT'S UP? I'M NOT MAKING PROFILER. I WAS ALONE IN HIS OFFICE, HIS RECOMMENDS WERE ON THE DESK, AND I READ THEM. WE STILL HAVE THE WEEKEND AT ONEGA. HE SAYS I'M UNFOCUSED. SAYS I'M NOT CAPABLE OF THE PSYCHOLOGICAL COMMITMENT NECESSARY FOR PROFILING WORK. HOW DO YOU LIKE THAT? COMMITMENT. LOOK AT ME, MAN. VINCE, I THINK MAYBE-- YOU'RE NOT MAKING PROFILER EITHER, SARA. SORRY, I READ IT. DON'T WORK TOO HARD OUT THERE, OK? (ENGINE STARTING) WE'VE GOT A LATE ADDITION. THIS IS DETECTIVE GABE JENSEN. HE'S FROM PHILADELPHIA P.D. GOOD MORNING, HOW ARE YOU DOING? HE'S THEIR RESIDENT PROFILER, AND SOMEHOW HE GOT ON D.O.J.'S GOOD SIDE AND CONVINCED THE ATTORNEY GENERAL THAT HE COULD SIT IN ON SOME EXERCISES AND SEE HOW I WORK. DO I HAVE THE POLITICS ABOUT RIGHT, DETECTIVE? SOMETHING LIKE THAT. WAIT, HE'S JOINING THE TEAM? HE'S JUST HERE TO OBSERVE, NOT TO PARTICIPATE. NOW, BE NICE TO HIM OR IT'S MY ASS. NO OFFENCE, DETECTIVE. NONE TAKEN. IT'S AN HONOUR TO MEET ALL OF YOU. WANT TO DO HOSTAGE RESCUE, A SMALLPOX OUTBREAK? THIS IS THE PLACE. NAVY SEALS BUILT IT FOR WAR GAME PRACTICE, BUT ONCE A YEAR, THEY TURN IT OVER TO ME FOR THE WEEKEND. OK, GET YOUR RAPPELLING LINES OUT OF THE BACK AND PREPARE TO DROP. THAT'S A JOKE. HARRIS: HERE WE ARE. CRIME TOWN, U.S.A. WHERE ALL THE RESIDENTS ARE DEAD... OR ARE ABOUT TO BE. NOW, THE IDEA, HERE, PEOPLE IS TO ONLY KILL THE BAD GUYS. BUT NOBODY'S PERFECT. IT'S NICE TO HEAR YOU SAY THAT, SIR. RAFE: JUST LIKE BEIRUT MEETS BELFAST. SIR, I THOUGHT THEY DIDN'T LET FOREIGN NATIONALS IN THE F.B.I. DON'T WORRY, ON THE INSIDE HE'S 100 PERCENT AMERICAN. RIGHT, RAFE? AS AMERICAN AS THE DEATH PENALTY. THAT'S MY BOY. THINK I'M IN LOVE. OH, THERE IS ONE OTHER PERSON THAT'LL BE COMING ALONG SHORTLY. WHO'S THAT? HE'S CALLED THE PUPPETEER. HE'S KILLED 2 PEOPLE ON THESE STREETS. AND HE'S ABOUT TO KILL A THIRD. TOMORROW MORNING YOU'LL FIND THE CRIME SCENE AND RECEIVE YOUR BACKGROUND DOSSIERS. BY 0800 ON MONDAY, I WANT A FULL PROFILE OF THIS SUSPECT. I WANNA KNOW WHO HE IS, WHAT HE DOES, AND WHERE HE'S GONNA DO IT NEXT. I'M ASKING SPECIAL AGENT RESTON TO BE TEAM LEADER, UNLESS YOU'D LIKE TO DEFER. NO, HARRIS. I WILL, UH, SOLVE WHATEVER SICK, TWISTED CRIME SCENARIO YOU'VE COME UP WITH. I HOPE SO. 1 JENSEN: WHAT'S THE TANK FOR? HARRIS: THE NAVY USES IT TO SIMULATE ARCTIC REGIONS. THAT'S WHAT THE NITROGEN'S FOR. IN GENERAL, IF IT SAYS "MILITARY," DON'T TOUCH IT. OH. GREAT. NAVY HUMOUR. THE COMPUTERS ARE LOADED WITH VICAP. BUT THEY'RE FULLY FIREWALLED, SO DON'T DO ANY RESEARCH OFF-SITE. IF YOU WANNA DO ANY BLOOD SAMPLES ON THE AUTORAD, ANALYZE FIBRES, SCOUT SAMPLES, IT'S ALL HERE. YOU REST UP HERE TILL THE MORNING. DOWNSTAIRS IS A FULLY STOCKED FREEZER, BUNKS, AND YOUR SHOWERS. DON'T FORGET YOU'RE 50 MILES OFFSHORE, SO, IF YOU RUN OUT OF TOILET PAPER, YOU ARE SHIT OUT OF LUCK. SO, WHAT'S THE POINT? SORRY, DETECTIVE? THE ISLAND, THE MIDDLE OF NOWHERE, THEY'RE ALL PROFESSIONALS. WHAT'S THE POINT? THE POINT IS THAT THEY'RE ISOLATED, ALONE, AND FORGOTTEN. THAT'S WHAT IT'S LIKE TO BE INSIDE THE MIND OF THE SOCIOPATH. HAVE YOU NOTICED IT'S A REALLY BAD FEELING HERE? GOOD LUCK ON YOUR PROFILE. (TECHNO MUSIC PLAYING) GO! # UHH! IT'S GETTING HOT # (WATCH BEEPS) # UHH! IT'S GETTING HOT # # UHH! UHH! IT'S GETTING HOT # # UHH! IT'S GETTING HOT # # UHH! IT'S GETTING HOT # (ELEVATOR DINGS) # UHH! UHH! IT'S GETTING HOT # # COME ON, BABY, COME ON, BABY # WHAT? HE SAID DRESS FOR AN ISLAND. SO, UM, DETECTIVE, WHAT EXACTLY DID YOU DO TO EARN THIS ISLAND PARADISE? RECOMMENDED FOR IT. SAME AS YOU. NO, WHY, THOUGH? I MEAN, DID YOU CATCH SOME KILLER IN PHILLY, OR SOMETHING? WHAT'S THE DEAL? YOU DON'T WANNA KNOW MY WAR STORIES. WELL, ACTUALLY, I DO. I MEAN, RIGHT NOW, WHAT DO WE KNOW ABOUT YOU, FOR REAL? WE KNOW HE'S GOT RESENTMENTS TOWARD HIS PARENTS. AS PER THE OVERLOAD ON TATTOOS HE'S GOT THERE. WE KNOW HE'S JUST OUT OF A BAD RELATIONSHIP, HE'S BARELY LOOKED TWICE AT ME AND SARA. MAYBE YOU'RE NOT MY TYPE, NICOLE. WE'RE ALONE ON AN ISLAND. TRUST ME. I'M YOUR TYPE. WE ALSO KNOW HE WATCHES HIS WORDS. SO THAT CROSSWORD'S EITHER A SIGN OF HONING A TALENT... OR CORRECTING A DEFICIENCY. WHAT YOU SAY ABOUT ME DOESN'T TELL YOU ABOUT ME. IT TELLS ME ABOUT YOU. NOW, I COULD SAY YOUR LITTLE GAMBLING MEANS YOU HAVE AN ADDICTIVE PERSONALITY. I COULD SAY I KNOW YOU'RE SLEEPING WITH ONE OF THE GUYS IN THIS ROOM. I COULD SAY YOU TAKE CHARGE OF YOUR TEAM BECAUSE YOU NEVER HAD A LEADER IN YOUR OWN LIFE. AND YOU. WHEN PUSH COMES TO SHOVE, YOU CRACK UNDER PRESSURE. YOUR PARTNERS CAN'T DEPEND ON YOU. YOU DON'T BELONG HERE. BUT THAT'S ALL SURFACE. PSYCH 101 BULLSHIT. THAT'S NOT WHO YOU ARE. ALL FOR KILLING HIM IN HIS SLEEP? BAD FOR YOU. MINUTE 45. DAMN! YOU PUSH ME IN, I'LL HAVE YOUR BADGE. I, UH, CAME OUT HERE TO FEED THE DUCKS. BUT I SEE YOU'RE FEEDING THE DUCKS. MAYBE WE COULD FEED THE DUCKS TOGETHER. LEAVE YOU ALONE? NO, NO. IT'S ALL RIGHT. THANKS. I DON'T SMOKE. I KNOW. IT'S A GESTURE. GOODWILL, SYMPATHY, YOU KNOW. THE USUAL. IN LIEU OF KNOWING WHAT'S GOING ON. HE'S NOT GONNA LET ME MAKE PROFILER. THINKS I CAN'T GET PAST IT. IS HE RIGHT? WHEN I WAS A KID, I LOST BOTH MY PARENTS. FREAK THING. 10 YEARS OLD. BANG. MORTALITY. SO, I GREW UP LIVIN' REAL HARD. RACING CARS, SMOKING, DRINKING. SLEEPIN' WITH ANY GIRL I COULD FIND. REAL STUPID, DANGEROUS LIFESTYLE. THEN I TURNED 11, AND... ALL I KNOW IS THIS. YOU DON'T CONFRONT YOUR DEMONS AND DEFEAT THEM. YOU CONFRONT THEM, THEN YOU CONFRONT THEM, THEN YOU CONFRONT THEM SOME MORE. EVERY SINGLE DAY. YOU ARE SERIOUSLY FUCKED UP, YOU KNOW THAT? YOU KNOW WHAT I HATE ABOUT YOU, J.D.? WHAT? YOU ONLY WANT ME FOR MY MIND. (MEOWS) (GRUNTING) (YOWLING) (BELL RINGING) (CAT YOWLING) (SCREAMS) NICOLE: WHAT HAPPENED? I'D LIKE TO KNOW HOW HARRIS GOT IT HERE. I'D SAY THE ISSUE IS WHY. HERE, KITTY, KITTY. WHAT KIND OF SIMULATION IS THIS? ECCH. (GROANS) ECCH. 10:00. THAT SUPPOSED TO MEAN SOMETHING? SO, WHAT? IS THIS SUPPOSED TO BE SOME KIND OF WARNING SIGN? WELL, IF I KNOW HARRIS, IT'S A SIGN OF SOMETHING. IT'S 9:30 A.M., SATURDAY MORNING. WE'RE IN SEARCH OF AN UNKNOWN CRIME SCENE. WE'LL SPLIT INTO PAIRS. FIRST ONE WHO FINDS IT WINS MY ETERNAL LOVE AND DEVOTION. LUCAS: AND A DEAD CAT. AND A DEAD CAT. RAFE: NOW, THIS PLACE MUST REMIND YOU OF HOME. HA! HAPPY TOWN, U.S.A. LOOK. IT'S LITTLE BOBBY. LITTLE BOBBY'S GONNA GROW UP TO BE BIG AND STRONG AND PURSUE A CAREER IN BURIED CHILDREN AND DISMEMBERED MUMMIES. NOW THAT WILL MAKE HAPPY TOWN PROUD. I THINK YOU'RE IN THE WRONG LINE OF WORK. (WHISPERS) NO, MATE. NOT ME. HEY. DINNER AT HARRIS' HOUSE. PASS THE NUTS. CHARMING. 1 GREAT. A CIGARETTE MACHINE. TEMPTATION IS EVERYWHERE. HEY, AGENT. WE SEARCHIN' TOGETHER OR WHAT? SUIT YOURSELF. I'M ON VACATION. RAFE: HEY, VINCE! CHECK OUT THE OTHER SIDE OF TOWN! YEAH, YEAH, YEAH. (CHUCKLES) HEY, EVERYBODY! (LAUGHS) HARRIS, YOU'RE ONE SICK SON OF A BITCH. STAY ON MY SIX. OK, EVERYBODY. IT'S ABOUT THAT TIME TO LOOK ALIVE. WE HAVE... VICTIM... OR VICTIMS? WE GOT A, UH, SINGLE VICTIM, CAUCASIAN FEMALE, 25, 26. THE PUPPETEER. THAT'S A HELL OF A SIGNATURE. ONE OF YOU CHECK THE EMPLOYEE LOGS, RECEIPTS. SEE WHO, UH, WHO SHOPPED HERE, WHO WORKED HERE, THAT SORT OF THING. LET ME RUN FORENSIC. WORK THE TIMELINE. SARA, WHY DON'T YOU CHECK THE CARCASS? SARA. SURE. OH. THERE'S SPLATTER BEHIND THE COUNTER. THE GIRL WAS DEFINITELY MOVED. ANY VENTURE AS TO WEAPON? NIC, YOU WANNA TAKE POINT ON M.O.? ABSOLUTELY. NIC, NOT TO STEP ON YOUR TOES, BUT I'M GONNA BET THE GUY'S A TROPHY TAKER. J.D.: WHAT ARE SMILING ABOUT? IF THE TAXPAYERS ONLY KNEW. I THINK I'LL GO SEE IF THE UNSUB'S STILL IN THE BUILDING. SWEETHEART, IT'S JUST A SIMULATION, YEAH? WHERE WE'RE FROM, A SITE SEARCH IS CALLED PROCEDURE. YEAH? WE SHOULD HAVE BEEN ALLOWED TO BRING OUR GUNS. DOESN'T FEEL REAL WITHOUT MY GUN. HELL, VINCE. HOW REAL DO YOU WANT IT? TOY CLOCK: # WELCOME... # J.D.: DON'T MOVE. DON'T MOVE! SARA. # PULL MY STRINGS. IT'S TIME TO PLAY # LET'S SEE WHAT FREAK SHOW HARRIS HAS IN MIND HERE. # SURPRISES AND PUPPET PLAY TIME # IT'S NO FUN UNLESS IT'S A CHALLENGE, RIGHT? # HOPE YOU ALL ENJOY THE STAY # # WELCOME TO PUPPET-- # MOVE! (GRUNTING) UHH! MY LEGS! GABE: NO, DON'T TOUCH IT! HELP! GABE: LEAVE HIM. DON'T TOUCH IT, IT'LL BURN YOU! THEY'RE FROZEN! HELP HIM! (GRUNTING) (ICE BREAKING) AAH, STOP! THIS IS A JOKE, RIGHT? (ALL GASPING) IT'S JUST...SIMULATION. (PANTING) (WHIMPERS) (CRYING) I'M SORRY, NIC. WERE THEY WORKING BEFORE? NO SIGNAL, NOTHING. WHAT IF IT WAS SOME KIND OF ACCIDENT? WHAT IF SOMEHOW-- SOMEONE KILLED J.D. DON'T YOU GET IT? SOMEONE IS HERE, ON THIS ISLAND. THAT WASN'T THERE LAST NIGHT, EITHER. 12:00. IT'S AN HOUR AND A HALF. IT'S A MESSAGE. WHAT ABOUT THE BOAT? WE SAW THAT PIER WITH THE BOAT WHEN WE FLEW IN. LUCAS: WATCH YOUR BACKS AND EVERYONE ELSE'S. HIT THE BOAT, FIND THE RADIO. THE SIMULATION'S OVER. NOW IS NOT THE TIME FOR FEAR, PEOPLE. NOW IS THE TIME-- (ALARM BEEPING) SHIT. SARA! HELP! SARA! GET HER OUT OF THE WATER! (GASPS) LUCAS: HELP ME GET HER OUT OF THE WATER. (ALL PANTING) GET HER OUT OF THE WATER! IT'S OK. YOU'RE OK. (YELLS) I'LL HANDLE IT. I'LL HANDLE IT. I GOT HER-- BACK THE FUCK OFF! I'LL HANDLE IT! IT'S OK. YOU'RE OUT OF THE WATER, ALL RIGHT? YOU'RE OUT. (PANTING) (GROANING) ALL RIGHT. YOU'RE OUT OF THE WATER. YOU'RE OK. WHAT'S HER THING WITH THE WATER? AW, I THINK I LOST MY SMOKES. HARRIS BROUGHT US TO THIS ISLAND, AND NOW WE'RE NOT ALLOWED TO LEAVE. YEAH, LET'S TALK ABOUT THIS HARRIS. (COUGHING) HARRIS WOULDN'T DO THIS. YOU CAN SAY WHAT YOU WANT, BUT HARRIS IS A COMPANY MAN. DID ANYONE ACTUALLY SEE HIM GET BACK IN THAT CHOPPER? OH, TELL ME SOMEBODY WITNESSED THAT. MAYBE HE GOT TIRED OF THE SIMULATIONS. MISSED THE TASTE OF THE REAL THING. I'LL GIVE HIM A TASTE OF THE REAL THING. DID HE JUST PULL THAT GUN OUT OF HIS ARSE? LUCAS: WE WEREN'T SUPPOSED TO BRING WEAPONS. MY GUN GOES WHERE I GO. YOU EVER GET SHOT SOMETIME MAYBE YOU'LL UNDERSTAND. YOU SHOULDN'T HAVE BROUGHT YOUR WEAPON, VINCE. YOU'RE GOING TO BE GLAD I DID. (GUNSHOT) 2 SQUARE MILES AT MOST. GABE: HEY! CHECK THIS OUT. WHO WANTS TO PLAY SOME HIDE AND SEEK? IF ANYONE ELSE IS ON THIS ISLAND, HARRIS OR WORSE... WE'RE GOING TO FIND THEM. HOW'S ABOUT YOUR NAVY, THEN? THEY DON'T MUCK AROUND, DO THEY? DAMN CATS. (THUNDER) (YELLS) OH, FOR THE LOVE OF GOD. JUST TAKE THE ARM. THERE, THERE. THAT'S THE LUCAS I KNOW. YOU WANT TO GET UP AND DO IT ALL OVER AGAIN. ARE YOU ALL RIGHT? YEAH, I TOLD YOU I'M FINE. YEAH, I KNOW YOU TOLD ME, BUT-- AS LONG AS PEOPLE AREN'T ASKING ME IF I'M ALL RIGHT, I'M ALL RIGHT. SO, CAN I ASK YOU SOMETHING ELSE, THEN? ANYTHING ELSE. WELL, SINCE THE END MAY BE NEAR HERE, HAVE YOU KIND OF ALWAYS SORT OF HAD A THING FOR ME? AAH! (LAUGHS) WAS THAT A NO? 20 MINUTES TO 12:00. 1 SO, AT 12:00, SOMEONE ELSE IS KILLED. SOMEBODY LEFT THOSE WATCHES. AND LEFT THEM AFTER HARRIS HAD GONE. WHERE IS THIS KILLER? WE SEARCHED THE ISLAND. SOMEBODY SET THAT TRAP. SOMEBODY RIGGED THAT BOAT. SO, WHAT ARE WE SAYING? WHAT ARE WE SAYING, THIS IS SOME KIND OF GAME? EENY, MEENY, MINEY, MO. WHO'S THE NEXT MOTHERFUCKER TO GO? IT'S 12:00. IT'S 12:00, AND WE'RE STILL HERE! WE'RE STILL HERE, AND IT'S 12 O'CLOCK! AND WE'RE-- SHUT UP, VINCE! ALL RIGHT, LOOK. WE KNOW THAT THERE IS A KILLER ON THE ISLAND. SOMEONE WHO KNOWS WHAT WE'RE HERE FOR. SOMEONE WHO KNOWS WHERE WE'D BE. THERE'S JUST ONE PROBLEM. THERE'S NO ONE ON THE ISLAND BUT US. NOW, HOLD ON. REAL SLOW, REAL EASY LIKE. LET'S ALL MOVE OUR HANDS AWAY FROM OUR WEAPONS. YOU GET ON THE GROUND. SARA: LUCAS. I'M CHECKING THE ROOMS, I FIND THIS BY HIS BED. IT'S MAPS OF THE ISLAND, THE BUILDING, EVERYTHING HERE. BEEN DOING SOME RESEARCH ON THE PLACE? I CAN GODDAMN EXPLAIN. YOU CAN GODDAMN GET ON THE GROUND! THIS IS A MILITARY FACILITY. NO ONE HAS ACCESS TO THIS STUFF! WHOA! YOU GOT ME... ALL WRONG. OH, YEAH, DETECTIVE? THEY YOUR MAPS? I WANT TO SEE YOUR HANDS UP. UP! YOU BELIEVE ME. LUCAS: NO ONE LEAVES THIS ROOM. SINCE WHEN IS THIS ROOM SAFE? SINCE WE'RE ALL IN IT. ON YOUR KNEES, NOW. NOW! DOWN! (SLURRING) SARA... CAN YOU FEEL YOUR FACE? 'CAUSE I CAN'T FEEL YOUR FACE. COFFEE! HUH? SARA: THERE'S SOMETHING IN THE COFFEE. (MOANS) SARA: HEY, NIC... NICOLE: STAY... AWAY FROM... HAVE TO STAY AWAKE... (CUP BREAKS) (DOOR CREAKS) (CAT MEOWS) UNH! YOU GOING SOMEWHERE? COME HERE. SIT DOWN! GABE: HEY, MAN. I CAN EXPLAIN! SHUT UP. LISTEN, I CAN EXPLAIN. I SAID SHUT UP! MAN, YOU DON'T KNOW WHAT YOU'RE DOING. YOU DON'T KNOW WHO I AM. I KNOW YOU KILLED J.D. THAT'S WHAT I KNOW. IS EVERYBODY ALL RIGHT? SARA. SARA. HEY--HEY, SARA? SARA? HEY. (PANTING) I JUST HAD THE WORST DREAM EVER. COME ON. LOOK, IF I'M THE KILLER, WHY DIDN'T I RUN? YOU WERE ALL LYING HERE, HOW COME SO AM I? MAYBE IT'S A TRICK SO YOU CAN FINISH WHAT YOU STARTED. LOOK, I'LL TELL YOU WHY THE MAPS WERE IN THE BAG. NO, YOU TELL US WHAT YOU PUT IN THE COFFEE. THAT'S WHAT YOU TELL US. HEY! WHO MADE IT? DID I MAKE THE COFFEE? SHERLOCK HOLMES OVER THERE MADE IT. THE MAN IS CALLING YOU A KILLER. PERSONALLY, I THINK YOU MIGHT WANT TO DEFEND YOURSELF. OH MY GOD! VINCE: (WHIMPERING) OH, GOD! THERE'S...THERE'S NO BLOOD. SOMEBODY... DRAINED HIS BLOOD. LUCAS: 6:00. 2 WATCHES. 2 WATCHES MEANS 2 VICTIMS? WE GOT 20 MINUTES. ALL RIGHT. (GRUNTING) RIGHT, I WANT TO KNOW WHAT THE NEXT TRAP IS AND I WANT TO KNOW NOW. I CAN'T TELL YOU BECAUSE I DON'T KNOW. YOU'VE BEEN LYING TO US SINCE WE GOT HERE. THAT DOESN'T MAKE ME THE KILLER. THE DEAD PEOPLE DOES. HOW ABOUT THE LONER MENTALITY? HOW ABOUT THE ISSUES WITH THE F.B.I.? I'M NOT A COP, ALL RIGHT? I'M AN INVESTIGATOR WITH THE DEPARTMENT OF JUSTICE. I WAS SENT TO INVESTIGATE HARRIS. THE ATTORNEY GENERAL WAS HEARING RUMOURS ABOUT HIS METHODS. THERE WAS TALK HE WAS PUSHING TRAINEES TOO FAR. THE F.B.I INVESTIGATES THE F.B.I. NOT IF YOU WANT IT DONE RIGHT. LOOK, THEY TOOK HIM OUT OF THE FIELD FOR A REASON, DIDN'T THEY? JUSTICE WAS TALKING, MAYBE THAT WASN'T ENOUGH. THEY SENT ME TO SEE HOW HE WORKS YOU. THE MAPS WERE PREPPED. IT'S A JOB! OH, THIS IS NOT HAPPENING. YOU WANT TO HOOK ME UP TO A POLYGRAPH? HOOK ME UP! YEAH, WE KNOW HOW TO BEAT A POLYGRAPH, TOO. HE'S LYING. WATCH HIS EYES. I'M NOT LYING, I JUST DON'T LIKE YOU. OK, YOU'VE GOT 15 MINUTES. SO, YOU EITHER TELL US WHERE THE TRAP IS OR YOU NEVER LEAVE THIS ROOM, AND I MEAN NEVER. DON'T TAKE YOUR EYES OFF OF HIM. OK. NOW, START TALKING. IT'S A 9-NUMBER SEQUENCE REPEATING ITSELF. 9 PERMUTATIONS. WHAT, A CODE? A COMBINATION? IT HAS SOMETHING TO DO WITH TIME. HE HAS AN OBSESSION WITH TIME. FORGET THE NUMBERS. WE NEED TO FIND THE TRAP. THE NUMBERS ARE THE MESSAGE, LUCAS. WHAT IF IT TELLS US WHERE THE TRAP MIGHT BE? YOU WANT TO WORK THE NUMBERS, FINE. BOBBY, HELP HER WORK THE NUMBERS. I'M SEARCHING THE BUILDING. I'M SEARCHING WITH YOU. 10 MINUTES. PHONE NUMBER, SOCIAL SECURITY NUMBER, COORDINATES. TALK TO ME! 7 MINUTES. BETWEEN YOU AND ME... I'M NOT A VIOLENT PERSON. THE THING I'VE LEARNED IN MY LIFE IS THIS-- SOMETIMES IF YOU FIND YOURSELF FEELING... DEEP ANGER AND FRUSTRATION ABOUT WHERE YOU FIND YOURSELF, WHAT HAS HAPPENED TO YOU, THE HEALTHY THING TO DO IS TO FIND AN OUTLET AND LET IT ALL FUCKING GO. AT 6:00, ONE OF US DIES. MY OUTLET IS YOU. (CLOCK BEEPS) I AM NOT YOUR GUY. YOU DON'T WANT TO DO THIS, MAN. YOU'LL HAVE TO LIVE WITH WHAT YOU DON'T KNOW. I THINK WE'RE CLEAR ON THIS LEVEL. SARA: THE OBSESSION IS TIME. IT HAS TO DO WITH TIME. I KNOW IT. 5-8-2-9-9-7-9-2-4. WHAT IS IT? SARA, IT'S NO USE. 8-2-9-9-7-9-2-4-5. WHAT IS THAT? SARA-- 2-9-9-7-9-- IT'S A NUMBER! IT'S A FUCKING NUMBER! THEY'RE ALL JUST FUCKING NUMBERS! 7-9-2-4-5-8-2-7-9. ANYBODY? ANYONE? WHAT ARE WE THINKING HERE? WHAT ABOUT A RATE? WHEN YOU FACTOR IN TIME, AN AMOUNT BECOMES A RATE. OR A SPEED. YEAH, WHAT KIND OF SPEED DO YOU MEASURE IN THE MILLIONS? ATOMS, ELECTRONS. HOW THE HELL SHOULD I KNOW? LIGHT. 299 MILLION... 792,458 METRES PER SECOND. THIS IS THE ORIGINAL MEASUREMENT FOR LIGHT. AND YOU KNOW THAT? IT'S A BASIC PRINCIPLE OF PHYSICS. ALONG WITH "SHIT HAPPENS". TURN THEM OFF. THE LIGHTS, TURN THEM OFF. WHAT IF THAT'S THE TRAP? IT'S ABOUT THE LIGHT. RAFE: WHAT IS THAT? WHAT? BACK OF YOUR COAT. IT'S ON YOURS, TOO. HE'S MARKED US. LETTERS. IT'S LIKE A POWDER. PUT ON US WHILE WE SLEPT. NIC: "A", "O", "R", "T." TORA, ROTA, ROAT? ATRO. FIRST IT'S NUMBERS, NOW IT'S LETTERS. IT'S 6:00. (WATCH BEEPING) IT JUST TURNED 6:00. 1 (CRASH) HEY. WHO'S OUT THERE? ANYBODY HEAR ME? (WATER RUNNING) YOU'RE A DEAD MAN. YOU GUYS! DOWN HERE! (CREAKING) UHH! UHH! WHOA! GABE: VINCE! VINCE, LISTEN TO ME! WE'VE GOT TO SHUT OFF THE POWER. FUCK YOU! YOU'RE TRAPPED! OH, YEAH. I'M SO CLEVER I'M ABOUT TO KILL MYSELF. MAN, THERE'S CIRCUIT BREAKERS IN THAT STORE ROOM. CAN YOU GET THERE, CAN YOU REACH IT? CAN YOU REACH IT? LOOK, I CAN. BUT YOU GOTTA GIVE ME YOUR GUN. I AIN'T GIVING YOU SQUAT! ARE YOU GOING TO HANG ON FOREVER, OR ARE YOU GOING TO THROW ME YOUR GUN? I'M GOING TO WATCH YOU DIE. WATCH ME DIE AND THEN WHAT? AND THEN WHAT? COME ON! PLEASE! THROW IT! (DISTANT GUNSHOTS) (GRUNTS) LOSING MY GRIP, GABE. OH! (GRUNTS) STAIRS. OH, NO. I'M LOSING MY GRIP! COME ON, GABE! COME ON, GABE! (PANTING) HYAH! VINCE! WHAT'S HAPPENING IN THERE? VINCE: STAY OUT OF THE WATER! STAY OUT OF THE WATER! WHERE'S THAT COP? VINCE?! (YELLING) LIGHTS OUT. (VINCE GROANING) I'M ALIVE! VINCE, WHAT'S GOING ON? TALK TO ME! I'M ALIVE! (GASPING) YES! LUCAS: YOU OK? VINCE: I'M ALIVE! I'M ALIVE! HE SAVED MY LIFE, LUCAS. STILL THINK YOU KNOW ME, AGENT? STILL THINK YOU KNOW WHO I AM? ALL RIGHT, HOW DO WE TURN OFF THE WATER? LOOK, WHOEVER DID THIS REALLY KNOWS HIS ENGINEERING. REMOTES, TIMERS. THEY TEACH SOME OF THIS BACK IN FIRST YEAR WITH SIEGE TACTICS. BUT TO SET THIS UP THIS FAST YOU'VE GOT TO REALLY KNOW WHAT YOU'RE DOING. PRESSURE PLATES, RADIO DETONATORS, IT'S ALL PRIVATE SECTOR SOLD, BUT THE WIRING'S THE TRICKY PART. PEOPLE TAKE SPECIALITY COURSES IN THIS SORT OF THING FOR YEARS. RIGHT. THANK YOU. YOU CAN ALL GO TO HELL. (GRUNTS) (SCREAMING) LUCAS: BOBBY! (BOBBY WHIMPERING) LOOK AT ME, LOOK AT ME, LOOK AT ME! 2 WATCHES, 2 TRAPS. SON OF A BITCH. SO, HOW ABOUT ME, HUH? HOW ABOUT ME?! IS IT MY FUCKING TIME?! RIGHT HERE, RIGHT NOW! WHO FUCKING WAS IT?! IT WAS YOU WHO SAID TO TURN OFF THE WATER. YEAH, WHATEVER MAKES YOU FEEL BETTER. (SARA CRYING) LUCAS: SARA? I DON'T THINK ANY OF US SHOULD BE ALONE RIGHT NOW. OK? NIC FOUND ANOTHER WATCH. WE'VE GOT AN HOUR AND A HALF. VINCE: SO, WHAT'S WITH THE JACKETS? IF IT'S A MESSAGE, WHAT'S THE ORDER? THE ORDER WE'RE DYING IN. J.D., RAFE, BOBBY. WHICH LETTERS WERE THEIRS? THAT WOULDN'T WORK. THESE WERE TRAPS, THEY COULD'VE KILLED ANY ONE OF US. HOW ABOUT THE ORDER WE SIGNED UP WITH THE BUREAU? WHO HERE HAD SENIORITY? J.D., THEN BOBBY. THEN ME. VINCE: THEN ME. CRO... ATOAN... CRO-TOAN? CROTON, CROATO-- (BANGS TABLE) MIGHT AS WELL PICK 'EM AT RANDOM. CROATOAN, LIKE THE ISLAND. THE COLONY. VINCE: DO YOU KNOW WHERE WE ARE, NEAR THE OUTER BANKS OF NORTH CAROLINA? IT'S ONE OF THE FIRST SITES SETTLED BY THE EUROPEANS IN THE NEW WORLD. IN THE 16TH CENTURY, THERE WAS A SHIP OF SETTLERS THAT LANDED RIGHT AROUND HERE, SENT TO COLONIZE THE PLACE FOR ENGLAND. THEY BUILT THEIR TOWN ON ROANOKE ISLAND. OVER 100 PEOPLE. 2 YEARS LATER, A SUPPLY SHIP SAILED IN, ONLY TO FIND THAT THE COLONY HAD VANISHED WITHOUT A TRACE. NO BODIES, NO PAPERS, NO EVIDENCE OF ANYTHING. OVER 100 PEOPLE...GONE. AND THE ONLY THING LEFT WAS A SINGLE WORD FOUND CARVED IN A TREE. CROATOAN. WHAT WAS CROATOAN? SOME SAID A BODY OF WATER. OTHERS SAID AN INDIAN TRIBE. THE POINT IS IS 500 YEARS LATER, WE STILL DON'T KNOW WHERE THOSE PEOPLE HAVE GONE. THAT'S THE MESSAGE. AN ISLAND FULL OF PEOPLE VANISH FOREVER. AND IT HAPPENED HERE. THE KILLER ISN'T AFTER THE F.B.I. HE'S AFTER INFAMY. IT TROUBLES ME THAT YOU KNOW THIS STORY. IT WOULD TROUBLE YOU MORE IF I DIDN'T. ALL RIGHT, WE KNOW METHOD, WE KNOW MOTIVE. ALL THAT'S MISSING NOW IS WHERE HE MADE HIS MISTAKE. (LATCHES CLICK) GOT SOMETHING. NICOLE: WE'VE GOT BLOOD. UNDER RAFE'S NAILS. HE MUST HAVE STRUGGLED WITH THE KILLER, WE GOTTA RUN IT PAST AUTORAY. WHAT ARE YOU STARING AT? TIME. GABE: SOMEBODY KNOW HOW THIS THING WORKS? NICOLE: I DO. WE CAN HAVE A D.N.A. MATCH IN UNDER AN HOUR. WE'VE ONLY GOT LESS THAN AN HOUR. WE'LL NEED BLOOD COMPARISONS FROM EACH OF US. UNLESS ANYONE HAS A PROBLEM WITH THAT. 1 GOD, I WANT A CIGARETTE. YOU AND ME BOTH. YOU'RE A GAMBLING MAN, AREN'T YOU, LUCAS? WHO WOULD YOU PUT YOUR MONEY ON, NOW? NOT SURE MY MONEY WOULD GO ANYWHERE DIFFERENT. WE JUST ABOUT DIED DOWN THERE. YOU DIDN'T KNOW YOU'D BE DOWN THERE. WHAT DO YOU DO, NOT HELP VINCE? WE'RE GOING TO TRUST YOU THEN? I'LL TRUST YOU WHEN YOU'RE DEAD. WELL, LET ME ENLIGHTEN YOU. YOU KNOW THERE'S A BOMB ON A BOAT, YOU DON'T RUN TOWARD IT FIRST IN LINE. I DON'T, MAYBE YOU DO. NICOLE: ENOUGH! (COMPUTER BEEPING) GUNS ON THE TABLE. EVERYBODY. I'M NOT GIVING UP MY GUN. I THINK I SPEAK FOR THE GROUP WHEN I SAY, THAT WOULD BE BAD. I DON'T GO ANYWHERE WITHOUT MY GUN. I'LL GIVE YOU MY WHEELS FIRST. I'LL GIVE UP MY CHAIR. I'M NOT GIVING UP MY GUN. YOU GOT IT! GABE: HIT THE DAMN THING. HIT IT! (GASPS) ON THE GROUND. NIC, WAIT. IT'S NOT ME, IT'S A MISTAKE. ON THE GROUND, DAMN IT! I WILL WASTE YOU, SARA. YOU WANT TO KILL ME, HUH? YOU WANT TO KILL ME? THE SITUATION IS SECURE, NIC. THAT'S WHAT HARRIS SAYS, RIGHT? THE SITUATION IS SECURE ON THE DRIVE HOME. LOWER YOUR WEAPON, AGENT. SARA: LUCAS, LUCAS, IT'S NOT ME, LUCAS. TELL THEM. IT'S NOT ME. IT DON'T MAKE SENSE, WHY HER? BECAUSE SHE WASN'T GOING TO MAKE IT. SHE WASN'T GOING TO MAKE PROFILER. I SAW THE RECOMMENDS MYSELF. NEITHER WERE YOU, VINCE. BUT I NEVER HAD SOMEONE IN MY FAMILY GET MURDERED. NO KID SISTER OF MINE EVER GOT DROWNED AND RAPED. DROWNED AND RAPED OVER AND OVER AND OVER. WHO KNOWS WHAT THAT WOULD DO TO MY HEAD? YOU DON'T KNOW. VINCE: THE F.B.I. DIDN'T SAVE YOUR SISTER, SARA, AND THEY DIDN'T CATCH HER KILLER. SO, WHY SHOULD THEY BE ABLE TO CATCH YOU, WHEN YOU'RE SO MUCH SMARTER THAN EVERYONE? I SWEAR... IT'S NOT ME. IT'S NOT ME. SHE WOULDN'T. NOT SARA. THAT'S WHY SHE PLANNED IT FOR THE ISLAND. SHE WANTED US DEAD AND UNDERWATER, SO WE'D SUFFER. YOU EVER SEE THE PICTURES? FUCKING BRUTAL. I SWEAR ON MY LIFE, IT'S NOT ME. WELL, WE CAN STAY IN HERE AND DEBATE, BUT THERE'S 10 MINUTES TILL THE TRAP. WHAT IS THE TRAP? WHERE IS THE TRAP? I DON'T KNOW. WHAT IS THE TRAP? WHERE IS THE TRAP? I DON'T KNOW. WHAT IS THE TRAP? WHERE IS THE TRAP? I DON'T KNOW. WHAT IS THE TRAP, SARA? YOU TELL ME. NO, YOU TELL ME! WHAT IF SHE'S TELLING THE TRUTH, NIC? THINK ABOUT IT. THIS IS WHAT THE KILLER WANTS. SUSPECTING EACH OTHER, FIGHTING EACH OTHER. THIS IS WHAT MAKES IT FUN. YOU'RE IN THE KILLER'S MIND AGAIN? WE WERE ALL KNOCKED OUT. HE COULD HAVE TAKEN BLOOD FROM ANY OF US. YOU COULD HAVE TAKEN BLOOD FROM-- I'LL TAKE BLOOD FROM YOU! COME ON, CALM DOWN! VINCE: NICOLE... LUCAS: NICOLE... NOBODY ELSE IS GOING TO GET KILLED. YOU WANT TO PROTECT HER? SHE'S BEEN PLAYING YOU FROM THE START, LUCAS. YOU COME AFTER ME, I WILL SHOOT YOU ON SIGHT. NICOLE, WE NEED TO STAY TOGETHER. IF I AM BY MYSELF, I KNOW WHO TO TRUST. YOU GO OUT-- BACK! YOU GO OUT THAT DOOR, YOU DON'T COME BACK IN. W-WHY WOULD I? (THUNDER) DO YOUR JOB. PUT A BULLET IN HER. SARA, PUT YOURSELF IN OUR POSITION. YOU'RE A PROFESSIONAL. YOU HAVE A PRIME SUSPECT, THERE ARE STILL LIVES AT RISK. WHAT DO YOU DO? I DON'T FIT THE PROFILE. WOULDN'T YOU KNOW WHAT NOT TO FIT? YOU SAY I KILL FOR REVENGE? FOR MY PERSONAL PAIN? THAT'S NOT THIS KILLER. THIS KILLER IS IMPERSONAL. DEADLINES, RULES. THEY'RE WAYS OF PROVING SUPERIORITY. SHE'S RIGHT, GABE. YOU KNOW WHAT ELSE IS RIGHT? THEY DON'T LET KILLERS IN THE F.B.I. PLAYING HURT, PLAYING WOUNDED. MAYBE THAT'S HER SKILL. WE ALL HAVE SKILLS. WELL, I SAY WHERE THERE'S A SKILL, THERE'S A WEAKNESS. WE ALL HAVE SKILLS. WAIT, LET'S THINK HERE. ALL ALONG, WE'VE BEEN ASSUMING THAT THE DEATHS HAVE BEEN RANDOM, THAT ANYBODY COULD WALK INTO ANY TRAP, BUT LOOK AT THE TRAPS. J.D. DIES BECAUSE HE WAS OUT FRONT, LEADING US. HE WAS ALWAYS OUT FRONT. AND RAFE, RAFE'S A COFFEE JUNKIE. AND BOBBY, WHO DO WE GO TO TO GET SOMETHING TO WORK? WHO'S OUR MR. FIX-IT? YOU'RE SAYING HE KNEW WHO DIED WHEN. KNEW IT, PLANNED IT. THROUGH OUR CHARACTERISTICS, OUR SKILLS, OUR WEAKNESSES. ALL THIS TIME, THE KILLER HAS BEEN PROFILING US. (VENDING MACHINE CLICKS) VINCE, WHO ARE YOU? WHAT MAKES YOU DIFFERENT FROM THE REST OF US? I--I--I DON'T KNOW. I MEAN, I--I KNOW HISTORY. I--I DO MAZES. I'M IN A GODDAMN CHAIR! LUCAS, HOW DOES HE KILL YOU? THINK. I'M OUR BEST SHOOTER, OUR BEST DRIVER. THOSE ARE MY SKILLS. AND YOUR WEAKNESSES? I SAY I'M FEARLESS AND I'M NOT. THAT LEAVES YOU, SARA. MY SISTER WAS MURDERED. I HAVEN'T BEEN IN THE WATER SINCE. I SEE HER THERE. THAT'S HIS SIGNATURE. OH, MY GOD. NICOLE... (FLESH SIZZLING) (SIZZLING) (COUGHING) LUCAS: NICOLE! (GURGLING) JESUS! NO! 1 (PANTING) SHE FOUND HERSELF SOME CIGARETTES. THEY WERE LACED WITH SOME TYPE OF ACID. IT'S NOT HER, VINCE. WHY? SHE FIGURED OUT THE PATTERN! SO, SHE SAVES HERSELF. WOULDN'T YOU? I DON'T TRUST HER. I DON'T TRUST ANY OF YOU. ISLAND FEVER. YOU GOT IT, HE'S GOT IT, SHE'S GOT IT. AND WE'RE GOING TO RIDE IT OUT ALL NICE AND FRIENDLY UNTIL SOMEBODY FINDS ANOTHER MOTHERFUCKING WATCH. (LOUDSPEAKER FEEDBACK) HARRIS ON P.A.: ARE YOU HAVING FUN YET? I'M HAVING FUN. HARRIS! HE'S BEEN WATCHING US ALL ALONG. DID HE KNOW YOU WERE FROM JUSTICE? WHAT IF HE FIGURED OUT HE WAS BEING WATCHED? NO, NO, NO WAY! WHAT IF HE KNEW THEY WERE GOING TO TAKE AWAY HIS PROGRAM? HARRIS: IS THIS WHAT YOU WANTED? I'M LETTING HER GO, VINCE. HARRIS: TOO BAD YOU WON'T GET A CHANCE TO GRADUATE. YOU'RE ALL SO WEAK. PATHETIC, POWERLESS. YOU SAID YOU SEARCHED THE ISLAND! WE DID, EVERY CORNER OF IT! EVERY CORNER OF IT OR EVERY CORNER YOU COULD SEE? HARRIS: YOU'LL NEVER BE IN CONTROL, NO MATTER HOW HARD YOU TRY. ALL RIGHT, HE'S OUT THERE. WHO'S WITH ME? OUT THERE? WHAT DO YOU THINK THIS IS? THIS IS A FUCKIN' TRAP. WHAT DO YOU MEAN, WHO'S WITH YOU? I'LL TELL YOU WHO'S WITH YOU. I'M WITH YOU. HARRIS: ARE YOU HAVING FUN YET? I'M HAVING FUN. ARE YOU HAVING FUN? YOU'RE ALL GOING OUT THERE? LOOK, I'M NOT GOING ANYWHERE. GABE: YOU'RE RIGHT. YOU STAY PUT. VINCE: WHAT THE FUCK? STOP. WHAT ARE YOU DOING? HARRIS: YOU STILL THINK THAT YOU'RE BETTER THAN ME. HIDE. DON'T TELL ME WHERE, DON'T TELL THEM WHERE. JUST DO IT TILL MONDAY. IT'S FOR THE BEST. MY FUCKING GUN IS EMPTY! (LOUDSPEAKER SQUEALING) HARRIS ON P.A.: IS THIS REAL ENOUGH FOR YOU? YOU CAN'T ESCAPE IT. YOU CAN'T STOP IT. YOU CAN'T TURN IT OFF. (DINGS) (BREATHING HEAVILY) (GROANING) (CREAKING) (DOOR SLAMS) HARRIS: WE CAN DO THIS ALL NIGHT LONG. (MEOWS) WE HAVE ALL THE TIME IN THE WORLD. STILL THINK YOU'RE BETTER THAN ME? STILL THINK YOU'RE BETTER THAN ME? STILL THINK THE PUPIL CAN BEAT THE TEACHER? IS THIS WHAT YOU WANT? IS THIS WHAT YOU EXPECTED? IS THIS REAL ENOUGH FOR YOU? YOU'RE ALL SO WEAK. PATHETIC. TOO BAD YOU WON'T GET A CHANCE TO GRADUATE. YOU'LL NEVER BE IN CONTROL, NO MATTER HOW HARD YOU TRY. YOU ALWAYS LOSE. IF YOU COULD ONLY SEE YOURSELVES THE WAY I SEE YOU. YOU'RE AFRAID AND POWERLESS. LET ME TELL YOU WHAT I THINK. YOU LOOK LIKE YOU'RE HAVING FUN. I'M HAVING FUN. I DON'T WANT THE FUN TO END. I THINK THEY'LL FIND YOU. I DON'T WANT THE FUN TO END. BECAUSE I TRAINED THEM. YOU THINK YOU'RE SMARTER THAN THE REST OF THEM? LET ME TELL YOU WHAT I THINK. I THINK... YOU DON'T STAND A CHANCE. YOU DON'T KNOW WHO YOU'RE DEALING WITH, DO YOU? YOU DON'T KNOW WHO YOU'RE DEALING WITH, DO YOU? COME ON, FINISH IT. FINISH IT, YOU SELFISH CHILD. COME ON. (SLICING) (SCREAM) HE NEVER LEFT, HE STAYED TO WATCH. AND THE KILLER KNEW. HE'S WEARING WATCHES. 3 WATCHES. WHAT TIME ARE THEY SET FOR? THEY'RE SET FOR NOW. # WELCOME TO PUPPET PLAYTIME # # VERY SAD TO SEE # # YOU GO # YAY! SHUT IT OFF! # ...PUPPET PLAY TIME # # VERY SAD TO SEE YOU GO # # TILL NEXT TIME... # (MUSIC STOPS) IF IT WASN'T HIM... NO, WAIT! THAT'S A CLEVER STORY. SENT TO SPY ON THE PROGRAM, SPY ON HARRIS. YOU'RE THE ONE WHO'S TELLING STORIES. I KNOW IT'S NOT ME. AND I KNOW IT'S NOT ME. SO, IT'S NOT YOU, IT'S NOT ME, IT'S NOT HER. WHO DOES THAT LEAVE, MISTER? IT LEAVES THE LAST MAN STANDING. JESUS CHRIST, SARA, WATCH OUT! WATCH OUT FOR FUCKING WHO? (GUNSHOTS) STOP SHOOTING! STOP SHOOTING! LUCAS: SARA! SARA, STAY RIGHT WHERE YOU ARE! (GASPING) THAT'S THE PRICE YOU PAY FOR BEING FEARLESS. (GASPS) SARA. SARA. (PANTING) (BANGING) (GRUNTING) (PANTING) (DOOR OPENS) (CREAKING) (DOOR SHUTS) (FOOTSTEPS) (ELEVATOR WHIRRING) (COCKS GUN) (DINGS) (PANTING) (FOOTSTEPS) CLOSE, GODDAMN IT. WHO WANTS OFF THIS ISLAND?! YOU. (DINGS) (ELEVATOR WHIRRING) (DINGS) (SIGHS) NEVER ANYWHERE WITHOUT A GUN. BACK ON SCHEDULE. GUESS WE HAVE ANSWERS NOW, DON'T WE, SARA? BITCH! WHO ARE YOU? WHO ARE YOU? WHO ARE YOU? YOU GONNA PANIC NOW, SARA? YOU'RE GONNA PANIC WHEN YOU'VE BEEN SO COOL. OH. WHAT ARE YOU TRYING TO PROVE? WHAT AM I TRYING TO PROVE? HOW DOES A FUCKED UP GIRL LIKE YOU GET INTO THE FBI, ANYWAY? HOW DID I GET IN? HOW DID I GET IN? DID YOU NOT GET IN, GABE? DID YOU TRY AND THEY TURN YOU AWAY? WHAT'D THEY TELL YOU? YOU NOT SHARP ENOUGH? SMART ENOUGH? SANE ENOUGH? PANIC. WATCH HER PANIC. GET YOUR HANDS UP. SHOW ME YOUR HANDS. I WANNA SEE YOUR HANDS! BOO! YOU CALL YOURSELF A PROFILER? SHOW ME YOUR HANDS. I'M THE PROFILER. I WANNA SEE YOUR HANDS. YOU'RE THE VICTIM. AAH! (GRUNTS) (GUN CLICKS) (GROANS) 1 (GROANS) WATCH YOUR HEAD. THANK GOD. I THOUGHT... BULLETPROOF VEST. I JUST NEED A LITTLE R & R, HUH? SURF AND SAND. YOU JUST STAY STILL. YEAH. YOU JUST STAY STILL. YOU, UH... YOU THINK THEY'RE EVER GONNA BELIEVE US? THEY WON'T HAVE TO. WE CAN PROVE IT. AFTER BOBBY DIED, I CHANGED THE CLOCK BACK 15 MINUTES. WHAT ARE YOU TALKIN' ABOUT? WHAT DID HARRIS ALWAYS TELL US? KNOW THE MIND, THEN ANTICIPATE. THE KILLER WAS INTO DEADLINES, PRECISION, TIMING. SO, I SET THAT CLOCK 15 MINUTES BACK. A CLOCK? OH, YEAH. HE WANTED US TO KNOW EXACTLY WHEN HE WAS GOING TO STRIKE, WANTED TO WATCH US SQUIRM AS PRECIOUS SECONDS WERE TICKING AWAY. IT WAS ALL PART OF HIS FUN. HIS WEAKNESS. I WAS BETTING HE'D CHANGE IT BACK. I WAS RIGHT. BUT HOW ARE YOU GONNA PROVE IT WAS GABE WHO CHANGED IT BACK? REMEMBER THE PHOSPHORESCENT POWDER FROM THE JACKETS? THAT'S WHAT I PUT ON THE CLOCK. IT WAS MY TURN TO SET A TRAP. SO WHEN HE TOUCHED IT... MM-HMM. HIS HANDS ARE GOING TO GLOW. WATCH. (GASPS) THIS IS AWKWARD. YOU KNOW, UH... ALL THESE THINGS, THEY, UH, THEY WORK PRETTY GOOD, YOU KNOW. TIMERS, TRIGGERS, REMOTES. BUT AT THE END OF THE DAY, YOU KNOW, BUILDING A BETTER MOUSE TRAP IS JUST... PURE MECHANICS. IT'S KNOWING HOW TO BAIT A PARTICULAR MOUSE-- THAT'S THE FUN PART. AH, AH, AH! SO, THERE I WAS, SITTING NEXT TO THE BODIES OF MY PARENTS. JUST WAITING FOR SOMEONE TO ASK ME WHY I KILLED THEM, YOU KNOW? AND THIS DETECTIVE COMES UP TO ME, RIGHT? AND HE SAYS, "WANT SOME GUM?" GUM! NO ONE ASKS. NEVER EVEN OCCURS TO THEM. AND LIKE AFTER EVERY FIRST HIGH, IT'S HARDER AND HARDER TO GET TO THAT PLACE. BUT FINALLY YOU GET SO GOOD, THERE'S NO FEELING AT ALL. IT'S EASY. FINDING A WORTHY PREY-- A CHALLENGE. THAT'S HARD. YOU JOINED THE F.B.I. FOR THIS? YEAH! YEAH. SO WHILE YOU WERE STUDYING TIRED OLD HACKS LIKE BUNDY, GACY, DAHMER, I WAS STUDYING YOU. YOUR HABITS, YOUR HANG-UPS, YOUR WEAKNESSES. IT WAS SO SIMPLE TO SET YOU ALL ON EDGE. YOU KNOW? HAD TO PUSH HERE, PULL THERE. BUT ONCE I DID... RAFE: HEY, VINCE. CHECK OUT THE OTHER SIDE OF TOWN. I KNEW EACH OF YOU WOULD PLAY YOUR PART. THE KEY TO EFFECTIVE ILLUSION IS MISDIRECTION. YOU KNOW THERE'S A BOMB ON THE BOAT, YOU DON'T RUN TOWARD IT FIRST IN LINE! ALL I NEEDED WAS OPPORTUNITY. THE COFFEE BREAK GAVE ME THE CHANCE I NEEDED TO RIG A FEW LITTLE SURPRISES. THE ANSWER WAS RIGHT IN FRONT OF YOUR EYES. YOU STILL COULDN'T SEE IT. IT WAS YOU WHO SAID TO TURN OFF THE WATER. THE REST WAS EASY. YOU'RE ALL SO FUCKIN' PREDICTABLE. NICOLE WITH HER CIGARETTES. CAN'T SHE EVEN READ THE WARNING LABEL ON THE BOX? VINCE. "I'M NEVER WITHOUT MY GUN." BOBBY THE MAGNIFICENT. COULDN'T RESIST. AND HARRIS. JUST HAD TO STAY AND WATCH. PARTY CRASHER HERE WAS MORE OF A PROBLEM THAN I THOUGHT, BUT... WHY AM I GONNA WORK SO HARD TO KILL HIM? WHEN I KNEW YOU'D DO IT FOR ME? YEAH, SEE, THE WATER AIN'T YOUR ONLY WEAKNESS, SARA. (WHISPERING) YOUR OTHER WEAKNESS... IS ME. IN TRUTH, SARA, I COULDN'T HAVE DONE IT WITHOUT YOU. AND AS A SIGN OF MY APPRECIATION, I'M GONNA GRANT YOU YOUR DEEPEST DESIRE. I'M GONNA GET YOU CLOSER TO YOUR SISTER THAN YOU EVER IMAGINED. ONE MISSISSIPPI, 2 MISSISSIPPI! ARE WE HAVING FUN YET? WHOA! (CHUCKLING SOFTLY) (MOUTHS) (HEART BEATING) (GASPS) DROP IT! GO AHEAD, SARA. ARREST ME. WE HAVE YOUR BLOOD UNDER RAFE'S FINGERNAILS, YOUR FINGERPRINTS ON THE FIRE EXTINGUISHER, AND YOUR BULLET IN MY NECK. THAT DON'T LOOK GOOD. YOU'RE FUCKED. TIME'S UP, ASSHOLE. GOOD THING YOU HIT LIKE A GIRL. I GUESS WE FOUND OUT HIS WEAKNESS. BULLETS. SARA: DO YOU THINK THEY'LL LET ME MAKE PROFILER? THAT DEPENDS. ONE LAST QUESTION. WHEN'S THE SITUATION SECURE, AGENT? ON THE DRIVE HOME. YEAH. ON THE DRIVE HOME. www.able.co.nz Captions were made possible with funding from NZ On Air. Able 2015