AND SHE WAS ABLE TO DELIVER PRIMA'S FIRST KNOCKOUT VICTORY,... LAST WEEK ON THE NEW CELEBRITY APPRENTICE, THE TEAMS WERE TASKED WITH CREATING AN INTERACTIVE EVENT FOR WELCH'S GRAPE JUICE. GOOD LUCK. SEE YOU ALL TOMORROW IN THE BOARDROOM. ON TEAM ARETE, RICKY WILLIAMS QUESTIONED BOY GEORGE'S SONG. OUR FIRST SOLID IDEA HAD NOTHING TO DO WITH THE TASK. RICKY DOESN'T THINK IT'S A GOOD IDEA. AFTER TWO STRAIGHT LOSSES, PROJECT MANAGER LAILA ALI TOOK COMMAND OF TEAM PRIMA. ALL TALK AT ONCE THIS IS LIKE HERDING CATS. LET'S NOT SPEND TIME TALKING ABOUT <BLEEP> WE DON'T NEED TO TALK ABOUT. BUT THIS IS IMPORTANT. AND SHE WAS ABLE TO DELIVER PRIMA'S FIRST KNOCKOUT VICTORY,... THE WINNER IS THE WOMEN'S TEAM. ALL CHEER ...LEAVING ERIC DICKERSON TO FALL ON HIS OWN SWORD. I DON'T HAVE A PROBLEM IF I'M FIRED. ERIC, YOU SAY, 'I DON'T REALLY CARE.' YOU HAVE TO FIGHT FOR THAT. ERIC, YOU'RE TERMINATED. WOMEN EXCLAIM LADIES, CONGRATULATIONS. CHEERS TO THE GUYS. WOMAN: WE LIVE TO FIGHT ANOTHER DAY. NOW LET'S KNOCK 'EM OUT TOMORROW, HUH? 'IT FEELS AMAZING TO HAVE WON THIS TASK.' I'M HOPING THAT AS A TEAM WE'VE LEARNED A WAY TO WORK A LITTLE BETTER. 'I JUST DON'T WANNA DEAL WITH ANY PERSONAL ISSUES, DEFENSIVENESS, ATTITUDE. 'I DON'T WANNA DEAL WITH ANY OF THAT.' BECAUSE I MIGHT STEP UP AND SAY SOMETHIN'. HERE'S TO LAILA. CONGRATULATIONS. ALL: LAILA! THANK YOU. AND TEAM PRIMA! MEN SHOUT OUTSIDE UH-OH. MAN: GO TO HELL, MAN. MAN SHOUTS INDISTINCTLY ARE THEY JOKING? IT'S ERIC. ARE THEY FIGHTING? DON'T FORGET HE'S A PROFESSIONAL FIGHTER. 'TEAM ARETE JUST SUFFERED OUR FIRST LOSS, SO WE NEED TO REGROUP.' BUT BEFORE WE EVEN SAW THEM COMING INTO THE WAR ROOM, WE HEARD CHAEL AND RICKY GOIN' AT IT. OH JEEZ. WHOO. TRIED TO PUT ON A SHOW FOR YOU GUYS. RICKY! WOW! WE THOUGHT YOU WERE BRAWLING IN THERE IN THE BOARDROOM. WE WERE JUST HAVING SOME FUN. I'M LIKE, 'I HOPE RICKY KNOWS THAT HE'S A PROFESSIONAL FIGHTER.' (LAUGHS) NO! 'I KNEW CHAEL WAS A GAMER. ON OUR WAY OUT OF THE BOARDROOM,' CHAEL LOOKED AT ME AND SMILED. AND I GOT IT. HE'S JUST PLAYIN' THE GAME. I DON'T HAVE ANY HARD FEELINGS. I'M READY TO GET BACK TO WORK TOMORROW. HERE'S TO US. WE'RE STILL HERE. THE O'JAYS' 'FOR THE LOVE OF MONEY' # MONEY, MONEY, MONEY, MONEY. # MONEY! # MONEY, MONEY, MONEY, MONEY. # MONEY! # SOME PEOPLE GOT TO HAVE IT. # HEY, HEY! # SOME PEOPLE REALLY NEED IT. # HEY! LISTEN TO ME, Y'ALL. # DO THINGS, DO THINGS, DO THINGS, # BAD THINGS WITH IT. # DOLLAR BILLS, Y'ALL. COME ON. # THAT MEAN, # OH, MEAN, # MEAN GREEN. # ALMIGHTY DOLLAR. # TALKIN' 'BOUT # MONEY! # GIVE ME A NICKEL, BROTHER. # CAN YOU SPARE A DIME? # MONEY CAN DRIVE SOME PEOPLE OUT OF THEIR MINDS. # NO GOOD, NO GOOD. # MONEY! # MONEY, MONEY, MONEY, MONEY. # MONEY! # COPYRIGHT ABLE 2017 DRAMATIC MUSIC VERY NICE. LOOK AT THESE GOOD-LOOKING TEAMS. GOOD MORNING, EVERYBODY. ALL: GOOD MORNING. RIGHT NOW WE ARE STANDING IN FRONT OF THE LA COUNTY MUSEUM OF ART. AS YOU KNOW, ART HAS CHANGED THROUGHOUT THE CENTURIES, AND THROUGH TODAY'S TECHNOLOGY IT'S EVEN CHANGING FASTER. I'VE SEEN THIS FIRST-HAND WITH THE VIDEOTAPE WE RELEASED WHERE I WAS TERMINATOR. TODAY YOU WILL BE DOING YOUR OWN VIDEO FOR A GREAT COMPANY ` KING'S HAWAIIAN. AND WE HAVE TWO GENTLEMEN HERE REPRESENTING THE COMPANY, WINSTON AND ERIC. GO AHEAD, GUYS. MY GRANDFATHER STARTED KING'S HAWAIIAN IN HILO, HAWAII IN 1950. BUT AS TIMES CHANGE, SO ARE WE. THIS YEAR, KING'S HAWAIIAN IS OFFERING ITS FIRST LINE OF PRODUCTS OUTSIDE OF THE BAKERY CATEGORY ` BARBECUE SAUCES. WE WANT YOU TO PRODUCE AND EDIT VIRAL VIDEOS FOR OUR FOUR NEW BARBECUE SAUCES. THE THREE CRITERIA YOU'LL BE JUDGED ON ARE VIRAL POTENTIAL, BRAND INTEGRATION AND PRODUCT APPEAL. NOW, ALONGSIDE PATRICK WE HAVE A SPECIAL BOARDROOM ADVISER HERE TODAY ` IJUSTINE. WHEN IT COMES TO SOCIAL MEDIA, I CAN TELL YOU THERE IS ABSOLUTELY NOTHING THAT THIS WOMAN DOES NOT KNOW. WHEN YOU GUYS ARE CREATING YOUR VIDEO, THINK ABOUT A VIDEO THAT YOU GUYS WOULD WANNA WATCH YOURSELVES AND THAT YOU WOULD SHARE. SO THINK ABOUT ALL THOSE CRAZY VIDEOS THAT YOU GUYS SEE ONLINE ALL THE TIME THAT MAKES YOU WANT TO HIT THAT BUTTON AND TO RETWEET AND SHARE AND SEND TO YOUR FRIENDS AND YOU'LL HAVE A HIT. NOW, THE ONLY THING WE NEED TO KNOW IS THE NAME OF THE PROJECT MANAGERS. I DO LOVE BARBECUE SAUCE. I'M WILLING TO STEP UP. OK. I CAN DO IT. OK, GREAT. WHO DID YOU PICK AS YOUR PROJECT MANAGER? (GRUNTS) I'M GONNA TRY IT OUT. I THINK I CAN DO THIS. WELL, LET'S FIND OUT FROM THE MEN. WHO DID YOU PICK AS YOUR PROJECT MANAGER? I FELT LIKE I WANTED TO THROW MY HAT INTO THE RING ON THIS ONE. VERY NICE. NOW REMEMBER NOW, THE WINNING PROJECT MANAGER IS GOING TO GET $25,000 FOR THEIR FAVOURITE CHARITY. KING'S HAWAIIAN, WILL YOU MATCH THAT? WE WILL MATCH THE FUNDS. THANK YOU VERY MUCH. GOOD LUCK AND WE'LL SEE YOU IN THE BOARDROOM TOMORROW. AND OF COURSE, ANOTHER CELEBRITY WILL HEAR, 'BYE-BYE'. OH! WOW! OH, THAT'S PRETTY. WHERE'S THE BREADS? I THINK WE SHOULD START TASTING. I CAME HERE TO SHOW THE WORLD THAT I'M NOT 'SNOOKI FROM JERSEY SHORE'. GET YOUR ASSES OVER HERE. 'I'M TRYING TO BE KNOWN AS NICOLE THE MOM, THE BUSINESSWOMAN.' THIS IS MY WAY OF CHALLENGING MYSELF, DECIDING TO BE PROJECT MANAGER WHEN I'M TOTALLY NOT READY. BUT NO MATTER WHAT, THE GIRLS ARE GONNA HAVE MY BACK EVEN IF I'M TERRIFIED. I'M NOT GONNA ASSIGN ANYBODY ANYTHING. I WANT PEOPLE TO TELL ME WHAT THEY'RE COMFORTABLE DOING. I'M COMFORTABLE WRITING. EDITING. CAN I BE A DIRECTOR THIS TIME AND TRY SOMETHING DIFFERENT?' LISA. WE'VE GOT AN HOUR TO BRAINSTORM. HOW ABOUT SOME GUY EATING THEIR BARBECUE SAUCE IS SO INTO IT, AND ALL THIS STUFF GOING ON BEHIND HIM THAT THEY DON'T NOTICE? LIKE THEY DO WITH THE HOUSEWIVES. IF SHE WAS BEHIND AND YOU'RE LITERALLY DRAGGING A BODY. NOTHING WILL DISTRACT HER BECAUSE OF THE BARBECUE SAUCE. I LIKE THAT. THAT'S FUNNY. I WAS TRYING TO THINK OF SOMETHING FUNNY WITH DOUBLE-DIPPING. PUT OUT THE SAUCE AND SOMEBODY THINKS THEY'RE GETTING AWAY WITH THE DOUBLE-DIPPIN'. THAT'S FUNNY. KISS A GIRL. THERE WE GO. WE'RE GONNA BE NAKED AND WE'RE GONNA` CAN WE JUST FIGURE OUT A CONCEPT SO WE CAN... I THINK WE NEED TO NARROW DOWN... OVERLAPPING CONVERSATIONS WHY DON'T WE JUST LISTEN TO NICOLE? LET'S JUST COMMIT AND LET'S FIGURE IT OUT. SO YOU LIKE THE HOUSEWIVES? IF THAT'S WHAT YOU GUYS WERE STILL THINKING ABOUT. I DON'T LOVE IT, BUT ANY IDEA YOU COME UP WITH, I WILL BUILD OFF OF. WHAT DO YOU THINK OF THIS IDEA ` DOUBLE-DIPPING? I FEEL GOOD WITH IT. 'SO, WE FINALLY MADE A DECISION ON THE SAUCY HOUSEWIVES VIDEO AND THE DOUBLE-DIPPING VIDEO.' THOSE ARE OUR TWO. WISH US LUCK. WHO'S GONNA BE DIRECTING ONCE WE START SHOOTING? LISA'S DIRECTING. LISA, YOU'RE DIRECTING ONCE WE START SHOOTING? ALLEGEDLY. WHEN YOU SAY ALLEGEDLY, DO YOU UNDERSTAND HOW THAT COULD BE CONFUSING? SO I'M SAYING` DON'T BE CONFUSED. LET'S GET CLEAR, OK? TALK TO ME DIRECTLY. WHEN WE SAY PEOPLE WANNA KNOW WHAT MY TITLE IS, I ASKED YOU THAT. YOU TOLD ME, AND I TOLD YOU TWICE. LET ME FINISH, LISA. LET'S NOT MAKE IT BIGGER THAN IT IS. I WANT YOU TO UNDERSTAND WHERE I'M COMING FROM. I HEAR YOU. I THINK IT WOULD BE WONDERFUL TO BE IN THIS COMPETITION AND NOT HAVE TO CLAIM RESPONSIBILITY FOR ANYTHING BECAUSE THEN YOU COULD JUST COAST AND BLAME EVERYBODY ELSE THAT NEVER REALLY HAVE A DEFINED ROLE. IT'S LIKE, 'LISA, WHAT ARE YOU TRYING TO DO? WE'RE ALL IN THE SAME COMPETITION 'AND WE CAN SEE RIGHT THROUGH THAT.' THE THING IS WHEN YOU GUYS START ACTING, I WILL DIRECT WHAT YOU'RE DOING. ALL OF THAT DRAMA, SAVE THAT FOR YOUR MAMA. IS THAT WHAT THEY SAY? THEY'RE COMING FOR ME, BUT IT'S ALL GOOD. I AM HERE TO WIN, AND THAT IS MY FOCUS. SO, GUYS, YOU GUYS MIND TAKIN' A SEAT? WE'LL JUST KINDA GO OVER WHERE WE ARE RIGHT NOW. TEAM ARETE, DESPITE THE LOSS LAST WEEK, I STILL THINK WE'RE STRONG. I KNOW WHAT THESE GUYS CAN DO. IF I'M GONNA THROW MY HAT IN THE RING, I WANT THEM BACKING ME. WE'VE GOT TWO VIRAL VIDEOS. NOT ONE BUT TWO. TWO 15-SECOND SPOTS. YOU COULD DO A VIRAL VIDEO THAT FEELS LIKE A COMMERCIAL. SOMETHING CRAZY, OUTRAGEOUS. WELL, THE CORE OF THE IDEA IS US DOIN' A` PLAYING A FOOTBALL GAME AGAINST EACH OTHER. AND WE DON'T HAVE A FOOTBALL, SO WE USE THE BOTTLE AS A FOOTBALL. AND I JUST THINK THERE'S SO MANY INTERESTING SHOTS WITH CARSON AND WITH GEORGE, FOOTBALL-RELATED. OH, CHASING AFTER THE BOTTLE? I ACTUALLY LIKE THAT IDEA. YEAH. VIRAL POTENTIAL IS DEFINITELY THERE. THAT'S DEFINITELY ONE. SO I'D LOVE FOR YOU TO TAKE POINT ON THIS COMMERCIAL. I THINK ME PLAYING YOU, LIKE, HEAD TO HEAD, LIKE 'I'M GONNA KICK YOUR ARSE' IS A SHAREABLE MOMENT, COS IT'S LIKE, I'M, LIKE, AS GAY AS CHRISTMAS. I THINK IT'S A GREAT IDEA. 'A) IT'S GONNA BE A TON OF FUN. I'M GONNA KICK YOUR ARSE. 'AND B) IT REALLY CAPTURES ALL THE STAR POWER.' SHOULD BE AN INTERESTING GAME. WHAT IF YOU HAD SOME HOT CHICK IN A BATHING SUIT ON A BEACH, AND SHE POURS IT ON HERSELF. SHE'S LIKE, 'WANT SOME OF THIS?' YEAH, I LOVE THAT. THAT'S A GOOD IDEA. DO YOU MIND TAKING POINT ON THAT COMMERCIAL? COS YOU SEEM TO HAVE THE CLEAREST VISION ON IT. I DON'T MIND. OK. IT MAY HAVE BEEN RISKY ON MY PART TO GIVE JON SO MUCH RESPONSIBILITY. BUT I ALSO KNEW IF YOU'RE GOING TO GO TO A RACE, RIDE YOUR THOROUGHBRED. AND JON KNOWS COMEDY BETTER THAN ANY OF US. JON, THIS IS YOUR VISION ON THIS AD, COS YOU HAVE IT CLEARER. ARE WE SURE ABOUT THIS? WHAT ARE YOUR CONCERNS? IT'S KIND OF A CLICHE. 'NOT ALL CREATIVE PEOPLE ARE CREATED EQUALLY.' I MEAN, EVERYBODY KNOWS THAT THE FUNNIEST THING ABOUT JON LOVITZ IS THE DOG. WHAT I LOVE IS WHEN WE CHALLENGE AN IDEA, SEE IF WE CAN COME UP WITH SOMETHING BETTER. WAIT, LISTEN TO WHAT I JUST` SEE, YOU GUYS` JON, I AM LISTENING. NO. I SAID AN IDEA AND THEN YOU JUST GO, 'OK, NOW LET'S GO TO THIS.' IF SOMEONE PRESENTS AN IDEA, YOU NEED TO THINK ABOUT IT AND TALK ABOUT IT, NOT JUST RUN OVER IT. AND, LIKE, I DIDN'T SAY A WORD. 'IT'S VERY FRUSTRATING WITH JON BECAUSE HE DOESN'T LISTEN TO IDEAS.' JUST LISTEN FOR ONE SECOND ABOUT WHAT WE'RE SAYING. YOU KNOW? IT MIGHT BE BETTER. YOU SAID COME UP WITH CREATIVE IDEAS. I PRESENTED IT` I AGREE, JON. 'AND NOW LET'S GO TO THIS.' IT'S LIKE I DIDN'T EVEN SAY IT. NO, JON, WE HAVE IT DOWN. LET'S NOT WASTE TIME ARGUING WITH EACH OTHER. I'M NOT. TELL ME HOW LONG YOU NEED SO WE CAN ALL GET ON BOARD WITH THIS IDEA AND UNDERSTAND EXACTLY HOW IT'S GONNA LOOK. (SPEAKS INDISTINCTLY) JON? JON. JON? the doctors said he really wore the impact ` All right, so, this is Tim. 34-year-old male. RTC. Multi-vehicle... VOICES OVERLAP I think about the car crash a lot. I know he caused it and I reacted the best way possible. But it's hard to let it go. SOMBRE MUSIC When I asked what had happened to him, the doctors said he really wore the impact ` any more and things would've been much worse. They said he was lucky ` lucky I wasn't going any faster. Thank you. SOMBRE MUSIC CONTINUES It's OK. MUSIC CONTINUES ALL RIGHT. RICKY, LET'S FIND A LOCATION. 'IT'S TIME TO GO TO THE PARK TO START SHOOTING.' SO WE FINALLY GET OUR CONCEPTS FIRMED UP ` OR AT LEAST ONE OF THEM. WHAT I NEED YOU TO DO. TALK TO THE CAMERA GUYS. LET'S START SETTING UP THE SHOTS. I WAS REALLY PUTTING MY FAITH IN THE HANDS OF JON AND RICKY. I REALLY JUST HAD TO SUPPORT THESE TWO AND HOPE THEY HAD MY BACK. OH MY GOD. HE LOOKS LIKE AN AMISH FOOTBALL PLAYER. (LAUGHS) 'MATT IS FANTASTIC. I'M A HUGE MATT FAN. I THINK HE'S SMART, I THINK HE'S ARTICULATE.' AND I THINK MORE THAN ANY OTHER TASK THAT WE HAD THUS FAR, IT REQUIRED SOME REAL NEGOTIATION SKILLS TO KEEP EVERYONE CALM AND FOCUSED AND ON TASK. OK, READY? READY, RIGHT? I'M READY. NO, WE JUST DON'T HAVE TIME. THAT'S` IT'S PRETTY HOT. I'VE HAD HOTTER. THAT'S CRAZY HOT. WE'RE TALKIN' 'BOUT THE SAUCE. SO AM I! (LAUGHS) THE CONCEPT OF MY VIDEO WAS WE'RE HAVING A BARBECUE AND WE SEE A HOT GIRL. AND I'M LIKE, 'OOH, THAT'S HOT.' AND EVERYONE'S SAYING IT'S HOT, BUT I SAY, 'NO, I'M TALKING ABOUT THE SAUCE, NOT THE GIRL.' AND MY DOG JERRY SEES THIS AND HE BEATS UP VINCE TO GET TO THE GIRL. WHY DOES JERRY ATTACK ME? IT DOESN'T MAKE SENSE. WORKING WITH JON, YOU HAVE TO KIND OF KEEP HIM FOCUSED, BECAUSE HE TENDS TO CHANGE HIS MIND A LOT. IF SOMEBODY SAYS SOMETHING AND HE ACTUALLY HEARS IT, YOU KNOW, THAT GOES INTO HIS THOUGHT PROCESS. YOU'LL SEE IT IN THERE JUST, LIKE, BANGIN' AROUND IN HIS BRAIN. IT'S JUST VERY FRUSTRATING. ACTION. GOOD LUCK. KEEP YOUR HEADS DOWN. THIS IS ALL I DO. YOU KNOW, AND I'VE BEEN DOING IT PROFESSIONALLY FOR 30 YEARS. WHERE DO YOU HAVE THE SHOT? YOU CAN BE CLOSER. YOU KNOW, I'VE DONE OVER 40 MOVIES AND HUNDREDS OF TELEVISION SHOWS. I'M LIKE, 'LISTEN TO ME.' IF YOU DO MY CLOSE-UP, THEN I CAN GO DOWN AND DO MY SHOT OVER THERE. HOW 'BOUT THAT? NO. HI! HOW ARE YOU? HELLO! CAMERA CREW. WOMEN: HI! YOU GUYS ARE ACTORS? YES. YAY! 'THE CREW COMING IN TO START FILMING AND TRYING TO MANAGE MY TEAM, IT'S STRESSFUL.' YOU JUST HAVE TO TRY AND DO YOUR BEST. AND IF YOU CAN'T DO YOUR BEST, THEN OBVIOUSLY IT'S NOT FOR YOU. OK, YOU GUYS, LET'S DO A DRY RUN OF WHAT WE WANNA DO. SO WE'RE SHOOTIN' MY VIDEO IDEA FIRST. IT'S, LIKE, A PARTY SCENE AND THERE'S SOMEBODY THAT TASTES SOME BARBECUE SAUCE. SHE JUST STARTS DOUBLE-DIPPIN' AGAIN AND AGAIN AND AGAIN. AND THEN HERE I AM, THIS BIG STRONG ATHLETE, KIND OF LIKE THE HOST, AND CATCH HER, AND I'M LIKE, 'STOP DOUBLE-DIPPIN'!' WATCH THE CAMERA. YOU GUYS SEE HER. CAN I GET A LITTLE TOGETHERNESS, LIKE YOU GUYS TAKIN' A PHOTO. OK, YEAH, WE START OUT LIKE THAT. HI! CHEESE! AND I MOVE AND I MOVE. IT REALLY MAKES ME FEEL LIKE I'M THE CAPTAIN OF THE BASKETBALL TEAM, IF YOU WILL, JUST HAVING THE LADIES, THOSE ARE MY TEAM-MATES OUT THERE IN THE GAME, AND I'M READY TO GO. CAN I MAKE A SUGGESTION? REMEMBER IT'S LIKE A, 'OH. OOH! I'M CATCHIN' SOMETHIN' HERE.' WHAT IS SHE DOING LIKE THAT? MM. AM I DYING? NICOLE, WHICH ONE DO YOU WANT? DO YOU WANT A SHOT LIKE IT'S A LIVE STORYBOARD OR DO YOU WANT`? NICOLE WOULDN'T KNOW. SHE WOULDN'T KNOW. I WOULDN'T KNOW WHAT? I'M DIRECTING, AND I'M ASKING HER. SHE'S IN CHARGE. I'M SAYING BUT YOU'RE CREATING THE FEEL OF THE MOVIE. NICOLE, DO YOU WANT ME TO SHOOT IT WHERE IT'S ALL SMOOTH, OR WOULD YOU LIKE ME TO SHOOT IT WHERE IT CAN BE CUT? I'M DEFINITELY NOT USED TO BEING IN THE SITUATION WITH STRONG WOMEN WITH HUGE PERSONALITIES. LET'S JUST GO. COOL. AND THIS IS JUST THE TOTAL OPPOSITE OF WHAT I'M USED TO. IF I GO BY MY TITLE, WE'RE NOT GONNA HAVE WHAT WE NEED TO HAVE. I'M JUST SAYING, NICOLE, DO YOU HAVE A PREFERENCE ON ME SHOOTING IT CHOPPY OR WE CAN SHOOT IT` OK, THEN WHAT`? WHY CAN'T I ASK HER, PORSHA? I'M SIMPLY ASKING FOR FEEDBACK. GOD FORBID LISA HAS A QUESTION TO ASK THE PROJECT MANAGER AND I DON'T MAKE THE DECISION ON MY OWN. I SHOULDN'T ASK HER? NO, I'M SAYING SHE'S THE PROJECT MANAGER. OF COURSE. YOU CAN ASK HER AT ANY POINT IN TIME. THERE'S TOO MUCH NEGATIVITY. THEY CAN'T WAIT TO THROW THE DIRECTOR UNDER THE BUS. I'M TELLING YOU IT AIN'T GONNA WORK. HEY, GUYS. HOW'S OUR VIRAL CREATION GOING? OK, EXCUSE ME, WE GOTTA GET THIS SHOT. I'M SO SORRY. AND... ACTION. HI! WHERE'S OUR ACTRESS? SHE'S ALMOST THERE. THESE ARE ONLY 15-SECOND VIDEOS, SO FOR THEM TO BE ABLE TO GET EVERYTHING IN THAT THEY WANT TO GET SAID, AND ESPECIALLY GETTING BRAND MESSAGING IN, THAT IS NOT AN EASY TASK. ALL RIGHT. OK. LET'S GO. AND... ACTION! OVERLAPPING CHATTER STOP DOUBLE-DIPPIN'! ALL GASP THE WOMEN'S TEAM, THE FIRST CONCEPT IS KIND OF GREAT BECAUSE IT DOES HAVE THAT SHOCK VALUE. AND HAVING THAT RELATABLE MOMENT IS SOMETHING THAT I THINK REALLY DOES WELL, ESPECIALLY IN ONLINE CONTENT. ARE YOU OK? PERFECT. SET, HUT! MAN GROWLS THERE'S NOT ANY AUDIO RIGHT NOW YET. RICKY, I'M HERE, JUST STANDING HERE IN THE HEAT. WHAT AM I DOIN'? YOU CAN GO SIT IN THE SHADE RIGHT NOW. REALLY? THERE'S NOTHING FOR ME TO DO? YOU CAN LOOK AT THE SHOT AND TELL ME WHAT YOU THINK ABOUT IT. WHAT AM I DOING IN THE SHOT? YOU'RE NOT IN THE SHOT RIGHT NOW. WHY DON'T WE JUST DO IT WHILE I'M HERE? TAKE A BREAK RIGHT NOW. WE'RE SHOOTING ANOTHER SHOT. ALL I'VE DONE IS BREAK. WE WERE IN A PARK IN BLISTERING HEAT. I GUESS IF YOU'RE A GUY AND YOU DON'T WEAR MAKE-UP, YOU'RE NOT REALLY GONNA UNDERSTAND WHAT THAT'S LIKE. THIS IS, LIKE, THE WORST EXPERIENCE OF MY ENTIRE LIFE. WHAT'S WRONG? IT'S A JOKE! I WAS STANDING THERE AN HOUR AGO. I WAS READY. USE ME, GET ME FILMED, LET ME GET ON WITH WHAT I'M DOING. D'YOU KNOW WHAT I MEAN? OK. I APOLOGISE. NO, IT'S NOT TO DO WITH YOU. IT'S TO DO WITH HIM. I WAS SHOCKED. BOY GEORGE PULLED HIS FIRST REAL DIVA MOVE. I TRIED TO SHAKE HIM OUT OF IT. I TRIED TO TURN ON THE CHARM. NOTHIN' WAS BREAKIN' THROUGH. THESE THINGS ARE SUPPOSED TO BE SPONTANEOUS. THERE'S NOTHING SPONTANEOUS ABOUT THIS. THIS IS LIKE A` IT'S LIKE A BIRTH. I KNOW. DO YOU REALLY WANNA HURT ME? DO YOU REALLY WANNA MAKE ME CRY? APPARENTLY, HE DID. THEY ASK ME WHO'S GONNA BE FIRED TOMORROW, I'M JUST GONNA SAY EVERYONE. OK. OK. EVERYONE. FIRE THE WHOLE LOT OF 'EM. ARE YOU READY FOR THIS? WILL YOU FALL DOWN? YEAH, AND YOU NEED TO FALL ON TOP OF ME. OK, I WILL. OK, SO, A VIRAL VIDEO HAS TO HAVE SOMETHING OUTRAGEOUS IN IT. HERE! YEAH. SO THE IDEA WAS I COME IN OUT OF NOWHERE, I TAKE DOWN A HEISMAN TROPHY WINNER. I HAVE NEVER TACKLED ANYONE EVER. ALL RIGHT, LET'S GO. (ROARS) OHHH! (YELLS) AND STOPPING. I THINK I MIGHT'VE BROKEN MY ELBOW. JUST SAYIN'. THIS IS THE WORST DAY EVER. I'M SITTING IN THE VAN THAT TRANSPORTS US AROUND WITH AN ICE PACK. I COULD REALLY GO TO THE DOCTOR RIGHT NOW. MY HAND IS ALL BLUE AND EVERYTHING IS SWELLING UP LIKE A GIANT MOUNTAIN OF FLESH. I WILL SEE YOU GUYS BACK AT THE RANCH. I HOPE YOU HAVE INSURANCE. WE'RE MOVING ON TO THE NEXT ONE? YEAH, MOVIN' ON. CAN WE START GETTING YOU READY? SURE. ABSOLUTELY. KYLE, GO GET PRETTY SO WE CAN START ON THE NEXT SHOOT. I THINK THE FIRST VIDEO WENT REALLY SMOOTHLY. I FEEL REALLY GREAT ABOUT MY DIRECTING. BUT NOW WE NEED TO FILM THE SAUCY HOUSEWIFE VIDEO. WHAT DO YOU GUYS NEED FOR PROPS FOR THIS NEXT SHOT WE GOTTA GET INTO IT? I DON'T` I WASN'T INVOLVED IN THE CREATIVE, SO I DON'T KNOW. WHERE ARE WE WITH THIS? AND THERE'S A LOT OF CONFUSION ON EXACTLY HOW THIS WAS GONNA GO DOWN. THE SCRIPT IS NOT COMPLETE. WE CAN FIX IT WHEN WE'RE OVER THERE. WHAT'S THE START OF THIS? THE GUY IS OVER HERE. HE'S ON THE BOX AND HE'S EATING HIS CHICKEN WINGS. TELL ME THE WORDS. IT'S JUST LITERALLY, 'DID YOU STEAL MY ORIGINAL BARBECUE SAUCE?' AND SHE'S LIKE, 'NO!' AND THEN INSTANTLY WE GO INTO OUR TUSSLE AND, UM` WHO HAS THE BOTTLE? UM, I C` I COULD HAVE THE BOTTLE. BUT YOU'RE ASKING HER DID SHE STEAL IT? MM-HM. KYLE HAD AN ORIGINAL IDEA OF A GUY IN THE VIDEO WHO'S EATING THE BARBECUE SAUCE AND THERE'S THIS MAYHEM THAT HAPPENS BEHIND HIM. AND THEN MAYBE YOU WANNA CUT TO OR SOMEHOW ESTABLISH THAT WE'RE NOW ON THE FLOOR. AND THEN YOU GUYS FIGHTING ON THE FLOOR? RIGHT. YOU'LL SEE HER HEAD. PSHEW! OH, OK. BUT PORSHA'S CONCEPT IS SOMETHING ELSE. I'M NOT THAT SURE EXACTLY WHAT WE'RE GONNA DO. DIRECTOR, CREATOR, WRITER. I DIDN'T WRITE IT; I'M JUST DIRECTIN' IT. WE GOTTA GET MOVING. WE'VE ONLY GOT ONE HOUR TO SHOOT. OK, COOL. I'M READY. UH, KYLE, I NEED YOU. I KNOW EVERYBODY WANTS TO LOOK GREAT. WE HAVE ONE HOUR. OH, HE'S THERE? I THOUGHT HE WAS GONNA BE HERE. WHILE I'M GETTING INTO MY WARDROBE TO BE THIS HOUSEWIFE, I COME OUT AND EVERYTHING'S CHANGED. YOU DON'T HAVE A SAUCE. YOU DON'T HAVE IT. HE HAS IT. THAT'S WHAT WE DECIDED. THAT'S A DIFFERENT STORYLINE, GUYS. WELL, THAT'S WHAT WE AGREED ON. OK, LET ME MAKE A DECISION. LET'S DO THE FIRST ONE WHERE YOU GUYS FIGHT OVER IT. WE'LL DO THE SECOND ONE WHERE HE HAS IT` YOU KNOW WHAT WE'LL DO? HE USED IT, BUT WE HAVE THE BOTTLE. I JUST TOLD YOU WHAT WE'RE GONNA DO. LISA, WE HAVE TO BE CLEAR WITH WHAT WE'RE SAYING. SO LET US AT LEAST SAY WHAT WE'RE SAYING. JUST LET 'EM RUN THROUGH IT. OH MY GOD. I'M TRYING TO GET THE CAMERA TO BE IN THE SPOT THAT I DON'T KNOW WHERE THEY'RE GOING. I DON'T SEE A DEFINITE LEADER AT ALL IN THIS TASK. YOU GOTTA LOVE NICOLE. SHE'S JUST NOT TAKING CONTROL. READY, AND ACTION! DID YOU TAKE MY BARBECUE SAUCE? NO! YES, YOU DID! THAT IS MINE! NO, IT'S NOT! IT IS MINE! BOTH ARGUE INDISTINCTLY STOP IT! STOP! (SCREAMS) OW! WAIT. OK, CUT. HOW DID THIS HAPPEN? HOW DID I GET HERE? IF THIS GETS EDITED PROPERLY, IT COULD WORK OUT. BUT IF IT DOESN'T, IT'S GONNA BE A DISASTER. AND I DON'T WANT MY NAME ON A DISASTER. CAN'T WE JUST GO AHEAD AND START GETTING A CHOPPER READY FOR KYLE? (LAUGHS) (SCOFFS) YOU READY TO GO EDIT? LET'S LOAD UP THAT CHOPPER. GET TO THE CHOPPER. OK, LET'S GET GOIN'. TODAY WAS A <BLEEP> SHOW. BUT OVERALL, I DID THE BEST THAT I COULD, AND I JUST GOTTA SAVE IT WITH MY EDITING. SO I THINK I CAN DO IT. I KNOW I CAN DO IT. I GOT THIS. HER HEAD IS GONNA BE SWIRLING PAST HIS FEET TO SHOW HOW MUCH HE'S INTO HIS BARBECUE SAUCE. THEN WE HAVE, LIKE, SEVERAL DIFFERENT ANGLES` YEAH. JUST TO KIND OF PLAY IT UP A BIT. SO WE GOTTA FIND THE GOOD ONES. YEAH. I DON'T LIKE THAT ANGLE FROM UP THERE. RIGHT? YEAH. THAT'S A STUPID ANGLE. WAIT. DO IT AGAIN. OH MY GOSH! SHE MISSED THAT WHOLE SHOT. SHE MISSED IT, YEAH. 'UNFORTUNATELY, I THINK LISA MISSED THE MARK ON HER DIRECTING ABILITY.' I'M HONESTLY FREAKING OUT BECAUSE WHEN YOU'RE TALKING ABOUT A VIRAL VIDEO, IT'S ALL ABOUT CONTENT AND THE HUMOUR. BUT THE SHOTS THAT WE DON'T HAVE ARE THE SHOTS THAT TELL THE STORY. SHE DID GOOD ON THE OTHER ONE. I DID` BECAUSE I DID THOSE CAMERA ANGLES. RIGHT NOW WE DON'T EVEN HAVE ANYTHING THAT'S ENTERTAINING ABOUT THIS. THIS COULD BE A $25,000 MISTAKE. SO WE NEED TO FIX IT. YEAH, THAT'S A BIG ONE. WE NEED TO FIX IT. SO, NICOLE AND I ARE DECIDING THAT WE EITHER GO BIG OR GO HOME. WE'RE NOT TRYING TO GO HOME, SO WE'RE ABOUT TO GO BIG. CAN WE SLOW-MO IT TO MAKE IT, LIKE, STUPID? CAN YOU FLASH BLACK AND WHITE? MM-HM. ALTER HER SCREAM AT THE END. WOMAN IMITATES DISTORTED YELLING OH! OR ALTER MY (DEEP VOICE) 'DID YOU TAKE MY BARBECUE SAUCE?' MAKE SOME THUNDER. CAN YOU PUT A BUBBLE, LIKE, 'THIS SAUCE IS GOOD'? MM! MAYBE WE SHOULD PUT SOME SIRENS IN THERE. (IMITATES SIREN) SIREN WAILS WE'RE GOING ALL OUT. WE'RE GOING FOR BROKE. THE GIRLS ARE GONNA BE LIKE, 'WHAT?' I MEAN, WHY NOT? WHY NOT? YEAH. SO I FEEL LIKE WITH THIS VIDEO WE HAVE TO DO A LOT TO IT, SO WHY NOT TAKE A RISK, BE OUTRAGEOUS WITH IT AND FUNNY. LET'S JUST HOPE IT'S VIRAL ENOUGH FOR THE EXECS TO LOVE IT. OOH, LET'S HAVE SOME GUNSHOTS. (CHUCKLES) GUNSHOTS? NO, IT'S TOO VIOLENT. POP! POP! NO, DON'T USE THAT ONE. WAIT. GO BACK. AS WE GET INTO THE EDIT, JON LOVITZ IS TAKING POINT. I'M GETTING TO LEARN JON JUST WANTS A PASS AT THINGS. HE DOESN'T WANT INTERFERENCE. THAT WAS A GOOD ONE. YEAH, GREAT. GLAD YOU LIKED IT. CAN'T USE IT. OK, NEXT. SING-SONGY: I'M BACK. OH-HO! YES! JUST MIGHT HAVE A LITTLE, TINY CRACK. IT'S ALL GOOD. TAKES MORE THAN RICKY WILLIAMS TO KEEP ME DOWN. LAUGHTER IT'S BEEN QUITE A DAY. IT WAS NO WALK IN THE PARK, EVEN THOUGH THAT'S WHERE WE WERE. I HEART IRONY. OH MY GOD. YOU'RE MY HERO. I AM FEELING EXHAUSTED, DIRTY, I HAVE A THROBBING ARM, I'M ON SOME KIND OF PAINKILLER. I'VE JUST HAD A TUMBLER OF CHARDONNAY, WHICH YOU'RE NOT SUPPOSED TO DO. NO, I'M SEEING COLOURS. BUT WE WORKED ALL DAY ON THIS THING. I ALMOST KILLED MYSELF. I WANNA SEE WHAT IT LOOKS LIKE. TV: MM, THAT IS HOT. I'VE HAD HOTTER. MM, THAT'S CRAZY HOT. I'M TALKIN' ABOUT THE SAUCE. ME TOO. SWITCHING TEAMS. HOW LONG'S THAT? 29. THE WHOLE THING'S 29 SECONDS? OH MY GOD. GOOD LUCK. I THINK YOU MIGHT HAVE TO CUT 'SWITCHING TEAMS'. I KNOW, BUT Y` I HAVE TO CUT TIME. I'M NOT TRYING TO UPSET PEOPLE, BUT I THINK PEOPLE GET FRUSTRATED WITH ME BECAUSE I'M SAYING, 'LET ME JUST TRY IT MY WAY. AND IF YOU HAVE BETTER IDEAS, I'LL USE THEM.' BUT AT THE SAME TIME, IF THE IDEA'S SO HORRIBLE, I KNOW TO REJECT IT RIGHT AWAY. WHY ARE YOU LEAVING IN 'SWITCHING TEAMS?' WHY IS THAT SO IMPORTANT RIGHT NOW? COS THAT'S THE JOKE. I THOUGHT THE JOKE WAS THE DOG. DO YOU GUYS WANNA ALL EDIT IT? I MEAN, <BLEEP>. JUST LET ME GET IT TO 15. YOU KNOW, SOMETIMES THERE'S JUST TOO MANY CHEFS IN THE KITCHEN. (SIGHS) ALL RIGHT. EVERYBODY HAS IDEAS, AND SOMETIMES THOSE IDEAS AREN'T HEARD. JUST VERY FRUSTRATING. JON CLEARLY DOESN'T WANT ANY <BLEEP> HELP. LISTEN, I THINK WE'RE GONNA GO THROUGH SOME REALLY FRUSTRATING TIMES HERE, OK? WE'RE ALL GONNA GET PISSED, WE'RE ALL GONNA WANNA LEAVE, BUT I THINK IF WE DO, WE'RE WEAKER AS A TEAM. ARE YOU UPSET WITH ME? WHAT'S THAT? ARE YOU UPSET WITH ME? YOU JUST DON'T LISTEN TO <BLEEP> ANYBODY. YOU SAID CAN WE CUT THE JOKE, AND THAT'S THE WHOLE THING. BUT THAT WASN'T THE JOKE UNTIL JUST... 10 MINUTES AGO. I'M TRYING TO GET IT DOWN TO 15. EVERYBODY'S TRYING TO <BLEEP> SAY WHAT WE SHOULD DO. YOU KNOW? JUST TRYING TO HELP. I KNOW. I WANT YOUR HELP, BUT I'M TRYING TO GET IT DOWN TO 15 AND LEAVE EVERYTHING IN AND THEN SHOW IT. IT'S, LIKE, PICKING IT APART. MY HANDS WERE REALLY FULL AS PROJECT MANAGER, AND A LOT OF IT WAS REALLY JUST MANAGING THE TEAM. LOVE BEING PROJECT MANAGER. DID I JUST SIGN MY DEATH WARRANT? HEY, GUYS. HEY, PATRICK. SO, ON BEHALF OF TEAM ARETE, WE FIRST WANTED TO START OFF BY SAYING THANK YOU, OR... MAHALO. ...MAHALO FOR THE OPPORTUNITY TO MAKE THESE TWO FUN VIDEOS. ENJOY. TODAY'S THE DAY WE PRESENT OUR VIDEOS TO THE KING'S HAWAIIAN PEOPLE. AND THE DAY BEFORE WAS KINDA DICEY COS THERE WERE PEOPLE YELLING AT EACH OTHER AND PEOPLE WERE POUTING. IT WAS MAYHEM. TV: MM, THAT IS HOT. I'VE HAD HOTTER. MM, THAT'S CRAZY HOT. I'M TALKIN' ABOUT THE SAUCE! ME TOO. (BARKS) OOH! OOH! OW! JERRY! NO! AW! WHO'S HOT NOW? ALOHA. HOW WE GON' PLAY FOOTBALL WITHOUT A FOOTBALL? I HAVE SOMETHING WE CAN USE. DRAMATIC MUSIC, MEN GROWLING MEN YELL COME ON! WHERE'D HE GO? (YELLS) THUD! I TOOK ONE FOR THE TEAM! CHUCKLING THANK YOU, GUYS. THANK YOU. GOING INTO THE BOARDROOM, WE'VE SEEN THIS TEAM START TO SHOW SOME CRACKS. I'M KEEPING THE SAUCE. (CHUCKLES) BUT I'M VERY HAPPY WITH THE WAY OUR VIDEOS ENDED UP. AND IF WE DON'T WIN, PROBABLY MY HEAD. SO, THANK YOU GUYS FOR COMING. MY NAME IS NICOLE 'SNOOKI' POLIZZI, AND I WANTED TO INTRODUCE YOU TO MY TEAM. WE REALLY HAD A FUN TIME WITH THIS TASK. I'M DEFINITELY PROUD OF MYSELF THAT I GOT THROUGH MY FIRST TASK BEING A PROJECT MANAGER. I'M SO HAPPY I DID IT. BUT I <BLEEP> MY PANTS THE WHOLE TIME. TV: PARTY MUSIC PLAYS HI! PEOPLE CHAT STOP DOUBLE-DIPPING! NEEDLE SCRATCHES # DIP IT! DIP IT! DIP IT! DIP IT! DIP IT! DIP IT! DIP IT! # WOMEN CHEER UPBEAT COUNTRY-STYLE MUSIC PLAYS DID YOU TAKE MY ORIGINAL BARBECUE SAUCE? NO! VOICES DISTORT DRAMATIC MUSIC PLAYS (SCREAMS) SCREAMING DISTORTS WOMEN LAUGH, APPLAUD I DON'T KNOW IF I SHOULD LAUGH OR CRY. (SCOFFS) THANK YOU SO MUCH. WE WANNA WISH YOU A TREMENDOUS AMOUNT OF LUCK IN THIS LAUNCH. WE WERE SO HAPPY TO BE PART OF IT. WOMEN: THANK YOU. IF WE LOSE THIS TASK BECAUSE OF THE CONCEPT, HOW AM I GONNA EXPLAIN THAT WHAT I THOUGHT OF IS NOT WHAT SHOWED UP ON THE VIDEO? TENSE MUSIC HELLO. HELLO, EVERYBODY. ALL: HELLO. CARSON. YES. WHAT HAPPENED? YOUR ARM IS IN A SLING. (CHUCKLES) I WAS PLAYING FOOTBALL. BUT I'M NOT VERY GOOD AT FOOTBALL. AND RICKY HAS MORE PADDING ` AND BY PADDING, I MEAN MUSCLE, SO. SO (MUMBLES) YOU TACKLED RICKY? I DID. IS THIS THE FIRST TIME YOU'VE TAKEN DOWN A PROFESSIONAL ATHLETE? BE HONEST. UH, ON THE FOOTBALL FIELD, YES. LAUGHTER WELL, IT'S GREAT TO HAVE YOU ALL HERE. TERRIFIC. SO HOW DID IT GO? I'LL START WITH THE WOMEN FIRST. YOU WERE THE PROJECT MANAGER, SNOOKI, SO LET'S HEAR IT. YES. UM, HONESTLY, IT WAS A BIG CHALLENGE FOR ME BECAUSE I HAVE A LOT OF STRONG WOMEN HERE, A LOT OF OPINIONS. AND IT'S KIND OF HARD TO WRANGLE UP EVERYBODY. BUT EVERYBODY WAS SO PRO-ME THIS WEEK. I'M REALLY PROUD TO CALL THESE LADIES MY FRIENDS. AND WE KILLED IT. NOW, BROOKE, DID YOU THINK THAT NICOLE DID A GREAT JOB? I THINK NICOLE WAS NICOLE AND SHE'S BEEN CONSISTENT IN THAT. AND WE REALLY ENJOYED IT. IT JUST WAS A DIFFERENT APPROACH. HONESTLY, I THINK I DID THE BEST THAT I COULD. I'M PRETTY HAPPY WITH IT. AND IF WE DIDN'T WIN, (BLOWS RASPBERRY) I'D BE UPSET. EVERYBODY HAPPY WITH BOTH VIDEOS? LISA, YOU'VE BEEN OUTSPOKEN IN THE PAST. DO YOU FEEL LIKE YOU KILLED IT? WELL, I DEFINITELY THINK THAT ONE VIDEO TURNED OUT BETTER, IN MY HONEST OPINION. WHEN I WAS DIRECTING, I REALLY THOUGHT THAT THE SAUCY HOUSEWIVES WAS OUR BEST WORK. BUT ONCE IT HAD BEEN EDITED, I REALLY LIKED THE DOUBLE-DIPPING VIDEO. I THOUGHT THAT WE PROBABLY HIT THE MARK BETTER ON THAT VIDEO. WHO HAD THE CONCEPT FOR THE VIDEO? I CAME UP WITH A CONCEPT AND LAILA CAME UP WITH A CONCEPT. BUT WHAT MY CONCEPT WAS IS NOT WHAT ACTUALLY ENDED UP HAPPENING. BECAUSE I THINK THAT THE SAUCY HOUSEWIVES IN THE STUDIO WAS HILARIOUS. WE WERE ALL LAUGHING. AND THEN ONCE IT WAS A FINISHED PRODUCT, IT WASN'T QUITE WHAT WE WERE THINKING. BUT I THINK IT'S STILL ENTERTAINING EITHER WAY. IT'S POSSIBLE THAT IN EDITING ONE OF OUR VIDEOS MIGHT NOT HAVE REACHED THE FULL POTENTIAL BECAUSE WE DIDN'T HAVE EVERY SHOT THAT WE NEEDED. MIGHT HAVE FALLEN ON LISA. LISA, YOU DON'T LOOK VERY HAPPY SITTING THERE RIGHT NOW. IT'S JUST ALWAYS INTERESTING HOW, NO MATTER WHAT WE'RE DOING, I'M GONNA GET BLAMED ABOUT SOMETHING, WHATEVER WENT WRONG IT'S BECAUSE LISA DIDN'T DO SOMETHING. BUT IT'S ALL GOOD, COS I'M HERE TO FIGHT, NO MATTER WHAT. WELL, LET'S HEAR FROM MATT. TELL ME ABOUT YOUR TEAM'S VIDEOS. WHAT I WANTED TO DO WAS ENCOURAGE EVERYONE TO BE AS CREATIVE AS POSSIBLE. BRAINSTORMING WAS REALLY GONNA BE THE KEY, AND THAT'S ONE OF THE THINGS WHERE I FELT LIKE OUR TEAM HAS DONE A GREAT JOB IS BEING ABLE TO LET THE BEST IDEA WIN. GEORGE, WERE YOU HAPPY WITH THE OUTCOME OF BOTH OF THE VIDEOS? I WAS EVENTUALLY. I MEAN, GETTING THERE, THERE WAS A LOT OF WHINING IN THE MORNING. YOU KNOW, PEOPLE WERE MOANING THAT THEY WEREN'T BEING HEARD. JON WAS VERY UPSET EARLY IN THE DAY BECAUSE WE WERE CHALLENGING HIS IDEAS. MATT, I'D LIKE TO HEAR A BIT MORE ABOUT HOW YOU MANAGED TO KEEP THIS ALL TOGETHER BETWEEN YOU, JON AND GEORGE. AT THE BEGINNING, I WILL SAY I LOVE JON LOVITZ. INITIALLY, WHEN YOU'RE BRAINSTORMING, HE CAN BE VERY STUBBORN. I HAVE NO PROBLEM WITH THAT BECAUSE HE DELIVERS. GEORGE I KNOW WAS VERY FRUSTRATED WITH THE TIME MANAGEMENT DURING THE DAY. IS EVERYONE GONNA HAVE A MOMENT WHERE THEY'RE GONNA THROW A FIT AND BE UPSET? ABSOLUTELY. AND THAT WAS ONE OF THE THINGS` OH, I DIDN'T THROW A FIT. OK. WHEN YOU WERE` I DIDN'T THROW A FIT. THE THING IS I JUST THOUGHT IT WAS SLOW. IT'S SUPPOSED TO BE A VIRAL VIDEO. WE WANTED ACTION. YOU KNOW, I JUST FELT LIKE THEY WERE ACTING LIKE THEY WERE FILMING BEN HUR. IT WAS LIKE, 'GET ON WITH THIS. WHY ARE WE TAKING SO LONG?' SO AS YOU CAN SEE, WE GET ALONG GREAT. YES, ABSOLUTELY. OK. LET'S HEAR WHAT THE EXECUTIVES THOUGHT OF THE VIDEOS. LET'S START WITH PATRICK FIRST. THE KING'S HAWAIIAN EXECUTIVES THOUGHT THAT THE MEN MADE MUCH BETTER USE OF THEIR CELEBRITY. UH, THEY ALSO LOVED THE PRODUCTION VALUE OF RICKY'S VIDEO AND THE DIRECTING OF RICKY'S VIDEO. AND JON, THE EXECUTIVES REALLY LIKED THE DOG VIDEO. ON THE NEGATIVES, THEY THOUGHT THAT THE PRODUCT APPEAL COULD HAVE BEEN BETTER, RICKY, IN YOUR VIDEO. SO THOSE WERE THE NEGATIVES. OK. JUSTINE, LET'S HEAR WHAT THE EXECUTIVES THOUGHT OF THE WOMEN'S VIDEOS. LADIES, THEY ACTUALLY REALLY LOVED THE DOUBLE-DIPPING VIDEO. AND IT WAS GREAT BECAUSE THEY LOVED THE PRODUCT APPEAL. SO FOR THEM THAT WAS HUGE, COS THEY COULD SHOW HOW MUCH THAT THEY ABSOLUTELY WERE ENJOYING THE SAUCE. SO FOR THEM, THAT WAS REALLY HUGE. AND THEY THOUGHT THAT THAT HAD SUCH A GREAT VIRAL POTENTIAL BECAUSE THEY FELT IT COULD BE REWATCHED OVER AND OVER. NOW FOR SOME OF THE DOWNFALLS. IN THE SAUCY HOUSEWIVES, THERE WAS ALMOST NO BRAND RECOGNITION AT ALL. THEY WEREN'T SURE WHAT YOU WERE SELLING. 'WHAT IS THIS GUY DOING? WHAT'S GOING ON?' OK. VERY GOOD. WELL, ARE WE READY TO HEAR THE RESULTS? YES. ALL AGREE YES, GOVERNOR. ALL RIGHT. TENSE MUSIC THE MEN WON. YES! OH! MATT, YOU'RE THE PROJECT MANAGER. YOU'RE GONNA GET THE TOTAL OF $50,000 TOWARDS YOUR FAVOURITE CHARITY. (YELLS) THANK YOU, GOVERNOR. THANK YOU. I'D LIKE TO SAY THANKS ON BEHALF OF THE ARTHRITIS FOUNDATION, WHO HELP PEOPLE FIGHT THE EVERYDAY BATTLES BY GETTING THEM INFORMATION, ACCESS TO CARE, AND MOST IMPORTANTLY HELPING WITH SCIENTIFIC BREAKTHROUGHS. I HAVE RHEUMATOID ARTHRITIS, SO FOR ME THIS IS INCREDIBLY PERSONAL. I AM ETERNALLY GRATEFUL TO ALL OF TEAM ARETE FOR THIS OPPORTUNITY. CONGRATULATIONS. THANK YOU. YOU GUYS GO BACK TO YOUR ROOM, ENJOY YOURSELF, DRINK SOME CHAMPAGNE, CELEBRATE. AND YOU CAN TURN ON THE TV TO WATCH THE WOMEN. THANK YOU. WOMEN OFFER CONGRATULATIONS THANK YOU SO MUCH. ALL RIGHT. THE WOMEN'S TEAM, YOU STAY HERE. NOW, REMEMBER, ONE OF YOU WILL BE FIRED. DRAMATIC MUSIC NOW, YOU DID TWO VIDEOS. ONE THAT I THOUGHT WAS EXTRAORDINARY. THANK YOU. YOU KNOW, THE DOUBLE-DIPPING. BUT THE PROBLEM IS THAT THE SECOND ONE, THE HOUSEWIVES, JUST DIDN'T MAKE ANY SENSE. THE EXECUTIVES FELT VERY STRONGLY THAT THAT TOTALLY MISSED THE MARK. WHO IS AT FAULT HERE? I MEAN, YOU'RE THE PROJECT MANAGER, NICOLE. WHAT IS YOUR TAKE ON THAT? I THINK WE JUST HAD SO MANY IDEAS THAT WERE CHANGING THAT WE RAN OUT OF TIME. WE WERE LIKE, 'OK, THIS SEEMS GREAT. WE'LL FILM IT AND WE'LL FIX IT IN EDITING.' BUT NICOLE, WHO IS RESPONSIBLE FOR TIME MANAGEMENT? UM, I WOULD SAY ME, COS I AM THE PROJECT MANAGER. DO YOU THINK YOU MIGHT'VE SPENT TOO MUCH TIME ON ONE VIDEO AND NOT FOCUSED ENOUGH ON THE OTHER? COS I KNOW THE EXECUTIVES WERE LIKE, 'THIS ONE'S GREAT, BUT THIS ONE REALLY FELL SHORT.' SO I FEEL LIKE IF YOU GUYS WOULD'VE HAD TWO GREAT VIDEOS IT MIGHT'VE GIVEN YOU AN ADVANTAGE. YOU WOULD'VE WON. I MEAN, THERE'S NO TWO WAYS ABOUT IT. IF THE HOUSEWIFE VIDEO WOULD'VE BEEN UP TO THE LEVEL OF THE DOUBLE-DIPPING VIDEO, YOU WOULD'VE WON. I FEEL IT WAS RUSHED AND THERE WAS TOO MANY CHANGES HAPPENING. ONCE WE HAD A GOOD IDEA, IT WAS LIKE SOMEONE THREW IN ANOTHER IDEA AND ANOTHER. AND IT KEPT CHANGING AND EVOLVING INSTEAD OF SAYING, 'THIS IS WHAT WE'RE DOING.' BUT KYLE, IT WAS YOUR IDEA. SO DOES THAT MEAN THAT YOU SHOULD BE FIRED? NO. BECAUSE MY IDEA DIDN'T MAKE IT TO VIDEO. WELL, THEN WHO EDITED THE VIDEO? I DID. ME AND PORSHA. LISA WAS THE DIRECTOR, AND SHE DID A GREAT JOB WITH THE FIRST ONE. ONCE IT GOT TO EDITING, IT BECAME WHAT IT WAS SUPPOSED TO BE. BUT WHEN WE GOT TO HOUSEWIVES, WE GOT IN THERE AND EVERYTHING THAT SHE AND I SHOT OVER AND OVER TO GET THE PRODUCT SHOT, IT WAS BACKWARDS, SO WE DIDN'T` LISA, YOU WERE THE DIRECTOR. YOU WERE THE DIRECTOR, SO YOU WERE RESPONSIBLE FOR SOME OF THOSE THINGS. DO YOU THINK THAT YOU SHOULD BE FIRED? I BELIEVE THAT THOSE ARE LIES. AS YOU CAN SEE, NO MATTER WHAT THE SUBJECT IS, I AM THE REASON WHY WE LOST. NO MATTER WHAT. YOU CAN ASK US A QUESTION ABOUT ANYTHING. THEY HAVE YET TO THROW EACH OTHER UNDER THE BUS. I HOPE YOU'RE RECOGNISING THAT, GOVERNOR. AND THAT'S OK, BECAUSE I AM STRONG AND I CAN HANDLE IT. ALL RIGHT. LAILA, WHAT IS YOUR FEELING OF THIS WHOLE THING? THERE WAS A LOT GOING ON THAT DAY, AND I THINK IT WAS ONE OF OUR TOUGHEST DAYS COS WE HAD DEFINITELY HAD SOME TEAM CHEMISTRY ISSUES. THERE WERE SO MANY COOKS IN THE KITCHEN. SO WHAT DO YOU THINK THE BIGGEST CHEMISTRY ISSUE WAS? WE HAD SOME THINGS HAPPEN THROUGHOUT THE DAY, LIKE ME AND LISA HAD TO HAVE A CONVERSATION WITH EACH OTHER BECAUSE I HAD ASKED HER IF SHE WAS THE DIRECTOR AND SHE SAID, 'ALLEGEDLY'. AND` I DIRECTED THE FIRST VIDEO. WE GOT TO THE SECOND VIDEO; THE CONCEPT KEPT CHANGING. NOW, I WROTE UP WHAT THE ORIGINAL CONCEPT WAS, WHICH, KYLE IS CORRECT, IT WAS HER CONCEPT. I CAN ONLY DO WHAT I WAS TOLD THE CONCEPT WAS. AND I SHOT ALL THOSE DIFFERENT ANGLES TO GIVE HER EXACTLY WHAT SHE WANTED. AND NOW SHE WENT INTO EDITING, AND WHAT THAT CREATION IS IS WHAT YOU GOT ` A STORY THAT DOESN'T MAKE SENSE. EXCUSE ME, CAN I JUST FINISH WHAT I WAS SAYING? COS YOU ASKED ME A SPECIFIC QUESTION. WE DID HAVE TO HAVE A CONVERSATION ABOUT WHAT THE JOBS WERE BECAUSE LISA, YOU WERE BEING A LITTLE DEFENSIVE. I HAD ASKED HER, 'ARE YOU THE DIRECTOR?' AND SHE SAID, 'ALLEGEDLY.' THAT WASN'T THE FIRST TIME. THE FIRST TIME I SAID, 'YES, I'M THE DIRECTOR.' FOR SOME REASON, SHE DOESN'T WANT ME TO FINISH WHAT I WAS SAYING. COS YOU KEEP CUTTING ME OFF. LIKE, IT'S FUNNY, RIGHT? IT'S NOT FUNNY TO ME. LAILA, GO AHEAD. GO AHEAD, LAILA. FINISH. OH, I WILL. I WAS JUST ASKING YOU TO BE QUIET SO I CAN FINISH. OK. SO, UM, THE POINT BEING I DON'T KNOW WHAT THE DISCONNECT WAS, BUT I DIDN'T FEEL LIKE WE WERE WORKING IN UNISON, AND WE WERE DEFINITELY HAVING TO DEAL WITH ISSUES THAT I DIDN'T EVEN KNOW WHERE THEY CAME FROM. SO I THINK THAT KINDA PUT THE TEAM IN A FUNNY PLACE. ALL RIGHT, NICOLE. PICK TWO PEOPLE. UM, OBVIOUSLY, IT WAS THE CONCEPT AND THE EDITING. SO EDITING, LET'S JUST GET THIS OVER WITH. IT'S ME AND PORSHA. WE EDITED. UM, I DON'T KNOW IF IT WAS THE ANGLES OR WHATEVER. ANGLES WOULD BE LISA. UM, KYLE HAD THE CONCEPT BUT IT CHANGED, SO I CAN'T REALLY BLAME KYLE FOR THAT. WHAT WAS EXECUTED WASN'T MY IDEA. EXACTLY. PORSHA AND LISA. ALL RIGHT, YOU HEARD IT. THE REST OF YOU GO BACK, JOIN THE MEN. AND THEN YOU THREE WILL GO OUT TO THE LOBBY AND THEN WE'LL CALL YOU BACK, OK? ALL: THANK YOU. TENSE MUSIC WE ALL WERE PART OF THE PROCESS, SO LET'S JUST FIGHT FOR IT. THAT'S WHAT YOU DO. I THINK THAT WHETHER IT'S ME, YOU OR LISA, THE RIGHT PERSON WILL BE GOING HOME. NICOLE, YOU'RE THE PROJECT MANAGER. YES. YOU KNOW THAT YOU LOST. YOU FEEL RESPONSIBLE FOR THAT? I'M GONNA BE HONEST HERE, AND I'M NOT THROWING MYSELF UNDER THE BUS, BUT I WAS TERRIFIED TAKING ON THAT ROLE BECAUSE BEING IN FRONT OF STRONG WOMEN WHO ARE SO OPINIONATED, THAT'S JUST NOT WHO I AM AS A PERSON. SO... SO, LISA, WHY DO YOU THINK YOU'VE BEEN BROUGHT BACK SO MANY TIMES? WELL, THIS IS MY SECOND TIME HERE, GOVERNOR, AND I'M A VERY STRONG PLAYER. I LISTEN TO WHAT THE WOMEN HAVE TO SAY AND I DO THE BEST THAT I CAN TO SUPPORT THEM, WHETHER I AGREE WITH THE IDEA OR NOT, BECAUSE AT THE END OF THE DAY, I'M A TEAM PLAYER. ALL RIGHT. LISA, LET ME JUST ASK YOU ` WHO SHOULD I FIRE? UM, GOVERNOR, AT THE END OF THE DAY, I BELIEVE THAT ALL OF THIS REALLY FALLS ON THE PROJECT MANAGER, BECAUSE SHE'S THE ONE WHO OK'D PORSHA MAKING THE CONCEPT CHANGE. SO IT'S EITHER ONE OF THEM. PORSHA, ARE YOU RESPONSIBLE? I AM ABSOLUTELY RESPONSIBLE FOR ASSISTING OUR PROJECT MANAGER IN MAKING A DECISION WHERE WE WOULD HAVE SOMETHING TO EDIT. THAT'S WHAT I WANTED. WITH AN HOUR I'M WORKING` IT'S MY DECISION. LET ME ALSO SAY THIS. A TEAM PLAYER ALSO SPEAKS UP. WE'RE TAKING ABOUT LEADERS AND WHO WE WANNA MOVE FORWARD WITH. IF WE'RE GONNA TALK ABOUT ME STEPPING UP AND TAKING A CHANCE AND A RISK TO TELL HER, 'LISTEN, WE GOTTA CHANGE THIS CONCEPT LAST MINUTE TO GET SOMETHING TO EDIT,' WHY WOULD YOU JUST ONLY HAVE THE DIRECTOR HAT ON AND NOT SAY, 'LOOK, I DON'T BELIEVE IN THIS. 'WE NEED TO CHANGE IT.' SHE ONLY WEARS THE HAT THAT'S GIVEN BECAUSE SHE DOES NOT WANT TO TAKE A RISK. FOR ME, AGAIN AND AGAIN, I WILL SAY THAT I THINK IT'S LISA BECAUSE WE HAVE TO TAKE RISKS IN THIS. RISK? I'M THE WRITER, I'M THE TIMELINE PERSON AND I'M THE DIRECTOR. YOU WERE NOT THE WRITER. HOW MANY MORE JOBS CAN I DO? WE COULD'VE HAD A TYPEWRITER, OK? YOU'RE NOT THE WRITER. OH MY GOSH. AND YOU DID NOT TAKE ANY RISK. AND AS SOON AS YOU THOUGHT THE RESPONSIBILITY WAS GONNA BE ON YOU IN A NEGATIVE WAY, YOU THREW IT ON HER. THAT'S NOT POSSIBLE. I'M THE DIRECTOR. IF YOU WOULD STOP TALKING SO MUCH, I COULD ACTUALLY DIRECT. WHEN YOU ARE DIRECTOR, YOU ARE ALSO OVER CREATIVE. YOU WERE OVER ALL` I WAS NOT OVER CREATIVE. YES, YOU ARE! YOU ARE SUPPOSED TO MAKE THAT VISION COME TO LIFE. HOW AM I OVER CREATIVE? YOU MISSED VERY VALUABLE SHOTS. ONCE WE GOT INTO THE EDITING, WE HAD TO COMPLETELY CHANGE IT. SO WHO SHOULD BE FIRED, PORSHA? LISA. LISA. WHAT DO YOU THINK ABOUT THAT, NICOLE? (SIGHS) BE HONEST, NICOLE. I'M GOING TO BE HONEST. (SOBS) NICOLE, YOU'RE THE PROJECT MANAGER. YOU'RE RESPONSIBLE. I WANNA TAKE FAULT FOR IT. YOU WANT TO TAKE FAULT FOR THIS? WHY DO YOU SAY THAT? THIS CHALLENGE HAS BEEN SO HARD FOR ME. I TRY AND BE STRONG, BUT I'M NOT LIKE YOU GUYS. (SNIFFLES) I FEEL LIKE I DON'T BELONG HERE. AND I HATE TO SEE YOU GUYS FIGHT. NICOLE, I'M SORRY THAT YOU FEEL THAT WAY BECAUSE I THINK YOU DID A GREAT JOB. I DON'T WANNA BE A PART OF THAT. LET ME JUST TELL YOU SOMETHING. I DON'T WANNA BE A PART OF THAT. YOU'VE SAID IN THE BEGINNING THAT YOU WANT TO CHANGE YOUR IMAGE, YOU WANT TO REINVENT YOURSELF. I THINK THAT YOU'VE DONE AN EXTRAORDINARY JOB. THANK YOU. YOU'VE DONE AN INCREDIBLE JOB HERE. YOU HAVE. I THINK PEOPLE KNOW THAT YOU'RE SMART, THAT YOU HAVE THE WILLPOWER. (SNIFFLES) YOU HAVE TALENT. AND IT IS A VERY DIFFICULT JOB. AND YOU STEPPED UP TO THAT LEVEL. BUT AS YOU SAID, SOMETIMES YOU REALISE AS YOU'RE IN THE MIDDLE OF THE WHOLE THING IS THAT 'THIS IS TOO MUCH FOR ME'. YES. YOU KNOW, YOU FOUGHT FOR YOUR CHARITY, AND SO I'M SORRY TO SAY ` YOU'RE TERMINATED. SOLEMN MUSIC OK? THANK YOU. ABSOLUTELY. THANK YOU, YOUR TERMINATOR-NESS. YOU ARE MY FAVOURITE PERSON EVER. I REALLY TRIED MY HARDEST. I LOVE YOU, AND THANK YOU FOR THIS OPPORTUNITY. WE LOVE YOU. THANK YOU SO MUCH. GOOD LUCK TO YOU, NICOLE. THANK YOU. THANK YOU VERY MUCH. THESE ARE ALL VERY STRONG WOMEN. AND SHE FELT LIKE SHE WAS BEATEN DOWN AND SHE JUST CAN'T HANDLE IT. MM-HM. IN THE END, IT WAS THE RIGHT DECISION. SHE WAS RESPONSIBLE; SHE WAS READY TO GO. YEAH. ROTOR WHIRRS DRAMATIC MUSIC MY CHARITY IS THE NORTH SHORE ANIMAL LEAGUE OF AMERICA. SO I WANTED TO COME HERE TO SUPPORT THEM. BUT OVERALL, THIS EXPERIENCE HAS BEEN AMAZING. AND I LOVE EVERYONE INVOLVED, AND I'M REALLY SAD TO LEAVE, BUT IT'S JUST NOT FOR ME.