LAST WEEK ON 'THE NEW CELEBRITY APPRENTICE' ` WITH ONLY FOUR PLAYERS LEFT, GOVERNOR SCHWARZENEGGER MIXED UP THE TEAMS YET AGAIN. THIS IS NOT FAIR! BOY GEORGE, ALL BY HIMSELF. BROOKE, WHY DON'T YOU MOVE OVER TO BOY GEORGE'S TEAM? AND THEN TASKED THEM WITH AN IN-HOME PRODUCT DEMONSTRATION FOR JESSICA ALBA'S 'HONEST' COMPANY. SEE YOU ALL TOMORROW IN THE BOARDROOM. BOY GEORGE TOOK A MAJOR CREATIVE RISK INCORPORATING HIS BUDDHIST BELIEFS... I AM USING THIS AS A METAPHOR, BECAUSE NAM MYOHO RENGE KYO IS ABOUT POLISHING YOUR MIRROR. ...AND WON FOR THE SECOND TIME AS PROJECT MANAGER. THE WINNER IS TEAM PRIMA. CONGRATULATIONS. (LAUGHS) IN THE END, PROJECT MANAGER LAILA ALI WAS KNOCKED OUT OF THE COMPETITION. WELL, LAILA, YOU HAVE A TRACK RECORD OF BEING QUITE THE PROJECT MANAGER. YOU'VE WON ONE. HE HAS BEEN THE PROJECT MANAGER TWICE, AND HE'S WON TWO. LAILA, YOU'RE TERMINATED. (DRAMATIC MUSIC) WELL DONE. WE FRICKIN' MADE IT! I KNOW. IT'S AMAZING. I MEAN, I THINK. (CHUCKLES) WELL, HE DIDN'T SAY, 'YOU'VE WON. YOU'RE GOING TO THE FINALE.' NO, BECAUSE HE DIDN'T` HE SAID, 'YOU'VE WON. GO IN THERE AND CELEBRATE.' SOMETHING WEIRD'S HAPPENING. (SIGHS) THE DOOR'S OPENING! YOU'RE STILL HERE? AH! YOU'RE STILL HERE? I'M STILL HERE. WHAT HAPPENED? WELL, WAS I NOT FIRED? I DON'T KNOW. I DON'T EVEN KNOW WHAT TO EXPECT! YOU'RE GONNA BE IN THE FINAL TASK? HE DIDN'T SAY ANYTHING. WE DON'T EVEN KNOW IF WE'RE GOING TO THE FINALE. WE DON'T EVEN KNOW ANYTHING. TELL ME WHAT HAPPENED! TODAY WAS THE FIRST DAY I WAS CALLED INTO THE BOARDROOM. THAT WAS NOT FUN AT ALL. AND TO BE AGAINST LAILA ALI, NO LESS, SHE WAS THROWIN' SOME HAYMAKERS IN THERE. BUT I JUST AM LUCKY THAT EVERY DAY I'VE BEEN HERE, I'VE FOUGHT MY ASS OFF. SO I'M STILL STANDIN'. HE JUST GOES, 'LAYLA, YOU'RE WONDERFUL. YOU'RE A CHAMPION. 'I RESPECT YOU. I'M SO GLAD YOU FINALLY CAME OUT SWINGING, BUT YOU'RE FIRED.' AND` AND NOTHING ABOUT YOU'RE GOING TO THE FINALE OR THIS IS IT OR`? NO, NOTHING! WHAT THE HELL? HE'S GONNA COME IN HERE, AND HE'S GONNA FIRE ALL OF US. WELL, CONGRATULATIONS. THANK YOU. CONGRATULATIONS TO YOU GUYS. YOU DESERVE TO BE HERE. THANK YOU. I MEAN, WELL DONE. I'M VERY CONFUSED ABOUT WHAT'S HAPPENING, THOUGH. I KNOW. ALL RIGHT. SHALL WE GO? WHAT ARE YOUR PLANS? ARE WE GOING? SHALL WE GO HOME? LET'S GO HOME. NO, NO. (PHONE RINGS) THE PHONE. YOU'RE KIDDING ME. OH NO. WELL, WE SHOULDN'T HAVE POPPED THE CHAMPAGNE, IT SOUNDS LIKE. HELLO. WOMAN: MR SCHWARZENEGGER NEEDS YOU BACK IN THE BOARD ROOM. WE'VE GOTTA GO BACK. NOOO! YEP. OK. THANKS. PHONE RING ` 'MR SCHWARZENEGGER WANTS TO SEE YOU.' WE'RE LIKE, 'OH MY GOD!' I GO THROUGH ALL THESE DIFFERENT EMOTIONS FROM 'I'M GOING HOME', 'I'M NOT GOING HOME'. IT WAS JUST VERY CONFUSING. ARE WE REALLY? YEAH. SHALL WE DO THAT SHOT FIRST? DAMN RIGHT. (THE O'JAYS' 'FOR THE LOVE OF MONEY') # MONEY, MONEY, MONEY, MONEY. # MONEY! # MONEY, MONEY, MONEY, MONEY. # MONEY! # SOME PEOPLE GOT TO HAVE IT. # HEY, HEY! # SOME PEOPLE REALLY NEED IT. # HEY! LISTEN TO ME, Y'ALL. # DO THINGS, DO THINGS, DO THINGS, # BAD THINGS WITH IT. # DOLLAR BILLS, Y'ALL. COME ON. # THAT MEAN, # OH, MEAN, # MEAN GREEN. # ALMIGHTY DOLLAR. # TALKIN' 'BOUT... # MONEY! # GIVE ME A NICKEL, BROTHER. # CAN YOU SPARE A DIME? # MONEY CAN DRIVE SOME PEOPLE OUT OF THEIR MINDS. # FOR THE LOVE OF MONEY. # NO GOOD, NO GOOD. # MONEY! # MONEY, MONEY, MONEY, MONEY. # MONEY! # COPYRIGHT ABLE 2017 (TENSE MUSIC) WELL, I BROUGHT YOU BACK. YOU'RE PROBABLY WONDERING WHY. WE ARE. WE'RE PARTNERED UP WITH UNCERTAINTY IN THIS COMPETITION. I THINK THE SIMPLE REASON IS BECAUSE THIS IS NOT, LIKE, PROFESSIONAL WRESTLING, WHERE YOU SEE SOMETIMES SIX PEOPLE IN THE RING OR THREE PEOPLE. THIS IS LIKE THE OCTAGON OR THE BOXING RING ` WE ONLY END UP WITH TWO SLUGGING IT OUT. BUT THERE'S THREE HERE. SO THEREFORE, ONE HAS TO GO. (DRAMATIC TONE) SO ONE WILL BE FIRED. SO, ALL OF YOU HAVE OBVIOUSLY DONE AN EXTRAORDINARY JOB. THE RECORDS SHOW IT ALL. I MEAN, AS PROJECT MANAGER, EACH ONE OF YOU WON TWO TIMES. EACH OF YOU RAISED $100,000 FOR YOUR CHARITY. AND, MATT, YOU HAD SEVEN WINS AND FOUR LOSSES; GEORGE, YOU HAVE SEVEN WINS AND THREE LOSSES; AND, BROOKE, YOU HAVE FIVE WINS AND SIX LOSSES. SO THIS IS ALL A GREAT RECORD. THERE'S NOTHING TO COMPLAIN ABOUT, SO I AM PROUD OF ALL OF YOU. THANK YOU. ALL THREE OF YOU. I MEAN, REALLY EXTRAORDINARY WORK, AND THAT'S WHY YOU'RE THE THREE FINALISTS NOW, SITTING HERE. SO TELL ME NOW, BROOKE, WHY DO YOU THINK YOU WILL BE THE TOP FIGHTER AND THAT YOU ACTUALLY SHOULD STAY AND I SHOULD GET RID OF SOMEONE ELSE. I CAME INTO THIS COMPETITION BELIEVING IN MYSELF, HAVING FAITH, HAVING CONFIDENCE AND HAVING A WILLINGNESS TO FIGURE IT OUT ` I DIDN'T KNOW HOW. TO STEP OUT OF MY COMFORT ZONE, TO WORK HARD, TO BE ETHICAL AND TO BE TIRELESS. AND I FEEL LIKE I'VE DONE THAT. I FEEL LIKE I HAVE MORE LOSSES THAN WINS HERE, BUT SOMEHOW I FIGURED OUT HOW TO STAY IN THIS GAME, AND I CAME HERE FOR ONE REASON, AND THAT'S TO RAISE MONEY FOR MY CHARITY, BUT ALSO TO WIN, AND I THINK THAT BELIEF AND THAT CONFIDENCE AND THAT FAITH IN MY OWN SELF, I THINK, IS WHAT IT TAKES TO GO ALL THE WAY IN THIS GAME. MATT, TELL ME ` WHY DO YOU THINK THAT YOU SHOULD STAY AND YOU'RE THE ULTIMATE FIGHTER AND THAT YOU DESERVE TO BE UP THERE AMONGST THE TWO FINALISTS? WELL, AS THESE TWO HAVE SHOWN, IF IT BLEEDS, WE CAN KILL IT ` I'M SORRY, I JUST NEEDED TO THROW A QUOTE OUT. UH, YOU'VE SEEN, GOVERNOR, I CAME HERE TO FIGHT AND TO WIN AND TO PROVE SOMETHING. I THINK COMING IN, I WAS THE LEAST-KNOWN PERSON HERE, AND I DON'T THINK A LOT OF PEOPLE TOOK ME SERIOUSLY AS A COMPETITOR OR THOUGHT I WOULD MAKE IT VERY FAR, SO I MADE A POINT EVERY DAY TO SHOW UP AND OUT-WORK EVERYBODY. I'VE PUT MYSELF OUT THERE; I'VE SUPPORTED PEOPLE IN OTHER WAYS; I FEEL I'VE MADE PEOPLE BETTER. AND WHEN I'VE NEEDED TO, I'VE STEPPED UP AND BEEN ABLE TO SHINE. SO I BELIEVE I'VE DEMONSTRATED WITH MY RECORD AND MY WILLINGNESS TO DO WHATEVER IT TAKES, THAT I AM HERE TO WIN. GEORGE, DO YOU HAVE WHAT IT TAKES TO GET TO THE NEXT LEVEL? ABSOLUTELY. I MEAN, I HAVE OVERCOME SO MANY OBSTACLES IN MY LIFE. I FEEL LIKE I SPEAK FOR ALL THOSE PEOPLE WHO FEEL DIFFERENT OUT THERE. I'VE LOVED THIS PROCESS. I'VE LOVED CHALLENGING MYSELF, DOING THINGS THAT ARE COMPLETELY OUT OF MY COMFORT ZONE. I FOUND OUT THAT I AM A TEAM PLAYER AND THAT I'M QUITE CUNNING WHEN I NEED TO BE, AND I'VE BEEN ON THE WINNING TEAM. I'VE HELPED PEOPLE RAISE A LOT OF MONEY. AND I'M REALLY PROUD OF THAT. YEAH, ABSOLUTELY. I'M HERE TO FIGHT. GOOD. SO, THE NEXT TASK WILL HAVE SOMETHING TO DO WITH PRESENTATION, WILL HAVE SOMETHING TO DO WITH FUNDRAISING. BROOKE, DO YOU THINK THAT YOU WILL GIVE THE BEST PRESENTATION? I DO, BECAUSE I THINK I'M DETAIL-ORIENTED. I THINK I'M ORGANISED. I THINK I SPEAK THE LANGUAGE OF THE BUSINESS. I THINK THAT I WORK HARD. I THINK THAT I HAVE THE ABILITY TO FIGURE SOMETHING OUT IF I DON'T KNOW HOW TO DO IT. I'M RESOURCEFUL. I'M COMMITTED. I'M PASSIONATE. DO YOU HAVE THE ABILITY OF RAISING MONEY? YES. WHAT ABOUT YOU, MATT? UM, MONEY WOULD BE` PRESENTATION AND RAISING MONEY. PRESENTATION, I HAVE NO DOUBT. AS YOU SAW WITH HARRY POTTER, WHEN YOU GIVE ME THE CHANCE TO TAKE THE LID OFF SOMETHING, I AM PERFECTLY WILLING TO COMMIT. RAISING MONEY ` I WOULD LOVE THAT CHALLENGE. FOR ME, THE ARTHRITIS FOUNDATION IS INCREDIBLY PERSONAL. I HAVE RHEUMATOID ARTHRITIS. MY PLAN WOULD BE TO REACH OUT TO ANYONE AND EVERYONE WHO'S EVER BEEN AFFECTED BY THIS DISEASE AND TELL THEM THEY HAVE A CHANCE RIGHT NOW TO MAKE A DIFFERENCE BY SUPPORTING ME, AND I BELIEVE I CAN GET THEM TO ACTION AND HOPEFULLY RAISE AN UNBELIEVABLE AMOUNT OF MONEY AND IMPRESS MYSELF AND HOPEFULLY IMPRESS YOU, GOVERNOR. WELL, GEORGE, THEN TELL ME ` HOW WOULD YOU DO WITH YOUR PRESENTATION? DO YOU THINK THAT YOU WOULD OUTDO ALL THOSE AND YOU RAISE MORE MONEY THAN ANYONE ELSE? I THINK I COULD COMPETE WITH ALL OF THEM IN TERMS OF PRESENTATION. I THINK SOMETIMES THE CLIENT WANTS SOMETHING OUT OF THE BOX, AND ONE THING I HAVEN'T DONE IS BEEN SAFE. I'VE TAKEN LOADS OF RISKS, AND THAT'S PAID OFF. AND IN TERMS OF THE MONEY, I HAVE NO FEAR OF RAISING A LOT OF MONEY. I'VE ALREADY DONE THAT, SO I'D BE HAPPY TO RAISE A LOT MORE. I JUST WANTED TO TELL YOU ` DON'T FEEL, HOWEVER BIG, THAT YOU'RE A LOSER, OK? (LAUGHS) WHY WOULD YOU EVEN SAY THAT?! WE WEREN'T THINKING WE WERE LOSERS UNTIL YOU BROUGHT IT UP! I JUST WANTED TO MAKE SURE THAT YOU UNDERSTAND THAT, BECAUSE SOMETIMES YOU LOSE AROUND, BUT YOU'RE NOT A LOSER, REMEMBER. THE ONLY PERSON WHO IS A LOSER STAYS DOWN. I'VE SAID THAT OVER AND OVER AGAIN. I REMEMBER THAT WHEN I LOST BODYBUILDING COMPETITIONS. WHEN I CAME OVER TO AMERICA AND I WAS 21 YEARS OLD, I WON TWO TIMES MR UNIVERSE BEFORE I CAME OVER HERE ` LOST. I CRIED ALL NIGHT. YEAH. BUT THEN I REALISED, 'WAIT A MINUTE. 'EVEN THOUGH I'M HERE BY MYSELF IN THIS COUNTRY, I'VE JUST COME OVER HERE, 'I DON'T SPEAK THE LANGUAGE, I DON'T HAVE ANY FRIENDS HERE, I HAVE NOBODY HERE, 'AND I JUST LOST THIS COMPETITION, THIS IS THE END OF THE WORLD,' I FINALLY PICKED MYSELF UP THE NEXT MORNING AND SAID, 'I'M GONNA BE BACK.' AND I'M GONNA BE BACK BETTER THAN EVER. AND THE NEXT YEAR, I WON TWO MR UNIVERSE CONTESTS OF BOTH OF THE FEDERATIONS, AND MY BODYBUILDING CAREER SKYROCKETED. SO YOU'RE NOT A LOSER. WHY ARE YOU SAYING THAT DIRECTLY TO ME, GOVERNOR? (LAUGHS) THERE'S A REASON FOR THAT. LET ME JUST` LET ME JUST GET TO THAT, OK? THANK YOU. THAT IS BECAUSE, MATT, YOU'VE DONE AN EXTRAORDINARY JOB. YES. AND YOU'VE BEEN CONSISTENT FROM THE BEGINNING. YOU'VE MADE ME REALLY PROUD. GEORGE, YOU HAVE BEEN KIND OF IN AND OUT, BUT YOU'VE COME ON STRONG. AND IN TIMES WHEN IT WAS REALLY IMPORTANT, YOU CAME OUT OF THE GATE VERY STRONG; YOU WON. SO YOU'VE DONE A TERRIFIC JOB. YOU'RE BACK AGAIN, EVEN THOUGH YOU HAD YOUR LOW POINTS DURING THIS WHOLE PERIOD. BROOKE,... YOU'VE BEEN UNBELIEVABLY HARD-WORKING, BUT YOU WERE DOWN AND NOT NOTICEABLE THAT MUCH IN THE BEGINNING. NOW IN THE END, YOU'VE CAME BACK REALLY BIG. I'M PROUD OF YOU. YOU'VE DONE A TERRIFIC JOB. YOU'RE A HUGE STAR, BUT, BROOKE, YOU'RE TERMINATED. (DRAMATIC TONE) THANK YOU VERY MUCH, ALL OF YOU. WOW. I MADE IT THIS FAR. THERE'S ONE MORE TASK. MATT: I DID NOT SEE THAT COMING. IT'D BE AWESOME TO WIN THAT, BUT AT THE END OF THE DAY, I WON 100 GRAND FOR OPERATION SMILE, WHICH IS HUGE. I'M PROUD OF WHAT I CAME HERE TO DO AND WHAT I ACCOMPLISHED, AND IT WAS REALLY FUN. I REALLY, REALLY ENJOYED IT. I DID NOT SEE THAT COMING. (WHEEZES) SO, ANYWAY, JUST WANTED TO SAY CONGRATULATIONS. THANK YOU. YOU'RE THE TWO FINALISTS. AND TOMORROW I WILL GIVE YOU THE NEXT TASK, AND THE MADNESS CONTINUES. SO I HOPE YOU HAVE THE ENERGY AND THE POWER AND THE FIRE IN THE BELLY. TO SLUG IT OUT AND TO RAISE AS MUCH MONEY AS YOU CAN FOR YOUR CHARITIES AND DO WHATEVER PRESENTATION WILL BE NEEDED FO THIS NEXT TASK. OBVIOUSLY, ONE OF YOU WILL BECOME THE NEXT CELEBRITY APPRENTICE. WHISPERS: Magic. Magic. Be amazed at what you can get with BK's new Change Range. And now, for a limited time, 10 nuggets for just $3. (UPBEAT MUSIC) WELL, GOOD MORNING. GOOD MORNING. MORNING, GOVERNOR. GEORGE AND MATT, CONGRATULATIONS BY BEING THE FINALISTS. YOU HAVE WORKED VERY HARD, SO I'M VERY, VERY PROUD OF BOTH OF YOU. BUT IT'S NOT OVER YET. IT IS NOW THE FINAL TASK, OR AS I WILL CALL IT,... JUDGEMENT DAY. (LAUGHTER) NOW, WHEN IT'S ALL SAID AND DONE, ONE OF YOU WILL BE THE NEW CELEBRITY APPRENTICE, AND YOU WILL BE WALKING AWAY WITH $250,000 FOR YOUR FAVOURITE CHARITY. BUT THERE WILL BE A LOT OF ACTION TAKING PLACE BEFORE WE WILL ANNOUNCE A WINNER. TALKING ABOUT THE WINNER, THE NEXT TASK THAT YOU WILL BE DOING IS WORKING WITH A COMPANY THAT IS A TRUE WINNER, AND I'M TALKING ABOUT CARNIVAL. NOW, WE CELEBRITIES, AS YOU KNOW, LOVE TO TRAVEL IN STYLE. WELL, CARNIVAL CAME UP WITH LUXURY CRUISES. AND THIS IS A REALLY GREAT CONCEPT THEY CAME UP WITH MORE THAN 40 YEARS AGO, AND NOW THERE'S A CRUISE LITERALLY FOR EVERYONE. THEY ALSO CAME UP WITH A REALLY GREAT CONCEPT FOR YOUR LAST TASK. THE MAN THAT IS STANDING NEXT TO ME HERE IS THE PRESIDENT AND CEO OF CARNIVAL CORPORATION, AND HIS NAME IS FITTING TO OUR CELEBRITY APPRENTICE. HIS NAME IS ARNOLD DONALD. (LAUGHTER) ARNOLD DONALD? WHO MADE UP THIS NAME?! BUT, UH, ARNOLD, WHY DON'T YOU TELL OUR TEAMS HERE A LITTLE BIT ABOUT WHAT THEIR TASK IS AND A LITTLE BIT ABOUT YOUR COMPANY? AT CARNIVAL CORPORATION, WE HAVE OVER 100 AMAZING SHIPS, TALKING NEARLY 11 MILLION GUESTS EVERY YEAR, EVERYWHERE IN THE WORLD. YOUR TASK IS TO SHARE THE INCREDIBLE VACATION VALUE OF THE CRUISE EXPERIENCE. I'M GONNA ASK YOU TO PRODUCE AN AD CAMPAIGN, HOST A PARTY, AND WE'D LIKE YOU TO PRODUCE A 15-MINUTE VARIETY SHOW. WE'RE LOOKING FORWARD TO WHAT YOU COME UP WITH. AND WE'RE VERY FORTUNATE, OF COURSE, TO HAVE BACK WITH US AGAIN TYRA BANKS AS MY SPECIAL BOARDROOM ADVISER. YOUR AD CAMPAIGN SHOULD HIGHLIGHT ALL FOUR OF THE WELL-KNOWN CRUISE LINES ` CARNIVAL CRUISES, HOLLAND AMERICA, PRINCESS CRUISES AND SEABOURN. BUT YOUR PARTY AND VARIETY SHOW WILL ONLY HIGHLIGHT TWO LINES. YOU WILL BE JUDGED ON FOUR CRITERIA ` OVERALL BRAND INTEGRATION; CREATIVITY; GUEST EXPERIENCE; AND THE AMOUNT OF MONEY RAISED FOR YOUR CHARITIES FROM TICKET SALES. ALL RIGHT. NOW, WE DON'T NEED ANY PROJECT MANAGERS, EVEN THOUGH I DID CALL BACK SOME OF THE CELEBRITIES TO HELP YOU OUT. SO YOU WILL MEET THEM MOMENTARILY BACK IN YOUR WAR ROOMS. IN THE MEANTIME, I JUST WANT TO REMIND YOU ` THIS IS THE HOME STRETCH. REALLY DIG DOWN DEEP INSIDE. GO ALL OUT, BECAUSE YOUR CHARITIES ARE COUNTING ON YOU. BON VOYAGE. THANK YOU. THANK YOU! (DRAMATIC MUSIC) WELCOME ABOARD! (CHEERING) WHAT'S UP? OH, THIS IS INCREDIBLE. CONGRATULATIONS! I WALK IN, AND I SEE CARNIE WILSON, CARRIE KEAGAN AND KYLE RICHARDS. NOW, I'M EXCITED BECAUSE I LOVE THEIR ENERGY, BUT I HAVEN'T WORKED WITH ANY OF THEM. OK. WHAT ARE`? WHAT ARE WE DOING? WE HAVE A METRIC TON OF STUFF TO DO. OH MY GOSH. SO, FIRST OF ALL, WE'VE GOTTA COME UP WITH, UM, AN AD CAMPAIGN. THREE PHOTOS JUST SPELLING 'COMMON CRUISE MYTHS'. SO, OUR TASK IS TO SHOOT AN AD CAMPAIGN, HOST A LIVE PARTY, AND THEN PUT ON A VARIETY SHOW PROMOTING THE CARNIVAL CORPORATION'S CRUISE LINES. READS: THE CARNIVAL CORPORATION AD CAMPAIGN AND VARIETY SHOW EVENT. WE'RE GONNA HAVE FULL ACCESS TO THE SHIP AS WELL AS THE PHOTOGRAPHY CREW TO TRY AND SHOOT SOME ADS THAT DISPEL SOME COMMON MYTHS ABOUT CRUISES. HI! HELLO. HI. HOW YOU DOIN', MATT? HOW ARE YOU? GOOD TO SEE YOU. HI, CARNIE. ARNOLD DONALD. NICE TO MEET YOU. THANK YOU. ARNOLD DONALD IS AN IMPRESSIVE GENTLEMAN. I REALISE WHAT AN OPPORTUNITY WE HAVE TO GET ACCESS TO NOT ONLY ONE OF THE SHIPS, BUT ACCESS TO FOUR OF THE CARNIVAL BRANDS. FIRST OF ALL, THANK YOU FOR CRUISING WITH US. SO THANK YOU VERY MUCH. CARNIE: YOU'RE WELCOME. BUT WHAT'S THE DIFFERENCE BETWEEN ALL FOUR OF THEM? THE KEY THING IS THAT EACH ONE CATERS TO A DIFFERENT PSYCHOGRAPHIC SEGMENT. SO, FOR EXAMPLE, HOLLAND AMERICA IS FOR PEOPLE WHO ARE MORE MIDWEST KIND OF VALUE-ORIENTED, NOT NECESSARILY FROM THE MIDWEST, WHEREAS PRINCESS IS MORE SOUTHERN CALIFORNIA. AND THERE'LL BE MORE POLO SHIRTS AND MORE HONG-KONG-LUXURY-HOTEL-LIKE. CARNIVAL IS THE SOCIAL CRUISE LINE. IT'S THE CRUISE FOR PEOPLE WHO LOVE EITHER BEING THE LIFE OF THE PARTY OR BEING AROUND THE LIFE OF THE PARTY. THAT'S WHY WE'RE ALL ON CARNIVAL CRUISES. THAT'S WHY YOU'RE ALL ON CARNIVAL CRUISES. EXACTLY! AND THEN SEABOURN, SEABOURN IS ULTRA LUXURY. THERE'S ONE CREW MEMBER FOR EVERY GUEST. WOW. AND IF YOU WANNA BE PAMPERED, THEN YOU WANNA GO ON SEABOURN. I DON'T KNOW WHAT THAT FEELS LIKE. I FEEL LIKE WE SHOULD PROBABLY EXPERIENCE THAT BEFORE WE DO THE TASK, RIGHT? THE BRANDS DO SEEM TO HAVE SOMEWHAT DISTINCTIVE PERSONALITIES. THE BRANDS ARE VERY DIFFERENT. THE OVERALL TONE FOR US IS SIMPLY TAKE SEA GUESTS' EXPECTATIONS. I LIKE CARNIVAL BECAUSE IT WAS ALL ABOUT FUN. AS SOMEONE WHO'S DONE A LOT OF STAND-UP COMEDY, I FELT THAT REALLY RESONATED WITH ME. HOLLAND, I LIKE THE EDUCATIONAL EXPERIENCE. I THOUGHT PRINCESS AND SEABOURN WERE GREAT, BUT THOSE ARE SKEWING A LITTLE MORE ELEGANT. NOT SO MUCH DIFFERENT IN ECONOMIC BACKGROUND OF THE BOAT, BUT MORE IN WHAT PEOPLE WANT ` PERSONAL INTERESTS. THE MYTHS WE'RE TRYING TO DISPEL ARE 'TOO EXPENSIVE', 'NOTHING TO DO', 'LONG BUFFET LINES', 'TRAPPED' OR 'I'M NOT A CRUISER'. MY FIRST IMPRESSION ON HEARING THOSE ARE THESE ARE GONNA BE PRETTY EASY TO DISPEL. WE REALLY APPRECIATE YOUR TIME, SIR. THANK YOU, MATT. THANK YOU, DONALD. THANK YOU VERY MUCH. NICE TO MEET YOU. THANK YOU. HI! WOW! I'M NOT DISAPPOINTED. (LAUGHTER) WHO'S HERE? CONGRATULATIONS! WHOO! I WALK IN TO THE WAR ROOM, AND I FIND OUT I'VE GOT CARSON, WHICH IS GREAT, AND I'VE GOT LAILA AND PORSHA. LAILA, I KNOW, IS VERY EFFICIENT, A LITTLE BIT SERIOUS, BUT THAT'S GONNA BE GOOD. YOU NEED THAT, BECAUSE YOU'VE GOT PORSHA ON THE OTHER HAND. (LAUGHS) TELL ME A LITTLE BIT ABOUT YOUR CHARITY. WELL, THE CHARITY BASICALLY IS ALL ABOUT PREVENTABLE ACCIDENTS. LIKE, KIDS ` I THINK A MILLION KIDS A YEAR DIE OF PREVENTABLE ACCIDENTS, WHICH MUST BE ONE OF THE WORST WAYS TO LOSE A CHILD. TO SUPPORT SAFE KIDS WORLDWIDE, I WANTED TO CHOOSE A CHARITY THAT HELPED CHILDREN, AND THEY EDUCATE FAMILIES AND YOUNG MOTHERS ABOUT ROAD SAFETY, SAFETY IN THE HOME, AND TO SPREAD AWARENESS OF WHAT THEY DO, I THINK, IS MASSIVE. MAYBE THERE'S AN ELEMENT ` YOU KNOW, IF YOU BRING YOUR KIDS ON A SHIP, ARE THEY CARERS? COS I THINK SAFETY ON BOARD IS HUGE, RIGHT? HEY. HOW ARE YOU? HI. HOW ARE YOU? HI, SIR. GOOD TO SEE YOU. SO, WE MEET WITH ARNOLD DONALD, WHO'S THE PRESIDENT OF CARNIVAL. HE'S SUPER CHARMING. PORSHA? ARNOLD DONALD. HE LOOKS LIKE A JAZZ SINGER. GOOD TO SEE YOU. WE DIDN'T KNOW YOU'D BE HANDSOME AND HAVE DIMPLES. (LAUGHTER) SIT RIGHT NEXT TO ME. YOU WANT ME TO SIT RIGHT HERE? THANK YOU. I'M A CRUISER. YEAH. HAVE YOU DONE SHOWS ON THAT? OH GOD, I'VE BEEN ON ALL THE DAMNED SHIPS. THAT'S WHAT THEY CALL THEM. THE EURODAM, THE WESTERDAM. HE'S` YOU'RE OUTSTANDING! WOW. VERY GOOD. ARNOLD DONALD'S IMPRESSED THAT I'VE BEEN ON SO MANY CRUISES MYSELF, AND HE KNOWS THAT I GET THE BRAND. WHAT ARE YOUR TOP THINGS THAT YOU WANNA PUSH? WHAT I WOULD LIKE YOU GUYS TO DECIDE IS HOW TO EMOTE WHAT CRUISING IS TO PEOPLE WHO HAVEN'T CRUISED. AND ALL THOSE MYTHS THAT PEOPLE THINK, YOU'RE GONNA BE ABLE TO SEE FOR YOURSELF THEY'RE JUST NOT TRUE. NO. I QUITE LIKED THE EMOTION OF SEABOURN AND PRINCESS. WOULD YOU LIKE A THEME SONG? YEAH, I WOULD LOVE A THEME SONG. BE SAFE, GUYS. HAVE FUN. WE'LL SEE YOU AT THE BUFFET. BYE-BYE. ALL-RIGHTY. AFTER WE MET WITH ARNOLD DONALD, I FELT WE'RE DEFINITELY GONNA WRITE A COUPLE OF SONGS FOR THIS PROJECT. WE'RE OBVIOUSLY HERE TO PROMOTE CRUISING, UM, WHICH I KNOW A LOT ABOUT. (LAUGHS) I'VE ACTUALLY CREATED AN AD CAMPAIGN IN MY FORMER LIFE WORKING FOR RALPH LAUREN. I'VE ACTUALLY HELPED PRODUCE AND STAR AND HOST A VARIETY SHOW ON A HOLLAND AMERICA CRUISE SHIP. THIS IS GONNA BE SMOOTH SAILING, OK? LAND HO! SO, I THOUGHT 'NOTHING TO DO' WOULD BE A GREAT TAGLINE FOR OUR WHOLE THING. 'NOTHING TO DO BUT RELAX.' SO YOU COULD DO 'NOTHING TO DO BUT RELAX IN THE SPA.' I'VE BEEN ON MANY CRUISES, AND I THINK, 'OH MY GOSH, I HAVE NO MORE TIME. 'I WENT TO THE GYM, I SAW A SHOW, I ATE GOOD FOOD, I WORKED OUT, I LAID ON THE BEACH, 'I DID THE TANGO.' SO I SAID LET'S TURN THIS MISNOMER ON ITS EAR, AND LET'S RECLAIM THE NEGATIVE THING AND MAKE IT A POSITIVE. I SHOULD FIND SOMEONE MAJOR TO SING WITH US. LET'S TRY AND GET LL COOL J. NATASHA BEDINGFIELD. SHE'S, I THINK, AROUND. CARSON KNOWS WHAT TO DO, SO I KNEW IT WAS ALL SAFE IN HIS HANDS. LAUGHS: WHAT MORE COULD YOU ASK FOR, BASICALLY? HOW DID YOU KNOW TO WEAR RED? I DIDN'T KNOW. WE JUST` WE ARE ALL ON-BRAND. I'M WEARING RED UNDERWEAR. LOOK, WE'RE GONNA HAVE A BLAST. THIS IS AN UNBELIEVABLE OPPORTUNITY. THIS IS A HUGE OPPORTUNITY FOR MY CHARITY, THE ARTHRITIS FOUNDATION. I HAVE RHEUMATOID ARTHRITIS. WHAT I WANNA DO IS JUST LET PEOPLE KNOW MY STRUGGLES WITH THE DISEASE AND GIVE PEOPLE HOPE. OUR HANDS ARE FULL BECAUSE WE'RE GOING UP AGAINST BOY GEORGE. HE'S A GREAT FUNDRAISER ` A TREMENDOUS FUNDRAISER. HE IS? THAT'S NOT ALL OF IT, THOUGH. THAT'S NOT ALL OF IT. BUT HE'S ALSO VERY CREATIVE WITH THE SHOW. BOY GEORGE IS KIND OF A FORCE OF NATURE. IT JUST SEEMS LIKE BOY GEORGE CAN SNAP HIS FINGER, YOU KNOW, AND JUST ` POOF ` CREATE SOMETHING. WE'LL HAVE A COUPLE OF DESTINATION SHOTS. WHAT WE NEED TO LOOK FOR VISUALLY ARE A COUPLE OF SPACES THAT ARE WIDE OPEN. WHAT WE NEED IS TO FIGURE OUT THE OVERARCHING THEME. WE DIDN'T HAVE, LIKE, AN OVERALL CREATIVE THEME THAT WE WANTED. I THINK WE WERE ALL HOPING THAT , 'OH YEAH, WE'LL FIGURE IT OUT. 'THAT WILL COME LATER. LET'S GO GET THE PICTURES.' I KNOW THIS IS CHAOTIC AND I'M RUNNING A MILLION MILES, BUT I APPRECIATE IT. NO, IT'S GOOD. IT'S GOOD. LET'S GO DO IT. BOY GEORGE TOOK A MAJOR CREATIVE RISK INCORPORATING HIS BUDDHIST BELIEFS... (UPBEAT MUSIC) OK. LET'S TAKE A LITTLE QUICK TOUR. YEAH, I WORE TENNIS SHOES. I'M READY TO WORK. MM-HM. OUR PHOTOGRAPHER HAS ARRIVED. THERE'S A LOT TO DO IN THREE HOURS. WE WANT TO SEE THE POOL, THE SPA ` EVERY BEAUTIFUL PLACE. LAILA AND MYSELF ARE SCOUTING FOR LOCATIONS; PORSHA'S DOING THE SHOT LIST. I GOTCHA, BABY. SHOPPING? SHOPPING. WRITE THAT DOWN. UH-HUH. AND GEORGE IS WORKING HIS ROLODEX, BECAUSE WE'RE DOING A VARIETY SHOW, SO VARIETY IS IMPORTANT. WE NEED SOME OTHER SINGERS. I NEED SOMEONE MAJOR TO COME AND SING WITH ME ON WEDNESDAY. I NEED SOMEONE BIG. I CALLED A LOT OF TALENT AGENTS. I CALLED PEOPLE THAT I KNOW. YOU WOULD BE AMAZING, BUT, YOU KNOW, I THOUGHT` FRIENDS IN LONDON. WHO'S IN TOWN? IT WAS ABSOLUTE HELL. DO YOU WANNA DO THE SPA SHOT FIRST? YEAH. SHOULD IT BE A COUPLES' MASSAGE? THAT'S CUTE TOO. I CAN DO IT. WE WERE GONNA HAVE THE ONE PERSON GETTING THE MASSAGE, AND THEN PORSHA SAID, 'WHY ISN'T IT YOU AND ME, BABE?' AND I WAS LIKE, 'WHY ISN'T IT? WHY NOT?' YOU SAID YOU WERE A CRUISER. WE'RE CRUISIN'. (LAUGHS) SO, THE FIRST MYTH THAT WE DECIDED TO DISPEL IS 'NOTHING TO DO', AND WE DECIDED TO USE THE SANCTUARY FOR THE SPA SCENE AND JUST KINDA SHOW YOU HOW, YEAH, THERE'S NOTHING TO DO, AND THAT'S OK. BECAUSE YOU CAN GET A MASSAGE WITH YOUR GAY MATE! (LAUGHS) OH, THAT'S GOOD. THIS WAS A GREAT IDEA. THERE YOU GO. OH, IF GENE SIMMONS CAME IN, LIKE, KISS DRAG, WOULDN'T THAT BE THE BEST THING EVER? (LAUGHS) CAN YOU REALLY GET HIM TO DO THAT ON A WEDNESDAY AT 7.30? MAN: WELL, WE CAN HAVE A (BLEEP) GOOD GO. DON'T SWEAR! THERE'S TWO LADIES HERE. OH MY GOD. WE'LL HAVE TO BEEP YOU. DON'T SWEAR. (DIAL TONE) HI, SHARON. IT'S GEORGE. I'M REALLY SORRY I` AUTOMATED VOICE: SORRY. THAT MAILBOX IS FULL. OH, (BLEEP) OFF. I HAVE TO BE HONEST AND SAY I WAS A LITTLE BIT CONCERNED WHEN I WAS CALLING PEOPLE AND I COULDN'T GET ANYONE. SO I'M A LITTLE BIT WORRIED, BUT I'M ALSO, LIKE, 'I'LL FIND SOMEONE.' (GASPS) HOW ADORABLE IS THAT, GUYS? IS THAT MY BOOTY RIGHT THERE? IT IS. OH WAIT. WE CAN'T SHOW THAT. DO YOU THINK YOU HAVE IT? I DO. OK, THEN LET'S MOVE ON. WE'RE IN THERE A LITTLE LONGER THAN WE PROBABLY SHOULD'VE BEEN, BUT WE GOT A FANTASTIC PICTURE. (BELL DINGS) NAMASTE. CAN PUT YOUR HEAD ON YOUR SIDE, YOUR CHEEK? UM, I'LL STAY OVER HERE. (PHOTOS SNAP) WE HAVE A VERY AMBITIOUS SHOOT. WE'RE TRYING TO SHOOT OUTDOORS. WE'RE TRYING TO GET A SHOT OF THE POOL DECK. THANK YOU. WE'RE TRYING TO GET A SHOT IN THE POOL. ONE, TWO, THREE! (SPLASH!) WE'RE TRYING TO SHOOT THE PIAZZA AND DANCING. THERE! A FEW OF THE RESTAURANTS. AAAND THE DOUBLE FINGER POINT! WHAT'S UUUP? IN THE BACK OF MY MIND, I'M SAYING THESE SHOTS AREN'T TERRIBLY CREATIVE, BUT I DIDN'T WANNA STOP DOWN AND RISK MISSING GETTING THE SHOTS TO TRY AND FIGURE OUT HOW TO MAKE THEM MORE CREATIVE. (SAMBA MUSIC) CARSON: ALL RIGHT. LET'S BANG OFF THIS NEXT SHOT. CARSON THOUGHT IT WOULD BE A GREAT IDEA FOR LAILA AND I LOOKING SO GORGEOUS IN THE WATER TO BE GETTING SERVICED IN THE POOL. HELLO. WORKIN' HARD, JUST WAITIN' ON THE GIRLS. ARE YOU GETTING IN THIS SHOT, OR ARE YOU JUST SETTING IT UP? I'M SETTING IT UP, BUT I'M GONNA GO IN THE WATER AND MAKE SURE HE LOOKS AMAZING. I KNOW WHAT CARSON'S STRENGTHS ARE, AND WHENEVER I'VE WORKED WITH HIM, I KNOW WHAT HE'S GOOD AT. BUT AT THE SAME TIME, IT'S MY RESPONSIBILITY, AND I DECIDE THAT I NEED TO GO WITH THEM ON THE REST OF THE SHOOT JUST TO MAKE SURE THINGS ARE GETTING DONE. CARSON, SHOULD I GO AND HURRY THE GIRLS UP? YES, PLEASE. LADIES, WE'RE LOSING LIGHT. PORSHA AND LAILA WERE TAKING A REALLY LONG TIME IN THEIR DRESSING ROOM, AND I WAS LIKE, 'OH, COME ON.' I WAS LIKE, 'WHAT ARE YOU DOING?' 'WHAT ARE YOU PUTTING ON THAT'S SO MAGNIFICENT?' IT'S LIKE, (BLEEP), WHAT DO YOU THINK YOU'RE GETTING READY FOR, THE BALL? YOU'RE IN A PHOTO. WE'RE LOSING LIGHT. WE NEED TO HURRY UP. YEAH, THEY NEED TO BE OUT HERE NOW. LAILA AND PORSHA, WE'RE LOSING LIGHT! WE HAVE TO HURRY! NORMALLY, BOY GEORGE IS JUST QUITE LOVELY, BUT I DO HAVE TO SAY, HE TURNED INTO A TERROR FROM HELL! I MEAN, I REALLY WASN'T PREPARED TO GET INTO A BIKINI TODAY AND NEITHER WAS LAILA. SO JUST BACK OFF AND GIVE ME A SECOND. WHERE DO YOU WANT PORSHA? OTHER SIDE? QUIETLY: 'WHERE DO YOU WANT PORSHA?' ON A PLANE TO ATLANTA. YOU KNOW WHEN SOMEONE TAKES REALLY LONG TO GET READY, AND THEN THEY COME OUT, AND YOU GO, 'THAT'S WHAT TOOK YOU SO LONG?' LAUGHS: IT'S LIKE... LET'S DO THIS, GUYS! OK, WE'VE GOTTA SHOOT THIS. GEORGE IS GETTING PROGRESSIVELY BOSSIER. GUYS, WE NEED YOU OUT OF THE BACK OF THE SHOT. YOU CAN'T BE IN THE BACKGROUND, DARLING. WHICH I'M LIKING. I'M LIKE, 'YES, PLEASE! SOMEBODY, TAKE CHARGE!' THIS IS HIS BIG MOMENT, SO I THINK HE REALISES THAT HE'S NOT GONNA LET ANYTHING GET IN THE WAY OF HIM WINNING AT THIS POINT. LET'S SHOOT THIS PICTURE! BOY GEORGE TOOK A MAJOR CREATIVE RISK INCORPORATING HIS BUDDHIST BELIEFS... (DRAMATIC MUSIC) WHAT ARE YOU DOING OVER HERE, CARSON? WE'RE HERE TO DISPEL MYTHS ` THAT PEOPLE GET BORED ON A CRUISE, OR THEY MAY FEEL TRAPPED, OR THE LINES ARE TOO LONG TO EAT FOOD, THE BUFFET LINE. SO WE'RE RUNNING AROUND THE SHIP, AND THEN I SEE PORSHA AND LAILA IN THE POOL. I'M THINKING, 'HMM, WHAT ARE THEY UP TO OVER THERE?' SHOULD WE BE DOING SOMETHING LIKE THAT? CARSON: JUST START SHOOTING, AND I'LL WORK ON THAT. BOY GEORGE: IS HE GOIN' IN OR NOT? TAN LINES; NO BUFFET LINES. I WALKED BY CARSON, AND I HEARD HIM SAY, 'TAN LINES; NO BUFFET LINES.' AND I THOUGHT, 'THAT'S PRETTY CLEVER.' WE WANT SOMETHING FUN. SOMETHING FUN. YEAH. I'M JUST TELLING YOU WHAT I HEARD. YEAH. I AM CONCERNED THAT THEY'RE GONNA BE VERY CREATIVE. I MEAN, RIGHT NOW, THE STAKES ARE REALLY HIGH, BECAUSE IF WE FAIL IN THE ART DEPARTMENT THEN MATT IS GONNA LOSE. I DON'T WANT THAT TO HAPPEN. I MEAN, I DON'T KNOW IF THEY SHOULD BE DOING ANYTHING. I FEEL LIKE THEY SHOULD BE CATCHING UP, LIKE THEY'RE ABOUT TO WORK OUT, BUT THEY'RE NOT REALLY DOING ANYTHING. OK. I DON'T WANNA LET MATT DOWN. I WANT TO BE ABLE TO FEEL LIKE WE WERE THE BEST TEAM POSSIBLE AND THAT WE LIFTED HIM UP AND HELPED HIM WIN THIS. NO. NO. WE DON'T HAVE THE SHOT. (SAMBA MUSIC) OH, HI, CURTIS. I RECOGNISE YOU. (LAUGHS) HOW ARE YOU? WHAT A PLEASURE. HOW YOU DOING? WE'RE STILL SHOOTING THE RAZZLE DAZZLE AD CAMPAIGN CELEBRATING THE BRANDS OF CARNIVAL CRUISE LINES. YOU GUYS ARE IN A RUSH? ISH. WE'RE WAITING FOR OUR PHOTOGRAPHER. ALL RIGHT. I'M SURE ALL THE FOOD'S AMAZING. WELL, I HOPE SO. AND IT LOOKS GORGEOUS. WE GO TO 'SHARE', AND WE MEET WITH CURTIS STONE, AND THE IDEA IS TO RECREATE A FUN NIGHT WITH FRIENDS AT THE CHEF'S TABLE. WE'RE HAVING A GREAT TIME. IT'S A PARTY AMONGST FRIENDS. CAN I TAKE A SIP NOW? WE'RE HAVING WINE, AND WE'RE EATING, AND WE'RE HAVING MORE WINE, AND WE'RE EATING. BUFFET LINES WHERE? THIS SHOULD BE THE AD FOR THE BUFFET. BOY GEORGE: THE FOOD WAS UNBELIEVABLE. IF I WAS ON THIS SHIP, I'D BE HERE EVERY DAY. (LAUGHS) THIS MIGHT BE THE MOST FUN WE'VE HAD SINCE DOING THIS SHOW. BUT WE STILL HAD TO GET ON WITH THE REST OF THE SHOOT, AND I NOTICED CARSON AND PORSHA HAVING A LITTLE BIT OF ALCOHOL, WHICH ALWAYS SLOWS THINGS DOWN. SO I HAVE TO GET THEM OUT OF THE RESTAURANT, AND WE GO TO THE JEWELLERS. GIVE US THAT 'OH MY GOD' MOMENT. THIS IS THE NECKLACE OF YOUR DREAMS. AND, UM, ACTUALLY, WE'RE GIVING THIS TO YOU. KIDDING! SORRY. (LAUGHTER) JUST TRYING TO GET A REACTION. SO, WE FOUND A GREAT COUPLE, AND THEY WEREN'T TOGETHER, BUT WE PRETENDED THEY WERE HUSBAND AND WIFE, WHICH SOMETIMES HAPPENS ON CRUISE SHIPS, AND IT'S CALLED A SWINGERS' CRUISE. AND I'VE BEEN ON THREE OR FOUR OF THEM. THEY'RE GREAT. I STILL HAVE THAT LITTLE ITCH, THOUGH. WE GOT THE SHOT. OK. I THINK THAT WE ACCOMPLISHED WHAT WE WANTED TO ACCOMPLISH WITH THE PHOTOS. WE KNEW WHAT WE WERE GOING FOR. (LAUGHTER) WE WENT FOR THE THINGS THAT WE THOUGHT WERE THE STRONGEST. IT FELT LIKE THERE WAS GOOD SYNCHRONICITY WITH EVERYONE. LADIES AND GENTLEMEN, BOY GEORGE. I KNOW, RIGHT? BOY GEORGE! LET ME HAVE THAT MARTINI. (JAZZY MUSIC) HAVE WE ROLLED DEM BONES? COME ON, BABY! WHAT'S SOMETHING DIFFERENT THAT WE WOULD DO? (SIGHS) I FEEL LIKE IT'S GONNA BE THE COPY` I DON'T KNOW. I WOULD LOVE` I WOULD LOVE` I FEEL LIKE THESE SHOTS ARE PRETTY STRAIGHT AHEAD. I'M JUST FEELING LIKE WE SHOULD STILL TRY TO CAPTURE THEM. I KNOW. THAT THE CREATIVITY'S GONNA COME IN THE FORM OF OUR COPY AND OUR PRESENTATION. IF WE COME UP WITH SOMETHING, I WOULD LOVE TO. I'M OPEN TO SUGGESTIONS. OK. KYLE WAS DEFINITELY CONCERNED ABOUT THE CREATIVITY, AND I APPRECIATED THAT, AND I SOLICITED INPUT. AND, AGAIN, I HAVE NO EGO HERE. WE'RE SHOOTING THESE LOCATIONS, WE'RE SHOOTING THEM STRAIGHT. IF WE CAN FIGURE OUT A WAY TO PUT A TWIST ON IT, LET'S DO IT. I MEAN, I WOULD LOVE TO COME UP WITH CREATIVE SHOTS. YEAH. I JUST FEEL LIKE TODAY WE'RE JUST RACING AGAINST THE CLOCK AND WE'RE GONNA RELY ON OUR LINES AND OUR PRESENTATION FOR THE REAL CREATIVITY. I DIDN'T WANNA RISK MISSING GETTING THE SHOTS TO TRY TO FIGURE OUT HOW TO MAKE THEM WORK CREATIVELY. WE'LL FIGURE IT OUT AS WE GO. THAT'S GOOD ON THE LIGHT. TWO, THREE. # You make me... # You don't have a girlfriend. You don't need a lot of calls or text. You need data ` for dating sites, like Honey Badger. (LAUGHS) You do have a girlfriend. You need less data and more calls ` lovey-dovey calls. # You make me... # You don't have a girlfriend again. She won't return your calls. You need more text. Things change. Now your Prepay can too. Get more of what you need and less of what you don't with Vodafone My Flex Prepay. (DRAMATIC MUSIC) WE'VE FINISHED THE PHOTO-SHOOT. WE GO TO BED, HAVE A LOVELY SLEEP ON THE SHIP, AND THEN OFF WE GO TO THE VENUE AT THE BONAVENTURE HOTEL. TEXT WHO? TEXT NAOMI CAMPBELL? YEAH. YESTERDAY, DURING THE TASK, I WAS SO ENGROSSED IN WHAT I WAS DOING ON THE SHIP, I DIDN'T EVEN KNOW WHAT DAY IT WAS. AND THEN I WENT TO BED ABOUT 9 O'CLOCK, AND I GOT A TEXT FROM A FRIEND OF MINE SAYING HAPPY 8TH BIRTHDAY ` MY EIGHTH-YEAR-SOBER BIRTHDAY. AND I WAS, LIKE, I HAD A LITTLE BIT OF A CRY. ALL RIGHT, DARLING. SEE YOU LATER. BYE. BYE. AND THAT GAVE ME EXTRA MOTIVATION. AND I THOUGHT, 'WELL, YOU KNOW WHAT? I KNOW WHAT I'M GONNA DO. 'I'M JUST GONNA SEND OUT AN EMAIL AND JUST TELL PEOPLE IT'S A BIG DAY FOR ME AND IF YOU COULD HELP.' AND, ACTUALLY, I GOT A LOT OF PEOPLE SAYING, 'WOW, WHAT A MILESTONE,' SO A LOT OF PEOPLE DID STEP UP TO DONATE SOMETHING. BUT I STILL KNEW I NEEDED TO ADD TO THAT. SO, EVERYONE, WE NEED TO REACH OUT TO PEOPLE TO TRY TO GET DONATIONS, ALL OF US. WHATEVER WE CAN GET WOULD BE AMAZING. CARSON: HOW MANY COMMITTED DO YOU HAVE? I DON'T KNOW YET. I'VE GOTTA GET BACK IN TOUCH WITH ROSIE O'DONNELL. BLESS HER FOR GETTING BACK TO ME. WE NEED TO FIND A NUMBER FOR SHARON OSBOURNE. ENGLISH ACCENT: LET ME CALL SHARON OSBOURNE NOW. WE STILL HAVE A FULL DAY OF WORK AHEAD AND THEN A DAY TO, YOU KNOW, ACTUALLY PUT ON THE SHOW. SO DAY TWO IS ALL ABOUT FUNDRAISING AND GETTING TALENT FOR OUR VARIETY SHOW. SO, I'M PRETTY SURE WE HAVE NATASHA BEDINGFIELD. I'VE BEEN SPEAKING TO HER. OW! YEAH! LAILA: OH GOOD! HER SONG IS ABSOLUTELY PERFECT. I'M RELYING MASSIVELY ON CARSON. HE'S SUPER EFFICIENT, BUT HE'S ALSO HILARIOUS. EVERY HOME SHOULD HAVE ONE, YOU KNOW? CARSON IS JUST A GREAT ASSET. SORRY. I DON'T WANNA HOLD YOU UP. LET THAT DIVA GET OUT FIRST. LET ME LET HIM OUT, HONEY. HE IS BUSY. SO, WHAT I LIKE IS THE IDEA OF ONE DESTINATION THAT TAKES YOU EVERYWHERE. THE IDEA THAT YOU GO TO THE CRUISE, AND BY JUST CHOOSING THE CRUISE, YOU CAN GO ANYWHERE IN THE WORLD. AND YOU CAN GO ANYWHERE EMOTIONALLY. YOU CAN GO TO RELAX IN THE SPA. YOU CAN GO TO THESE UNBELIEVABLE FOOD DESTINATIONS. YOU CAN GO TO THE POOL. SOMETHING POPPED INTO MY MIND, AND IT JUST HIT ME ` THE TAGLINE. 'ONE DESTINATION THAT TAKES YOU EVERYWHERE.' IF I CAN GET ON A CRUISE SHIP, I CAN GO ANYWHERE. CARRIE: I FEEL LIKE THAT'S A REALLY STRONG THING TO DO WITH OUR PRESENTATION. ONCE MATT CAME UP WITH THE 'ONE DESTINATION AND YOU CAN GO ANYWHERE', ALL OF A SUDDEN, THINGS STARTED TO SPARK. HOLD ON A SECOND ` CAN WE RENT ANIMALS? RENT AN ANIMAL? RENT A KANGAROO. I LOVE IT. A PENGUIN. WE'RE ALL QUICKLY MOVING, THINKING WHAT WE CAN DO. WE'RE BRAINSTORMING, AND THE IDEA OF ANIMALS COMES UP. SO NOW I GOTTA FIND A KANGAROO... AND A PENGUIN. DOES SOMEONE HAVE A MAP`? OH MAN. I GOOGLED 'PENGUIN RENTAL LOS ANGELES' AND 'TUXEDOS' CAME UP. (LAUGHTER) I DON'T WANT A TUXEDO. I WANT REAL PENGUINS AT OUR PARTY. (LAUGHS) (WOMEN LAUGH) KYLE MAKES ME LAUGH REALLY HARD, AND SO I'M A LITTLE CONCERNED I'LL WIND UP, YOU KNOW, GETTING DERAILED A LITTLE BIT BY HER FUNNY LAUGH AND ALL THAT STUFF. BUT MATT, I THINK, WILL KEEP US IN LINE. MATT, SORRY. WE'RE REALLY TRYING. YOU GUYS` I LOVE THE ENERGY. I LOVE IT. KYLE: THIS IS WHAT HAPPENS WHEN I DON'T SLEEP WELL. ME TOO. HI. HOW ARE YOU DOIN'? MAN: HELLO. HOW YOU DOING? I'M JOSEPH. I'M PORSHA. PORSHA, PLEASURE TO MEET YOU. (ALL GREET) WE'RE AT THE WESTERN BONAVENTURE HOTEL IN DOWNTOWN LA, AND WE HAVE A LOT TO DO. WE HAVE TO MAKE SURE THE ROOM DECOR IS COMING TOGETHER, WE HAVE TO FINISH UP THE AD CAMPAIGN, AND WE HAVE TO PRODUCE AN ENTIRE VARIETY SHOW. THIS IS MATT'S TEAM; THIS IS YOUR TEAM. BEING ABLE TO SEE THE SPACE IS GREAT, BUT I CANNOT TELL YOU THAT I'M HAPPY TO FIND OUT THEY WILL BE RIGHT OVER THERE. LAILA'S GONNA TAKE THE LEAD ON FOOD AND BEVERAGE, AND PORSHA'S GONNA TAKE THE LEAD ON FURNITURE DESIGN. YEAH. THE IDEA IS TO CREATE AN ON-DECK COCKTAIL PARTY. GEORGE ORIGINALLY SAID THAT, YOU KNOW, HE WANTED ME TO DO THE SPACE. BUT I SAID PORSHA AND LAILA ARE GREAT. LET'S LET THEM DO THAT. YOU'RE HAPPY WITH WHAT YOU'RE DOING, YEAH? YEAH. I'M HAPPY THAT WE DON'T HAVE TO DO AS MUCH. YEAH, YEAH. COOL. COOL. GEORGE IS ONE OF THOSE GUYS THAT'S NOT GOING TO MICROMANAGE LIKE I DO. AND HE'S GOING TO JUST SAY, 'I BELIEVE THAT YOU'RE GOOD AT THIS. GO AHEAD.' MY IDEA WAS CREATE THAT ON-BOARD EXPERIENCE. PUT A WOODEN FLOOR DOWN SO IT FEELS LIKE THEY'RE ON A SHIP'S DECK. YEAH. AND HE REALLY NEEDS TO FOCUS ON THE VARIETY SHOW. WRITING ORIGINAL SONGS, LYRICS AND MELODY, THAT'S A LOT TO DO IN BASICALLY A DAY. THANK YOU. THE THINGS WE'VE GOTTA FOCUS ON ` WE'VE GOTTA FINISH THE AD. THAT'S OUR MAIN PRIORITY RIGHT NOW FOR CARRIE. WE'RE GONNA HAVE TO PUT THIS AD CAMPAIGN TOGETHER BY TONIGHT WHILE PLANNING THE PARTY, GETTING THE VARIETY SHOW TOGETHER. CARRIE SAYS SHE'S PRETTY GOOD WITH GRAPHIC DESIGN. SHE'S GONNA START PUTTING THE ADS TOGETHER; HAVE HER FOCUS ON GOING THROUGH THE PHOTOS AND CHOOSING THE BEST ONES. KYLE, YOU'RE GONNA BE WORKING ON THE PARTY. YES, SIR. THE LAYOUT, KIND OF CREATING OUR DIFFERENT SPACES. SHE'S THROWN A LOT OF PARTIES, SO I KNOW SHE CAN PUT THIS TOGETHER. THE STAGE. DID YOU SEE THE STAGE? MM-MM. YOU HAVEN'T GONE IN THERE? NO. THE STAGE IS HUGE. WILSON PHILLIPS WOULD BE GREAT. I'M GONNA HEAR WILSON PHILLIPS TOMORROW NIGHT. CARNIE, ON THE OTHER HAND, SHE'S GONNA BE IN CHARGE OF FOOD AND, OF COURSE, ENTERTAINMENT. LET'S GET WILSON PHILLIPS GOIN'. I CAN SEE IT BEING A GOOD RELATIONSHIP BETWEEN THE ARTHRITIS FOUNDATION AND NINJA WARRIOR AND MASSAGES. IT MAKES A LOT OF SENSE. WOMAN: THAT WOULD BE AWESOME. AND AT THIS POINT, WITH THE FUNDRAISING, THE FUNDS ARE COMING IN, BUT SLOWLY. I GOTTA IMAGINE GEORGE IS GONNA BLOW PAST HALF A MILLION DOLLARS. I THINK IT'S REALLY GONNA HOPEFULLY RAISE A LOT OF MONEY FOR THE ARTHRITIS FOUNDATION. THE GOVERNOR CALLED ME UP IN THE FINAL BOARD ROOM. HE QUESTIONED MY ABILITY TO RAISE FUNDS. SO I WANT TO PROVE HIM WRONG, AND THIS IS A ONCE-IN-A-LIFETIME OPPORTUNITY TO MAKE A HUGE DIFFERENCE. SO I'M JUST GONNA CONTINUE WHAT I'VE DONE ALL SEASON LONG, AND THAT IS WORK MY ASS OFF. MAN: EVERYTHING GOING GOOD? NO. WE'RE GONNA NEED SOME BIG ONES, COS I DON'T KNOW IF WE'RE GONNA MAKE HALF A MILLION OTHERWISE. BOY GEORGE TOOK A MAJOR CREATIVE RISK INCORPORATING HIS BUDDHIST BELIEFS... I DON'T THINK THOSE PHOTOS ARE NAILING IT. DO WE HAVE OTHER PHOTOS WE'RE GONNA USE? UM, THEY'RE ALL A LITTLE BIT THE SAME. WE FEATURED THIS FOOD, THIS FOOD, THIS FOOD, AND THE PASTA, WHICH IS BEHIND IT. (BLEEP). SO, WE'RE GETTING TO SEE THE PHOTOS, AND, HONESTLY, IT'S NOT LOOKING UP TO PAR WITH WHAT I KNOW THE CARNIVAL BRANDS WANT. TO ME, THAT LOOKS LIKE THE SAME PHOTO THREE TIMES. DIDN'T WE TAKE A CLOSE-UP PICTURE OF THE, UM, PASTA DISH WITH THE CRAB? YEAH. THEY'RE NOT SEXY. IT LOOKS LIKE IT'S FOAMING AT THE MOUTH, THE WAY THAT IT'S TAKEN. OK. SO IT'S NOT THE BEST PHOTO. I WANTED THESE TO HAVE A POP AND HAVE AN APPEAL, BUT I ALSO REALISE WE WERE WORKING ON JUST A FEW HOURS. AND I HAD TO TRUST CARRIE TO DO THIS, COS I STILL HAD TO HELP KYLE WITH THE PARTY, CARNIE HAD TO GET THAT ENTERTAINMENT GOIN', AND I HAD TO RAISE FUNDS. SHE'S BEEN GOING OVER THE PHOTOS, SO I'LL DEFER TO YOU AS TO WHAT YOU THINK... WHEN I CAME IN HERE, I DEFINITELY CONSIDERED MYSELF AN UNDERDOG. AS I LOOKED AROUND, I SAW PEOPLE WHO WERE A LOT MORE FAMOUS THAN I WAS AND WHO HAD A LOT MORE BUSINESS EXPERIENCE THAN I DID. I KNOW BOY GEORGE` ANYTHING THAT'S VISIONARY AND CREATIVE, BOY GEORGE EXCELS. HE PROVED HIMSELF IN OUR FUNDRAISING TEST TO BE AN ABSOLUTE BEAST. BUT I KNOW WE JUST CAN'T GIVE UP. NOT ONLY WOULD I LOOK LIKE AN ABSOLUTE FAILURE, BUT I WOULD LET DOWN MY CHARITY, AND I'M NOT GONNA DO THAT. I'M GONNA LEAVE EVERYTHING I HAVE ON THE FLOOR. OK, SO, LET'S GO THROUGH AND EDIT THE PHOTOS FIRST. I WANTED TO JUST HAVE, LIKE, A VERY CONSISTENT CAMPAIGN OF COPY DOWN HERE. OK. SO THE FIRST ON OUR TO-DO LIST IS TO FINISH THIS AD CAMPAIGN, AND OUR GRAPHIC DESIGNER IS PHENOMENAL. DOESN'T THAT LOOK GREAT? THIS ONE WILL JUST SAY, UM, 'TAN LINES, YES. BUFFET LINES, NO., NEVER. 'BUFFET LINES, NEVER.' EVEN BETTER. IT'S FABULOUS. SAVE IT. DONE. PORSHA. I'M JOHN. JOHN, THE KEYBOARDIST. YES. WHILE CARSON'S CONCENTRATING ON THE ADS, I MEET THE KEYBOARD PLAYER THAT'S BEEN SENT TO WORK WITH ME. WE'RE DOING A PITCH FOR A CRUISE LINE. OK. SO WE'RE DOING THIS KIND OF JAZZ THING. SO THE MELODY IS, UH` IT GOES, # SEABOURN, OUT ON THE OCEAN. # NA, NA, THE SEVEN SEAS. # I'VE WRITTEN TWO SONGS, AND I WANTED TO WORK WITH A KEYBOARD PLAYER RIGHT AWAY BECAUSE I KNEW I HAD TO COMPOSE THESE TWO SONGS AND THEN GET THEM TO THE BAND. WE'LL FIND A KEY. (PLAYS SCALE) # SEABOURN` # HOW'S THIS? (PLAYS MAJOR CHORDS, SINGS) # SEABOURN. # IS THAT MAJOR? YEAH. YOU WANT MINOR? TRY MINOR. WHAT'S MORE JAZZ? UH, IT'S KIND OF 50/50. YEAH. I THINK PROBABLY MINOR. I WAS BASICALLY SINGING THE MELODIES TO THE KEYBOARD PLAYER, BUT THEN HE STARTED SUGGESTING THAT WE DO IT IN ANOTHER KEY. I WAS LIKE, 'NO, NO, NO. I SPENT THE LAST TWO DAYS WRITING THESE SONGS. I KNOW WHAT KEY THEY'RE GONNA BE IN.' THEY'RE GONNA BE IN D MINOR, AND THAT'S IT. YOU'LL HAVE TO CHANGE THE MELODY, COS YOU'RE SINGING` NO, I'M NOT GONNA CHANGE THE MELODY. (LAUGHS) YOU'RE SINGING MAJOR THIRDS. OK. LET ME JUST SING IT WITHOUT MUSIC FOR A MINUTE. AT SOME POINT, I DON'T KNOW IF I IMAGINED THIS, BUT IT FELT LIKE HE STARTED PLAYING ANOTHER KEY, LIKE AN ALTERNATIVE THIRD KEY. I WAS LIKE... '(LAUGHS) NO, I HAVEN'T GOT TIME FOR THIS.' MAYBE YOU COULD SING IT STRONGER? AND HERE IT COMES. # SEE THE WORLD. # I KNOW WHAT THE SONG IS. I WROTE IT. (LAUGHS) OK. BUT, YOU KNOW WHAT` THAT WAS AN INTRO, SO... JUST PLAY IT FROM THE TOP. WHEN YOU'RE IN A BAND WITH SOMEONE OR YOU'RE IN A CO-WRITING SITUATION WITH SOMEONE, FINE, THEY CAN SAY WHAT THEY WANT. BUT WHEN SOMEONE'S TASK IS TO PLAY WHAT YOU'RE TELLING THEM TO PLAY, YOU DON'T NEED THEM TO START HAVING TOO MUCH OF A PERSONALITY. JUST A MINUTE. (CLEARS THROAT) AT ONE POINT, I NOTICED THAT GEORGE WAS TALKIN' TO THE KEYBOARD PLAYER. YOU KNOW, I'M WORKIN' ` I WASN'T PAYIN' THAT MUCH ATTENTION ` AND I NOTICE GEORGE WALKS OUT OF THE ROOM. I CAN'T HAVE A KEYBOARD PLAYER TELLING ME HOW TO (BLEEP) WRITE MY SONGS. HE NEEDS TO GO, AND WE NEED TO REPLACE HIM. I CAN'T WORK WITH HIM. WOMAN: OK. YOU KNOW, HE'S, LIKE, TELLING ME WHAT TO DO. I'M, LIKE, 'LISTEN, PLAY THE SONG AND BE QUIET.' WE'RE WASTING VALUABLE TIME. I NEED TO GET BACK INTO THE ROOM AND GET BACK TO WHAT I'M ACTUALLY HERE TO DO. THAT'S THE PROBLEM. NO, I'M NOT GOING INTO THE ROOM. I'M NOT HAVING A ROW WITH THE GUY FOR YOUR PLEASURE. THERE'S NO CONVERSATION TO BE HAD WITH HIM. IT'S OVER, OK? I WANT HIM TO GET OUT OF THE ROOM. WELL, EITHER THAT, OR I'LL JUST GO. IT'S UP TO YOU. DO YOU WANT ME TO LEAVE THE SHOW? THEN JUST GET RID OF HIM. I DIDN'T CHOOSE HIM; YOU CHOSE HIM. HE'S NOT COMPATIBLE WITH ME, OK? YOU JUST WANT ME TO HAVE A ROW WITH HIM? WELL, THEN, GET RID OF HIM! GET RID OF HIM. GET RID OF HIM. I DON'T NEED TO EXPLAIN IT TO YOU. IT'S NOT MY JOB. I DIDN'T ASK FOR HIM TO BE HERE. I DIDN'T CHOOSE HIM. AND THEN NEXT THING WE KNOW, PORSHA'S ASKED TO SEND OUT THE KEYBOARD PLAYER. EXCUSE ME. HI. COULD YOU STEP OUTSIDE FOR A SECOND? YEP. YEAH, JUST RIGHT OUTSIDE THE DOOR, RIGHT THERE. I JUST WANNA DO A GREAT JOB. I WISHED I COULD'VE WORKED WITH HIM, BUT I JUST DIDN'T HAVE TIME FOR IT. SO SORRY. GOODBYE. WWW.ABLE.CO.NZ CAPTIONS WERE MADE POSSIBLE WITH FUNDING FROM NZ ON AIR. COPYRIGHT ABLE 2017