(Nathan) PREVIOUSLY ON HEROES... JUST GONNA ROUND US ALL UP? GET RID OF US? I NEED FOR YOU TO TELL ME YOU'RE WITH ME. I CAN'T DO THAT. I'M GONNA FIGHT YOU WITH EVERY BREATH THAT I HAVE, I SWEAR TO GOD. (tires screech) WHAT ARE YOU DOING? SORRY, MOHINDER. (screams) (Claire) I CAME TO WARN YOU THAT YOU'RE IN DANGER. I HEARD ANGELA AND NATHAN TALKING ABOUT SENDING SOMEONE TO TAKE YOU DOWN. (gunshot) (Hiro screams) HIRO! WHO AM I? YOU WERE GIVEN TO ME. BY WHOM? MY BROTHER. IS HE STILL ALIVE? MR. GRAY? (electrical snap) WHO ARE YOU? AGENT DANIEL SIMMONS. LOOKS LIKE YOU AND I NEED TO HAVE A LITTLE TALK. TELL ME. WHERE'S MY FATHER? (Nathan) HERE, I HAVE GIVEN YOU A FREE PASS. DON'T MAKE ME CHANGE MY MIND. WE'RE GONNA MAKE AN UNEXPECTED LANDING. CLAIRE? (pilot) MAYDAY, MAYDAY, MAYDAY! DEN MOTHER 31 GOING DOWN! BEARING 2-4-5 AT 9-8 OFF WALNUT RIDGE VORTAC. WE HAVE LOST PRESSURE. MAYDAY, MAY--! (dialling) DID I WAKE YOU? NO, NOT YET. WELL, IT'S NOT GOOD. CLAIRE GOT ON BOARD SOMEHOW, AND ALL HELL BROKE LOOSE. NO, THE PILOT MANAGED AN EMERGENCY LANDING, BUT... THE PLANE BROKE APART WHEN IT HIT THE GROUND. SOME OF THE PRISONERS ESCAPED. (rattling) (indistinct shouting) (screams) WAIT! SHH! QUIET. (muffled) PARKMAN? (whispering) HIRO, HOW DID YOU GET HERE? DID YOU GET YOUR POWERS BACK? NO, I AM POWERLESS. THE HERO'S PATH IS NEVER EASY. IF WE STAY HERE, WE'RE DEAD. WE HAVE TO KEEP MOVING. YES! SAVE THE OTHERS. (Mohinder) WHERE ARE THEY? I SAW THEM RUNNING. PETER PETRELLI, THE CHEERLEADER. IT IS OUR DUTY TO SAVE THEM! DON'T YOU GET IT? POWERS ALONE AREN'T GONNA CUT IT WITH THESE GUYS. THEY WERE READY FOR US. ALL OF US. THEN WHAT DO WE DO? (helicopter whirring fades) THE SUN WILL BE UP SOON. IT SEEMS LIKE THERE'S MORE TREES AND COVER THAT WAY. COME ON. MATT? MATT! WHERE ARE YOU GOING? I CAN'T BELIEVE THIS IS HAPPENING. MY FATHER, YOUR BROTHER. IT'S NOT JUST NATHAN. HE'S GOT THE WHOLE GOVERNMENT. WE NEED TO HIDE. COME ON. (gunshots) I CAN'T LET YOU DO THAT, SWEETHEART! YOU BOTH NEED TO COME WITH ME. (Claire) OH, LET ME GO! LET ME GO. THIS IS INSANE! WHAT HAPPENED TO YOU? HOW COULD YOU BE A PART OF THIS? IT'S MUCH MORE COMPLICATED THAN YOU KNOW. YOU GONNA SHOOT ME, BENNET? IN FRONT OF YOUR DAUGHTER? (cocks gun) DAD. WHAT ARE YOU DOING? I GOT THREE ON THE HILL. RUN, PETER. YOU'RE NEVER GONNA GET AWAY WITH THIS. THE CRASH-- PEOPLE ARE GONNA ASK QUESTIONS. YOU'RE WRONG. NOBODY'S GONNA KNOW A THING. WHAT DID YOU DO? (low-pitched whooshing sound) (both grunt) I GOT TO THE SITE AS SOON AS I HEARD. IT WAS A NIGHTMARE. IT'S TOTALLY OUT OF CONTROL. IT WASN'T JUST THE CRASH. DANKO, HE WAS IN MY FACE FROM THE SECOND I HIT THE GROUND. WHY THE HELL DID YOU AUTHORIZE AN AIR STRIKE? IT'S THE STANDING PROTOCOL, SENATOR. I DON'T NEED YOUR PERMISSION. PERMISSION? THIS IS MY OPERATION. NOT OUT HERE, IT ISN'T. I'VE GOT CIVILIANS AT RISK. THE SECOND THAT CRASH HAPPENED, YOUR PRISONERS WERE REDESIGNATED "TERRORISTS." YOU MEAN TARGETS? SHOOT TO KILL? THAT'S YOUR TACTICAL, ELEGANT SOLUTION? THESE PEOPLE OF YOURS ARE DANGEROUS. THESE PEOPLE ARE GOING INTO CUSTODY. WE'RE NOT ASSASSINS. YOU HAVE A RABID DOG, YOU DON'T PUT A CHAIN AROUND ITS NECK AND PRAY FOR MIRACLES. YOU PUT IT DOWN. WHEN DID THE RULES OF ENGAGEMENT CHANGE? THIS ISN'T SOME EXERCISE IN TACTICS, SENATOR. YOUR DAUGHTER TURNED A SIMPLE TRANSPORT FLIGHT INTO A NATIONAL SECURITY EMERGENCY. I'LL DEAL WITH CLAIRE. YOU DO THAT. AND I'LL DO MY JOB. (cocks gun) (helicopter blades whirring) PETER! TRACY, COME ON. WE GOTTA KEEP MOVING. I CAN'T DO THIS. WHAT ARE YOU TALKING ABOUT? I'M NOT SOME THING. MY LIFE WAS FINALLY GETTING BACK TO NORMAL. OKAY, STOP, STOP. YOU STAY HERE, AND THEY WILL CATCH YOU. NOW COME ON. WHY? WHY WOULD NATHAN DO THIS TO US? I DON'T KNOW. BUT I'M GONNA FIND A WAY TO STOP HIM. THIS IS A NIGHTMARE. OKAY, YOU STAY HERE, AND HE WINS. YOU COME WITH ME, AND YOU CAN FIGHT. COME ON. (helicopter blades whirring) MAYBE THESE PEOPLE CAN HELP US. WHAT IS HE DOING? WE'RE NOT THIEVES. THE TRANCE IS COMPELLING HIM. LET'S JUST LET HIM GO. WHAT SHOULD WE DO? COME ON. FOCUS, PARKMAN. PUT THESE ON. WE NEED TO BLEND IN. I'LL TAKE THEIR ADDRESS. SEND MONEY LATER. NEMESIS. IT'S ME. HOW DID YOU FIND ME? HIRO TOLD ME ABOUT YOUR "SUPER SECRET" HIDEOUT. OF COURSE. BEST WAY TO KEEP A SECRET: TELL EVERYONE. IS SOMETHING WRONG? IT'S MATT. HE DIDN'T COME HOME LAST NIGHT. HE DIDN'T CALL. HE ALWAYS CALLS. I DIDN'T KNOW WHO ELSE TO TURN TO. WAIT. HIRO'S MISSING ALSO. HE'S KIDNAPPED. MAYBE SAME THING HAPPEN TO MATT. I'VE GOT TO FIND HIM. I THINK HE WAS TAKEN TO ARKANSAS. HOW DO YOU KNOW THAT? BECAUSE HIRO AND I HAVE GPS TRACKERS. OF COURSE YOU DO. HE'S NEAR RUSSELLVILLE, ARKANSAS. I WAS TRYING TO BUY A TICKET TO FLY THERE. WHY FLY WHEN YOU CAN RUN? HUH? WHOA! YOU LOST YOUR ABILITY? HOW? IT IS COMPLICATED. AND UNFORTUNATE. FROM WHAT I'VE HEARD, IT WOULD HAVE BEEN QUITE USEFUL TODAY. IT WASN'T MY FAULT. NOW EVEN ANDO HAS A POWER. HE HAS NO IDEA HOW TO BE A HERO. WELL, THEN YOUR FRIEND ANDO SHOULD STAY AS FAR AWAY FROM HERE AS POSSIBLE. AND SO SHOULD YOU. YOU THINK I SHOULD LEAVE? FIND A POLICEMAN AND TURN YOURSELF IN. NO. I MUST HELP MY FRIENDS. IT IS MY DUTY. NOT ANYMORE. IF YOU TELL THEM YOUR POWERS ARE GONE, THEY MAY LET YOU GO. SURRENDER? NEVER. I AM A WARRIOR. THIS IS NOT YOUR FIGHT ANYMORE, HIRO. SAVE YOURSELF. WHILE YOU STILL CAN. HEY. (Mohinder) WHEN DID YOU LEARN TO DRAW? I DIDN'T. IT JUST HAPPENED. WELL, DO YOU HAVE ANY IDEA WHAT THEY MEAN? NEMESIS? NO... THAT'S DAPHNE AT THE CRASH SITE. (Mohinder) MATT, THAT'S NOT POSSIBLE. SHE WASN'T EVEN ON THE PLANE. THIS IS INDIA? YOU'RE RIGHT. RIGHT, THIS IS NUTS. I DON'T WANT THIS. MATT, THEY WILL FIND US HERE. WE HAVE TO GO. IF THESE VISIONS ARE REAL, AND DAPHNE'S IN TROUBLE. I GOTTA GET BACK. THAT'S INSANE. THOSE MEN'LL KILL YOU! I'M NOT GONNA LEAVE HER! (sirens beep) TAXIDERMY. NEVER REALLY LIKED THAT OLD MAN. THAT'S RIGHT. TAKE A GOOD LOOK. 'CAUSE THAT'S YOUR FUTURE IF YOU KEEP GETTING INTO FIGHTS AT SCHOOL. I JUST HOPE A NIGHT IN JUVY TAUGHT YOU SOMETHING. YUP. FOOD'S GREAT. DON'T PUSH IT, LUKE. NOT AFTER YESTERDAY. JUST TELL ME WHY. WHY'D YOU HAVE TO HIT THAT KID? WHAT'S THAT MEAN? WHAT THE HELL'S WRONG WITH YOU? A SHRUG. IS THAT YOUR ANSWER FOR EVERYTHING? HE CALLED YOU A WHORE. GET INSIDE. (female reporter on TV) AUTHORITIES ARE STILL NOT CONFIRMING REPORTS THAT AN AIRCRAFT CAME DOWN LAST NIGHT IN RURAL ARKANSAS. I CAN'T BELIEVE I LEFT THAT ON. ...MILITARY AIRCRAFT OR CARGO JET PLUMMET RAPIDLY ACROSS THE SKY... (quietly) CALL THE POLICE. ...SAYING THAT THERE WERE NO SCHEDULED FLIGHTS IN THE AREA. SEVERAL EYEWITNESSES CLAIM TO HAVE SEEN... MM! MM! NATIONAL GUARD TRAINING EXERCISE IN THE AREA... YOU'RE EITHER MARY CAMPBELL OR "CURRENT OCCUPANT." WE'VE BEEN WAITING FOR YOU. WHO ARE YOU? WHAT ARE YOU DOING HERE? SPECIAL AGENT SIMMONS SAYS HELLO. (gasps) OH! (Sylar) HIS PEOPLE TRAINED HIM VERY WELL. HE HARDLY FLINCHED AT ALL WHEN HE LOST A FINGER OR TWO. TROUBLE IS HE HAS INFORMATION THAT I NEED, SO YOU ARE GONNA HELP ME LOOSEN HIS TONGUE. (Simmons) SICK FREAK. YOU'RE GONNA TORTURE ME IN FRONT OF THEM? NO. I'M GONNA TORTURE THEM IN FRONT OF YOU. OH! OH... OH. ARKANSAS. HEY, THANK YOU FOR DOING THIS. DON'T THANK ME YET. SOLDIERS. HEY, IS THAT THE CHEERLEADER? HIRO. HANG ON. YOU'RE SUPPOSED TO KILL HIRO IN THE FUTURE, RIGHT? YEAH. WELL, THEN HE CAN'T BE DEAD. AND IF HE'S OKAY, MAYBE MATT'S OKAY TOO. YEAH, WE MUST BE SNEAKY WHEN WE LOOK FOR THEM. YEAH. THAT'S WHY YOU'RE STAYING HERE. RIGHT. WAIT, WHAT? WAIT! SO HIRO'S ALIVE BECAUSE I KILL HIM? (helicopter blades whirring) THAT'S RIGHT. I KILL HIM. YES, HE'S ALIVE. (soldier) ROGER THAT, BASE. LOST AGENT MARQUETTE... WAIT, WAIT, I GOT A MAN DOWN. MAN DOWN. NICE. WHAT ARE YOU DOING? I'M GONNA GO BACK. FIND NATHAN. DISGUISED AS A GUARD? WHERE'D YOU SEE THAT? AN OLD MOVIE? THEY SAW YOU ON THE PLANE. I DON'T CARE HOW MANY POWERS YOU HAD. ONE. I DON'T KNOW WHY. I CAN ONLY HANG ON TO ONE AT A TIME. IF I PICK UP A NEW ONE, I LOSE THE OLD ONE. YOU'RE GONNA GO UP AGAINST ALL OF 'EM? YOU DON'T EVEN KNOW IF NATHAN'S HERE. OH, NATHAN'S HERE. HE'S PROBABLY SWEATING BULLETS. TRYING NOT TO SHOW IT. THIS WHOLE PROGRAM WAS HIS IDEA. IT MEANS THAT HIS ASS IS ON THE LINE. YOU GO BACK, THEY'LL KILL YOU. YOU GOT A BETTER IDEA? MAYBE. I KNOW NATHAN TOO, AND NOT LIKE A BROTHER. I KNOW THE WAY HE THINKS. IT'S 'CAUSE YOU SLEPT WITH HIM. AND I THINK THE SAME WAY. WHAT ARE YOU DOING HERE, DAD? DOING MY JOB. YOU STILL HAVEN'T TOLD ME HOW YOU WERE ON THAT PLANE, CLAIRE. (scoffs) I WAS GRABBED BY YOUR GOON SQUAD. DAD NUMBER TWO TRIED TO SEND ME HOME, BUT I DON'T WALK OUT ON MY FRIENDS. OR HELP PEOPLE SICK ENOUGH TO DO SOMETHING LIKE THIS. YOU HAVE NO IDEA HOW BIG THIS MISSION IS AND WHAT THESE PEOPLE WILL DO ONCE YOU'RE ON THEIR RADAR. DON'T. I'M NOT GONNA BE YOUR EXCUSE ANYMORE. YOU KNOW THESE GUYS. PETER, MATT, HIRO NAKAMURA. OF ALL PEOPLE, YOU CHAIN THEM UP LIKE ANIMALS. I HAVE MADE CERTAIN ARRANGEMENTS, ARRANGEMENTS WHICH WILL GUARANTEE YOUR SAFETY AND THE SAFETY OF THIS FAMILY, BUT THESE ABILITIES HAVE GOT TO BE CONTROLLED. I HAVE AN ABILITY. DOES THAT MEAN THAT I HAVE TO BE CONTROLLED? NO, CLAIRE, YOU'RE MISSING-- I'M ONE OF THEM. AND SO IS HE. TRANSPORTATION'S SET. YOUNG LADY, YOU'RE HEADED BACK TO COSTA VERDE. SO THAT'S IT? I JUST DANCE AWAY TO COLLEGE, PRETEND EVERYTHING'S ALL HUNKY-DORY? SOMETHING LIKE THAT, YEAH. SO I GET A PASS. AND EVERYONE I KNOW JUST DISAPPEARS. EXCEPT FOR SENATOR SKYBOY, OF COURSE, BECAUSE HE'S GOT EVERYTHING UNDER CONTROL. I'M WALKING A FINE LINE HERE. BALANCING THE SECURITY OF THIS COUNTRY AGAINST A SERIOUS THREAT. STOP. I DON'T EVEN KNOW WHO YOU ARE ANYMORE. EITHER ONE OF YOU. STAY PUT FOR JUST A MINUTE. WE TALKED ABOUT THIS WHEN I CAME ON BOARD. AND I WILL TAKE ORDERS, AND I WILL DO WHAT HAS TO BE DONE, BUT YOU GOTTA PUT A LEASH ON YOUR HUNTER. I HAVEN'T FORGOTTEN WHAT WE'VE DISCUSSED. DON'T WORRY ABOUT HIM. HE'S USEFUL. UNTIL HE'S NOT. HI. CLAIRE! DAMN IT! I WANT HER FOUND. DON'T FORGET OUR ARRANGEMENT. KEEP HER OUT OF THIS. YOU KEEP HER OUT OF THIS. DAUGHTER OR NOT, SHE IS RUNNING OUT OF FAVOURS. I WOULDN'T LET ANYTHING HAPPEN TO HER. WHAT WOULD YOUR HUNTER DO IF HE KNEW YOU WERE ONE OF THEM TOO? MY MISTAKE? THAT I EXPECTED MY PEOPLE TO ACT RESPONSIBLY? NOBODY COULD HAVE ANTICIPATED WHAT HAPPENED ON THAT HILLSIDE. WAIT, MATT! WE CAN'T GO DOWN THERE. THIS IS THE PLACE FROM THE DRAWING, I KNOW IT. THIS IS WHERE SHE GETS SHOT. MATT. ANDO! HOW'D YOU GET HERE? THE SPEEDSTER BROUGHT ME. WE'RE LOOKING FOR YOU AND HIRO. SHE WAS HERE. HEY. OH, GOOD. ANDO. HIRO. SOMETHING BROUGHT THEM TOGETHER AT THE CRASH SITE. I MEAN, I IMAGINE SOME OF THEM HAD THE MISGUIDED IDEA THAT THEY COULD STILL STOP THIS WHOLE THING. GUYS. WE REALLY GOTTA GET OUTTA HERE. SHE'S RIGHT. WE GOTTA MOVE. I CAN'T CARRY ALL THESE PEOPLE AT ONCE. YOU DON'T WORRY. I'M JUST GONNA DO A QUICK RECON. FIND THE SAFEST WAY-- DAPHNE! (gunfire) DAPHNE! MATT! DANKO'S MEN TOTALLY OVERREACTED. RUN! GO! (Nathan) ONCE THEY OPENED FIRE, THEY WERE ALL OUT FOR BLOOD. WHEN THEY WENT AFTER CLAIRE, THAT'S WHEN I KNEW DANKO HAD LOST CONTROL. NO! (Nathan) PARKMAN MUST HAVE GOT INSIDE THE SHOOTER'S HEAD. FORCED HIM TO TURN ON HIS OWN MEN. IT BECAME A BLOODBATH. AGENT SIMMONS. (moans) SEEMS FATIGUED. YOUR FATHER'S IN CUSTODY, YOU SICK PIECE OF CRAP. ANOTHER LIE. WELL, IT'S TIME TO GET STARTED. WHERE TO BEGIN? MOMMY. WHY ARE YOU DOING THIS? WHAT DID WE EVER DO TO YOU? NOTHING. WRONG PLACE, WRONG TIME. I COULD HAVE BEEN A FLOOD OR A TORNADO. THERE'S REALLY NO DIFFERENCE, ACTUALLY. HOW ABOUT YOU, LUKE? ANY THOUGHTS? OH, I SENSE SOME DYSFUNCTION IN THE CAMPBELL HOUSEHOLD. YOU BASTARD, YOU BETTER LEAVE HIM-- BUT I UNDERSTAND. SINGLE MOM, TROUBLED TEENAGE SON, AND JUDGING FROM THAT PATHETIC ALIMONY CHECK I FOUND, I'D SAY DAD TOOK OFF QUITE SOME TIME AGO. MM! WHAT ARE YOU DOING TO HER? ONLY WHAT YOU WISHED YOU COULD HAVE DONE YEARS AGO. NO--STOP. YOU'RE LYING. AGENT SIMMONS, MARY IS LOSING HER PATIENCE. ISN'T IT YOUR JOB TO PROTECT HER FROM MONSTERS LIKE ME? HE'S NOT GOING TO TALK. LET HER GO. YOU SAID THAT 'CAUSE YOU CARE, KID? OR IS THAT JUST A PRECONDITIONED RESPONSE 'CAUSE MOMMY DREW THE SHORT STRAW? WHAT DO YOU KNOW ABOUT ME? MOM'S A DRONE, AND DAD ABANDONED YOU. I KNOW THAT RAGE, LUKE. AND I KNOW THAT DEEP DOWN, YOU'D LIKE NOTHING MORE THAN TO SEE HER BLOOD ALL OVER THE LIVING ROOM FLOOR. GO TO HELL! WELL, WELL. IT'S A SMALL WORLD. YOU AND I REALLY NEED TO TALK. SO MANY GOOD MEN, DEVOTED SOLDIERS, ALL DEAD. I DON'T CARE WHO YOUR DADDY IS. THIS IS YOUR FAULT. MY FAULT? YOU'RE THE ONES WHO STARTED IT. YOU HUNTED US. I READ YOUR FILE, CHEERLEADER. I KNOW HOW YOU HEAL. LIKE THAT SYLAR. I'M NOTHING LIKE HIM. ONE SHOT TO THE BACK OF THE HEAD. THAT'S ALL IT TAKES. I TOLD YOU TO STAY AWAY FROM MY DAUGHTER. CLAIRE! GET HER OUTTA HERE. I'LL TAKE HER HOME. BENNET. HE WOULD HAVE DONE IT. HE WOULD HAVE PULLED THE TRIGGER. IN A HEARTBEAT. ONCE THEY TARGET YOU, THEY WON'T STOP. THEY'LL GO AFTER ME, YOUR MOM, LYLE, WHATEVER IT TAKES TO BRING YOU DOWN. WHAT ARE WE GONNA DO? RIGHT NOW... NOTHING. GO HOME. LIVE THAT NORMAL LIFE YOU ALWAYS SAID YOU WANTED. WHAT ABOUT PETER? THE OTHERS? I'LL DO WHAT I CAN. COME ON. HOW MANY MORE CASUALTIES ARE WE GONNA TAKE BEFORE YOU GET IT? I THOUGHT I TOLD YOU TO STAND DOWN. YOU'VE BEEN GIVING A LOT OF ORDERS TODAY, SENATOR. IS THERE SOMETHING YOU'D LIKE TO TALK TO ME ABOUT? HOW'D YOU THINK THIS WAS GONNA GO? THAT THESE PEOPLE OF YOURS WOULD LIE DOWN? GIVE UP? TREAT US AS LIBERATORS? RIGHT NOW, YOU'RE THE PRESIDENT'S GOLDEN BOY. YOU PULL THIS OFF, YOU CAN WRITE YOUR OWN TICKET. THE DOWNSIDE IS, IT GOES SOUTH, YOU CAN KISS YOUR POLITICAL CAREER GOOD-BYE. GO BACK TO PLAYING HOUSE IN YOUR MAMA'S MANSION. WE'RE ALL REPLACEABLE. SOME OF US MORE THAN OTHERS. (cell phone rings) EXCUSE ME. PETRELLI. NATHAN, IT'S ME. ONE SECOND. YOU'RE CALLING THE SHOTS. FOR NOW. AND I'LL CLEAN UP YOUR MESS THIS TIME, BUT IF YOUR AFFECTION FOR THESE ANIMALS COSTS ME ANY MORE MEN. THEY'RE NOT ANIMALS. PEOPLE. SAY IT WITH ME. I DON'T WANT TO HAVE TO TELL YOU AGAIN. TRACY. I HEARD. SO THAT'S THE KIND OF KILLER THAT YOU'RE WORKING WITH NOW? YOU NEED TO GIVE YOURSELF UP NOW. I CAN PROMISE YOU WON'T GET HURT. YOUR PROMISES HAVEN'T BEEN WORTH MUCH LATELY. YOU'LL HAVE TO DO BETTER. THIS ISN'T A NEGOTIATION. YOU DON'T HAVE ANYTHING I WANT. I HAVE PETER. OKAY, I'M LISTENING. I WANT MY OLD LIFE BACK. I GIVE YOU PETER, MY PART IN THIS GETS WRITTEN OFF AS NEVER HAPPENED. I GO BACK TO MY APPLE MARTINIS AND OVERPAID LOBBYISTS. HOW DO YOU WANT TO DO THIS? MILE MARKER 47. THERE'S AN OLD HISTORICAL SITE NEAR THE ROAD. THREE HOURS. AND COME ALONE. IF I EVEN SEE ONE PAIR OF BOOTS... NO TRICKS. YOU CAN TRUST ME, TRACY. HE'S ON HIS WAY. SHOW ME. (sighs) SOME STUFF MELTS. SOME BURNS. WATER BOILS. KINDA LIKE A MICROWAVE. THAT'S VERY IMPRESSIVE. YOU SHOULD SEE WHAT HAPPENS AROUND PACEMAKERS. (snickers) YOU KNOW, I HEARD YOU AT THE DOOR. THAT KID YOU HIT AT SCHOOL, HE DIDN'T CALL YOUR MOTHER A WHORE; YOU LIED. WHY DO YOU CARE? BECAUSE YOU LIVE A HALF A BLOCK DOWN FROM MY FATHER. IF THAT'S A COINCIDENCE, GOD'S IMPROVED HIS SENSE OF HUMOUR. YOU'RE WRONG. I'M NO ONE. I'M NOT. I DON'T HAVE ANY FRIENDS. SHOPLIFT CRAP I DON'T EVEN WANT. SELL MY RITALIN TO METH MOUTHS AT SCHOOL. LUKE, STOP-- NO, NO, DON'T WORRY. HE'S LYING. AT LEAST, ABOUT THE DRUGS. SHE HATES ME, YOU KNOW. NO. I DON'T. WELL, I DON'T EVEN NEED AN ABILITY TO KNOW THAT THAT'S A LIE. SHE CAN SEE IT IN YOU, LUKE. WHAT YOU CAN DO. (Luke) NO, SHE DOESN'T KNOW ABOUT IT. (Sylar) I'M NOT TALKING ABOUT THE POWER. I'M TALKING ABOUT YOU. THIS IS WHAT SCARES THEM, WHAT'S IN HERE. THE WILL. I LOVE MY SON. I JUST WANT HIM TO BE HAPPY. WELL, HE'S NOT. YOU LIE, LUKE, BECAUSE YOU'D RATHER BE ANYONE ELSE OTHER THAN YOURSELF. THAT'S WHY YOU GOT INTO THAT FIGHT. THAT KID COULD BE DEAD WITH YOUR ABILITY, AND THE ONLY REASON HE'S ALIVE IS CAUSE OF YOUR KINDNESS, AND THAT SCARES YOU. I WANT YOU TO TELL ME ABOUT THIS POWER, WAIT. STOP. AAH! NO, LUKE, STOP! STOP IT! LUKE, STOP! YOU KILLED HIM! HE WAS GONNA-- HE WAS GONNA SAVE US! WHAT ARE YOU? (door slams) HEY. HEY, TAKE ME WITH YOU. (chuckles) WHAT, DID YOU HEAR ME? YES. AND SO WHAT? SO YOU JUST KILLED THE ONE SHOT I HAD AT FINDING MY OLD MAN. HE WAS GONNA SHOOT YOU IN THE HEAD. I MEAN, I COULDA JUST LET HIM. AND I LET YOU LIVE. WHICH IS KIND OF A BIG DEAL FOR ME. I COULD TELL YOU MORE ABOUT YOUR FATHER. YEAH, SO COULD A MILK CARTON. I'M NOT THAT INTERESTED. LOOK, I CAN'T STAY HERE. WITH HER. WITH THIS. I MEAN, YOU'RE THE ONLY ONE WHO UNDERSTANDS WHAT IT'S LIKE. I KNOW WHERE HE IS. WELL, YOU'RE NOT LYING. WHICH ONLY MEANS YOU THINK YOU CAN FIND HIM. AND I KNOW WHY YOU'RE LOOKING FOR HIM. TELL ME. BECAUSE YOU'RE JUST LIKE ME. TRYING TO FIGURE OUT WHY YOU ARE THE WAY YOU ARE, AND IN THIS WHOLE HELLISH WORLD, YOUR DAD MIGHT BE THE ONLY ANSWER. YOU TAKE ME WITH YOU, I'LL WALK YOU RIGHT UP HIS DRIVEWAY. DOES YOUR MOTHER HAVE A CAR? (keys jingle) NOT ANYMORE. WHAT DO I DO IF SOMETHING GOES WRONG? I'LL BE RIGHT HERE. GET CLOSE TO HIM, OKAY? USE YOUR POWERS. GOD, WHAT IF I KILL HIM? YOU'RE NOT GOING TO. JUST DISABLE HIM. WE GET HIM, WE USE HIM AS LEVERAGE AGAINST THE GOVERNMENT. LOOK, HE'S NOT MY BROTHER ANYMORE, TRACY, AND HE'S NOT YOUR BOYFRIEND. YOU UNDERSTAND? YEAH. GO. TRACY. NATHAN. I CAME ALONE. JUST LIKE YOU ASKED. WHERE'S PETER? I'VE GOT HIM. I TOLD HIM THAT YOU OFFERED US AMNESTY. HE'LL COME OUT WHEN HE KNOWS HE'S SAFE. IT'S LIKE I TOLD YOU. YOU DELIVER ME PETER, I GIVE YOU YOUR LIFE BACK. YOU'LL BE SURROUNDED BY YOUR FRIENDS, YOU CAN PLAY HOUSE WITH THE GOVERNOR, AND NOBODY GETS HURT. YOU MUST KNOW I'D ASSUME THIS WAS A TRAP. BUT I CAME ANYWAY, TRACY, FOR YOU. AND THE OFFER STILL STANDS. YOU DELIVER ME PETER, YOU GET TO GO FREE. YOU'RE SERIOUS? TRACY, I AM NOT THE DEVIL YOU THINK I AM. SOMEONE LIKE YOU I CAN TRUST. YOU AND I, WE THINK ALIKE. PETER'S... HE'S UNPREDICTABLE. HE'S GOT IT IN HIS HEAD HE'S GONNA SAVE THE WORLD, AND THAT IS NOT HOW IT'S GONNA END. HE IS GONNA END UP GETTING ALL OF YOU KILLED. ALL OF YOU. (footsteps) WHAT ARE YOU SAYING TO HER, NATHAN? WHAT, ARE YOU TELLING HER THAT I'M UNSTABLE? CRAZED? YOU LOCK ME UP, YOU FIX EVERYTHING, YOU CALL OFF YOUR DOGS. I GOT PETER. YOU TAKE THE GIRL. YOU SAID YOU WERE ALONE. I KNOW. HOW MANY TIMES ARE WE GONNA DO THIS? AS MANY TIMES AS IT TAKES. DO IT. TAKE THE SHOT. I DON'T HAVE IT. (Peter) BACK 'EM OFF. I CAN'T DO THAT. BACK THEM OFF. IT'S OVER, PETE. GIVE UP. TAKE THE SHOT. NO, THIS IS THE BEGINNING. TAKE THE DAMN SHOT. TAKE HER. NATHAN, DON'T DO THIS! GET YOUR HANDS OFF OF ME! NO! NATHAN! LOOK AT ME! DON'T DO THIS! WHAT THE HELL WAS THAT? I TOLD YOU I DIDN'T HAVE IT. I SAW IT. YOU HAD PETER COLD. YES, I DID. THANK YOU. YOU KNOW ME. YOU KNOW I DIDN'T WANT ANY OF THIS. CONTAINMENT, PROTECTING THEM FROM THEMSELVES, THAT WAS ALWAYS MY GOAL. NOW PETER'S LOOSE, PARKMAN, THE OTHERS. BOTH SIDES HAVE TASTED BLOOD. THE NEXT MOVE IS THEIRS. THANK YOU. I WILL SEND MONEY FOR GAS. TOSS YOUR CELL PHONES. THIS IS THE LAST TIME WE GET TOGETHER USING THESE THINGS. WE FIND EACH OTHER, SO CAN THEY. I FIGURE WE HAVE 15 MINUTES. UNDERSTOOD. YOU NEED TO SEE THESE. WHERE'D YOU GET THESE? (Mohinder) MATT. HE DREW THEM RIGHT AFTER THE CRASH. HE HAS ISAAC'S GIFT. I RECOGNIZE THIS BUILDING. IT'S THE DIVYA VELUKKAI IN NEW DELHI. INDIA? THE WARRIOR MUST HAVE HIS SWORD. I MUST REGAIN MY POWERS. HELP DEFEAT THIS MENACE. IT IS MY DESTINY TO GO THERE. IT IS? THEN PERHAPS IT'S OURS TO SEEK JUSTICE. I DON'T WANT IT. WHAT THEY'RE DOING TO US ISN'T JUSTICE. IT'S JUST STUPID. IT'S BLIND FEAR. WELL, IF YOU DON'T WANT TO SEE THEM PUNISHED, WHAT DO YOU WANT? I WANT 'EM TO PAY. FOR DAPHNE. MATT, THAT'S NOT US. THAT'S NOT YOU. LET'S GET ONE THING STRAIGHT. OUR LIVES AS WE KNEW THEM ARE OVER. WE CAN'T GO BACK TO ANYTHING THAT WE KNEW. THEN WHAT DO WE DO? WE BRING THE FIGHT TO THEM, WITH EVERYTHING WE GOT. IT WON'T BE EASY. CREDIT CARDS, BANK ACCOUNTS, THEY'RE GONE. HOMES ARE GONNA BE WATCHED. CAN'T TRUST THE PHONES. WE GOTTA FIND A WAY TO DEFEND OURSELVES. WE LEAVE EVERYTHING. WE DO WHAT IT TAKES TO SURVIVE. THINGS WE CAN'T EVEN IMAGINE. REMEMBER, THEY'RE GONNA COME FOR US. AND WHEN THAT DAY COMES, WE HAVE TO BE READY. (ethereal rock music) # # YOU'VE BEEN AWFULLY QUIET SINCE YOU GOT BACK. JUST TIRED. IT WAS A HARD TRIP. I BET. TWO DAYS OF SCOUTING COLLEGES, ALL THOSE SORORITY MIXERS. YOUR DAD SAID YOU BEGGED HIM TO STAY ANOTHER DAY. SO, ANY DECISIONS? (footsteps) I JUST, UM... I WAS THINKING OF MAYBE STAYING CLOSE TO HOME FOR A WHILE. GETTING A PART-TIME JOB. OH, MY GOD. I WOULD LOVE THAT. I REALLY MISSED YOU. THE HOUSE WOULD BE EMPTY WITHOUT YOU. (footsteps) (door closes) (cell phone rings) (beep) (Nathan) CLAIRE'S HOME SHE'S SAFE. WE BOTH KNOW PETER. SOONER OR LATER, HE'S GONNA COME TO YOU. WHEN HE DOES... CAN I COUNT ON YOU TO DO THE RIGHT THING? THAT'S NOT WHY YOU CALLED, NATHAN. I CAN HEAR IT IN YOUR VOICE. YOU SUDDENLY SEE HOW THIS COULD ALL END BADLY, AND YOU'RE LOOKING FOR REASSURANCE. MAYBE EVEN ABSOLUTION. BUT I'M NOT GIVING IT. YOU PUSHED ME ASIDE AND WENT TO THE PRESIDENT BECAUSE YOU THOUGHT YOUR TEAM COULD HANDLE THIS. AND I SUGGEST YOU DO EXACTLY THAT. (phone beeps) THEY'RE READY FOR YOU, SIR. TRACY. NATHAN. GOD. GET ME OUT OF THIS. CAN'T DO THAT. WHY? IT'S TOO LATE. WHY ARE YOU DOING THIS? WHAT I HAVE COME TO REALIZE IS THAT THESE POWERS JUST LEAD TO CHAOS. GOOD PEOPLE, THROUGH NO FAULT OF THEIR OWN, CANNOT CONTROL IT. IT JUST LEADS TO DISASTER. YOU SON OF A BITCH. MAYBE THAT'S WHAT YOU TELL YOURSELF SO THAT YOU CAN SLEEP AT NIGHT. BUT THIS IS ABOUT YOU. YOUR AMBITION. IT'S ALL YOU ARE, NATHAN. IT'S ALL YOU EVER WERE. TRY NOT TO FIGHT IT. IT'LL BE EASIER. YOU'RE ONE OF US. YOU'RE ONE OF US, NATHAN! (woman) HOLD HER DOWN. YOU'RE ONE OF US, NATHAN! YOU'RE ONE OF US! (moans) Captioning by CaptionMax www.captionmax.com