BIG JIM: Three weeks ago, an invisible dome crashed down on Chester's Mill, cutting us off from the rest of the world. The dome has tested our limits, forcing each of us to confront our own personal demons ` rage, grief, fear. My God. Now, in order to survive, we must battle our most dangerous adversary, the enemy within. - Well, the sooner you become his mate, the sooner he'll be what I need him to be ` a protector. - You and I, we're part of something greater. You're one of us. - I'm sorry, but I'll never be able to be who you want. - (GASPS) - What happened? What do I do? - Get me to the caves. (GROANS) (WHIRRING) - Did that star just hit us? Oh my God. - Looks like a meteor! - We have a way to fight the kinship. - How? - Emotion. - You all sure you wanna do this? - Like you even need to ask, Red. - Then the resistance starts here. - Cos of you. When she comes out, you're gonna answer for what you did. (SUSPENSEFUL MUSIC) - We're all that's left. - At least we have food. - Yeah, if that's what you call this mystery meat. - So, this is my army? A cripple, two horny teenagers and a plucky newspapergirl? - We're the best you've got. - Yeah, world's over. Sam took out Christine; the town's on its own. We need a plan. - We find a way to use emotion. It's the only way to fight what everyone's infected with. - I'll take bullets over group hugs, OK? We found guns; we oughta use 'em. - You do realise we're outnumbered. - Yeah, and they have weapons too. - And why would you wanna shoot everyone when they can be saved? - Because I don't know if anyone who came out of those cocoons is worth saving, and that includes you three. - I'm going into town to see how everyone's coping without Christine. - All right, we're coming with you. - Yeah, you need someone to watch your back. - Hunter, keep working on cracking the passcode to Christine's recorder. Whatever she said could give us an advantage. - No, no. He stays; I'm staying. I'm not gonna let some pod person stay here alone with our supplies. - All right. Set these to channel three. We'll keep you updated on what we find. - You really think, uh, this little recon mission's the best use of our time? - I think if there's even a shred of hope for the people we care about, we have to try. (BOTH BREATHE HEAVILY) - PANTS: Don't stop. (TENSE MUSIC) - (GASPS, CHOKES) (OMINOUS MUSIC) - (GRUNTS) (MUSIC CONTINUES) - (GASPS) - Sam,... how far you've fallen. - Well, you deserved it. (GRUNTS) I'd do it again. (SHOUTS) - I could kill him. Just a quick snap, and he's no longer a problem. - No. I have other plans for him. - Just kill me. I'll never help you. - Don't worry. I can bring you around. (TENSE MUSIC) - (GRUNTS, GROANS) - He should be out for a while, but we'll need a private space to work with him where we won't be disturbed. - Our fallout shelter's perfect. - (CRYSTALS WHIRR, CRACKLE) What's wrong? - I'm not fully healed. I used most of our energy supply and oxytocin just to get back on my feet. I don't know if it was worth the cost. - The Kinship was lost while you were gone. (BREATHES HEAVILY) You made the right choice. They need you. (OMINOUS MUSIC) (STATIC BUZZES) - Do you feel different? (TENSE MUSIC) - feel like a weight's been lifted. (OMINOUS MUSIC) (EERIE WHOOSHING) Did you see that? (MUSIC CONTINUES) (ELECTRICITY CRACKLES) - Dale, what's happening? - I have no idea. (ELECTRICITY CRACKLES, PULSATES) (GRIM THEME MUSIC) Captions were made with the support of NZ On Air. www.able.co.nz Copyright Able 2022 (ELECTRICITY ZAPS) (SUSPENSEFUL MUSIC) - Joe, look at the sky. It's coming back. Julia, pull over! - (ELECTRICITY CRACKLES) (BRAKES CREAK) - It's like a TV screen, changing channels back and forth. - From what's real to what's not. (SIGHS) (ALL WHISTLE EERIE TUNE) (SUSPENSEFUL MUSIC CONTINUES) (TENSE MUSIC) (SUSPENSEFUL MUSIC) - WHISPERS: Got you. There you go. (MUSIC SWELLS) - No way. (SKY WHIRRS, ROARS) (EERIE MUSIC) - How can she still be alive? - She must have gone into a cocoon after she was stabbed. When Barbie came out of one, all of his wounds were healed. - I know that there's been a lot of confusion over the past 24 hours, but the destruction that you witnessed outside the dome wasn't real. It was an illusion. I projected it on the dome as a crucible, meant to bring us all together, to strengthen us for the task to come. - If we could just show them how many times she's lied to them... - No, logic's not gonna work. They're accepting everything she says without question. - There are amethysts in these tunnels that need to be brought to the surface. We've got some mining to do. - Even Barbie's buying it. - So is my mom. - Gather any picks or shovels you can find at Town Hall and meet back here. - Christine has some sort of a schematic in her office. I don't know what it's for, but those amethysts are definitely part of it. - Well, Joe and I can go find the schematic. - OK. Go now, while Christine's still here. Take my car. Once you find it, get it to Bird Island. We'll see if we can make sense of it. It might be the key to her whole plan. - Yeah. - You know what? Give me your walkie. Mine's running low on batteries. - What are you gonna do? - (STATIC BUZZES) - Keep an eye on the mining operation ` see what kind of information I can gather here. - All right. (TENSE MUSIC) - What happened? - (SIGHS) The situation is more complex than I let on. Yesterday, Sam stabbed me. I only survived because James found me and brought me to the tunnels. - Well, you want me to track Sam down? - Oh, he's already in custody. I need you to spearhead the mining operation. - So, why do we need these amethysts? - They power the dome, like batteries. The egg kept them charged, but when it was destroyed, the amethysts began to lose their energy. And I used most of what energy was left to heal myself and to create the illusion that brought us together. If we bring the amethysts above ground, I'm hoping we can recharge them. - And if we can't? - (SIGHS) The dome's surface will calcify. - Everyone inside would suffocate. - OK. Well, then we` we'd better get started. - Eva, I need you to set up a lunch station nearby so everyone can be fed without slowing down the work. - Well, now, hold on. If you're gonna be on your own, I want you to get a gun. We may have Sam, but who knows what other threats are out there? - That's not a bad idea. I'll grab one in Town Hall. - The two of you seem closer than ever. Have you slept together? - Yes. But I don't think he's completed his transformation. - You're doing all the right things. Don't worry. It's just a matter of time. - Look outside. Apocalypse has been cancelled. It's not the first time the dome lied to us. - Skies are clear. We might be able to get a signal. - (COMPUTER BEEPS) - There's a message, sent last night. 'Emergency protocol. Confirm receipt and identity with employee access code.' - Put in your access code. You worked for Aktaion. - (COMPUTER TRILLS) - Hunter May. How goes dome life? - Do I know you? - Lily Walters. Your disappearing act got me a promotion. What happened last night? The whole dome turned black until a few minutes ago. Our satellites couldn't see inside. - So no meteors landed? The world is... fine? - Enough of your chit-chat. Hey, I need to talk to the man in charge. - I monitor all communication in and out of the dome, so you talk to me until I say otherwise. You think I don't know who you are? James Rennie Sr, AKA Big Jim. Last update has you in Dr Marston's custody. And now you're free, and I can't reach him. You've been a bad boy again, Jimmy? - I'm one of the few good ones left. The people here are infected by whatever came out of that meteor egg. They killed your team. Marston's still alive. Those, um, freaks captured him. Now, I formed a resistance, and I can get him back, but, uh, we're gonna need something from you first. - Like what? - A care package. - Hold on. - WHISPERS: Didn't you kill Dr Marston? - Yeah, but she doesn't know that. The satellites can't see indoors. - OK, I can't make any promises, but what do you need? - Well, we managed to salvage some firearms, but those won't be enough. So first we need something that's more explosive. - So, we're gonna split up into two groups, all right? This group right here, you're gonna chisel the amethysts out of the cave wall. Grab some tools. You guys, you're gonna help us build a winch-and-pulley system over top of this hole so we can lift the amethysts out. Got it? Let's get to it. Come on. - (PEOPLE MURMUR) (TENSE MUSIC) What the hell? (SUSPENSEFUL MUSIC) (MUSIC BUILDS) - (RADIO) JULIA: Barbie? (MUSIC SLOWS) Barbie. (MUSIC CONTINUES) - I thought I made myself clear. You're not welcome here. - Don't speak. Just listen. (PANTS) Look, I know you're angry with me, but I need you to think about something. When you were in the cocoons, why did it make me dead and have you fall in love with Eva? - Jealousy doesn't suit you, Julia. - Please just hear me out. That alternate reality needed to pull you away from me. Have you thought about why? - Well, I'm guessing you have a theory. - You're being manipulated to be part of this kinship. The man I love should see right through that. Don't turn away from us, from what we have. - What we had is in the past. - It should still matter to you. - Look, what I have now with Eva,... there's no more tension, no more drama. (TENSE MUSIC) We can just be. - But do you really... love her? (PENSIVE MUSIC) - Hey. What are you doin' out here? - Well, I... thought I saw a deer. - Too bad you didn't shoot it. Could have had it for lunch. Come on. (TENSE MUSIC) - (SIGHS) (SUSPENSEFUL MUSIC) (OMINOUS MUSIC) - (CHAINS CLANK) - Junior, let me up. - You're not leaving until Christine says so. (TENSE MUSIC) - You're not yourself, Junior. You were infected. But you and I can fight this. We're family. - My family is the problem ` crazy mother, narcissistic father, drunk uncle. I'm part of the Kinship now. For the first time, I have a real family. - Restrain his arm. - Ow. Aah! (GROANS) What are you doing to me? - Thank you, James. I can take it from here. Barbie could use another strong pair of hands back at the crater. This is all for your own good, Sam. (OMINOUS MUSIC) - Good boy. Good boy. - (WOOFS, PANTS) - You're not like the rest of those cocoon wack jobs, are you? - I was for a while until... - Till what? You fell off a roof and decided to have feelings about it? - Nothing like breaking your spine to remind you of the most traumatic experience of your life. (SIGHS) Short version ` my mom died in front of me, slowly and in agony. My pain reminded me of that day. It also made me remember who I am. Be sceptical if you want, but I know she brought me back. - (COMPUTER BEEPS) - LILY: Hi, fellas. - (BARKS, WHINES) - Took your time, though, didn't you, sweetheart? - My boss needed some convincing, but he agreed to your plan to free Dr Marston. Care package is on the way. - Pleasure doin' business with you, buttercup. (SUSPENSEFUL MUSIC) - (RADIO CRACKLES) - Hey, Julia. I'm on my way into town. Did you find out anything useful? - Yeah, the world's still out there. - Yeah, I picked up on that. Any idea what that was all about? - Christine did it. As soon as the sky turned back to blue, she came out of the tunnels, alive and well. Now she's got the town mining those amethysts. Joe and Norrie are trying to figure out why. - Who cares why? Meet me at the high school. I know how to deal with this. (TENSE MUSIC) Anything happens to my dog, I'm gonna break your arms and throw you in the lake. (DRAMATIC MUSIC) - There's not much gas left. - If we charge the battery, we can make it last longer. (TENSE MUSIC) Watch out. Keep your eyes open. I think Christine ` she may have sent some people back here. - Come on, we got this. We sneak in, we get the schematic, and we get out. - Here. Desk. WHISPERS: All right. (SUSPENSEFUL MUSIC) - Joe, come here. (MUSIC CONTINUES) I think I found something. - (SIGHS) That's gotta be it. - It's like Stonehenge, except squiggly. - All right, let's get out of here. Hey, Julia. We've got the schematic. Copy that. (SUSPENSEFUL MUSIC) - Look, there's my mom. Whoa, hey. What are you doing? Julia needs this. - If we get my mom alone, we can convert her. We want her on our side. (MUSIC CONTINUES) - What is that? - Turns out Aktaion's actually good for somethin'. After the dome cleared, Hunter re-established contact with them, and then I negotiated, and they, uh, sent this up to the lake. - What did they want in exchange for all these explosives? - They want us to, uh, free Dr Marston from his Kinship kidnappers. And, in case anyone asks, I did not slit that little weasel's throat. At least we have what we need to, uh, take care of Christine's mining operation. - You wanna use it all at once, or you wanna save some for a rainy day? - Nothing good came out of those tunnels. We use it all at once. We're not gonna let Christine rise from the grave again. You know, if this plan works, some people are gonna die. - This is war. (DRAMATIC MUSIC) (PEOPLE GRUNT, WINCH CLINKS) (ROPE CREAKS) (MUSIC SLOWS) So, you and Eva? - Come on, Junior. I'm a gentleman. Do I have a sign on my back? - No, I'm not trying to pry. I just think you guys are meant for each other. And that's what it's all about, right? - Yep, that's it. - Eleanor, where have you two been? - (BREATHES SHAKILY) Remember my first day of second grade, when I took a red marker to my face and I pretended I had chicken pox? - Eleanor, you need to come with me. - No, no, listen to me. Both of you knew I was lying, but you still took care of me, because you knew that I was scared and that I needed my moms. And now I need you again. I know you have emotions. I know it. Show me. - You're wasting valuable time. The Kinship needs our help. - Norrie, this is not working. - Nope. Change of plans. (TENSE MUSIC) It was your fault that Mom died. If you hadn't forced me to go to that stupid reform school, then we wouldn't have even been here in the first place. But she was always the one that I thought of as my real mom anyway. She gave birth to me. We had a stronger connection, and we didn't tell you, but we both talked about it all the time. - (WHISTLES EERIE TUNE) - Norrie. - That time I slept over at Michelle Caldwell's house, we actually went to an all-night rave in Long Beach. We hitchhiked. - Norrie, this is not working. - I did drugs! Mom, Joe and I are having sex. - (CONTINUES WHISTLING) - Say something, Mom! - (OTHERS WHISTLE) - Say something. - Take them to the tunnels and put them to work. - (MOUTHS) - Hey. - Get off me! - Get off! - Get off me! Mom, please! - Let go! - Mom! Mom! (OMINOUS MUSIC) - Please stop. You've taken too much of my blood already. - It's time to give some back. - You're transfusing me? If you give me the wrong blood type, it'll kill me. - I'm type O. (SIGHS) Universal donor. - That's your blood? - It's a gift. I'm giving you what you need to return to us. - I'll never be a part of the Kinship. - The life force is already inside you. This is just a boost. (MUSIC CONTINUES) You'll feel much better when you stop fighting it. (TENSE MUSIC) - I'm seriously gonna get black lung. - Keep your eyes open, Norrie. We'll find a way to escape. - (BELL CLANGS) - All right, listen up. Eva has set up a food station. After you eat, we'll finish up with these amethysts. Not you two. - Well, what about lunch? - You can miss one meal. These amethysts are necessary for our survival. (SUSPENSEFUL MUSIC) - Up! - Up! - You can start bringing it over. - You got it? - All right, let it down. - Got it. - Steady. - They've already got one of them out of the tunnels. - All right, everybody take a break. Go get you some lunch. We'll come back to this afterwards. - Looks like they're clearin' out for chow time. This is our chance. - Will you guys do me a favour and hang here? Keep an eye on these tunnels. Make sure no one heads down there. - Only three guards. We can handle that. (SUSPENSEFUL MUSIC) - (ZIP RASPS) - If I draw them away, you think you can plant the explosives and get out in time? - Yeah, not a problem. There's no turnin' back after this, Red. If we do this, they're gonna hit us back hard. - I'm ready. - Yeah, could be Barbie leadin' the charge. I'm not dyin' cos you can't pull the trigger on your boyfriend. - Maybe it never comes to that. - Yeah, well, if it does, you'd better not hesitate, cos I won't. - I get it, Jim. - When the job's done, we'll meet back at the dock. - Good luck. (TENSE MUSIC) (EERIE MUSIC) - (BUZZING) - Please, no more. (BUZZING) - We can stop the transfusion, but first tell me ` does your old life, your human life, actually have value? - I help people. - Who have you really helped? Have you saved anyone? Your sister, Pauline? Angie McAlister? And poor lost Abby DeWitt, where is she now? You even tried to kill me, Sam,... and all I ever wanted to do was to help you. (TENSE MUSIC) All you have to show for your time on Earth is the shame of your human failings. Stop struggling, and all your shame will disappear. You'd be welcomed. (MUSIC CONTINUES) You'd finally have value. It's time to let go of your pain. (MUSIC CONTINUES) I forgive you. (EERIE MUSIC) (KEY, LOCK CLICK) The choice is yours, Sam. - (CHAINS CLATTER) (UNSETTLING MUSIC) I hope you make the right one. (MUSIC CONTINUES) (DRAMATIC MUSIC) (MUSIC CONTINUES) (MUSIC SWELLS) - Look at that! - (MEN SPEAK INDISTINCTLY) - (KNIFE PLUNGES) - (GASPS, GROANS) (TENSE MUSIC) (FOREBODING MUSIC) - (TIMER BEEPS) - All right, one down. (DRAMATIC MUSIC BUILDS) (OMINOUS MUSIC) (AMETHYSTS BUZZ) (MUSIC CONTINUES) - (PANTS) - (TIMER BEEPS) - (GRUNTS) - (TIMER BEEPS) - (GRUNTS) - (SIGHS) - (TIMER BEEPS) (MUSIC CONTINUES) (TIMER BEEPS) (MUSIC FADES) (MEN MURMUR) - MAN: There you go. - What is that? A fire? (TENSE MUSIC) - The guard! (DRAMATIC MUSIC) (GASPS) There's no pulse. - Where are the other two guards? (MUSIC SLOWS) - The smoke was a diversion. Yeah, I saw Julia in the woods this morning. She was planning something the whole time. - The amethysts ` we only have one. - OK. All right, stay up here. Make sure no one comes down after me. (FOREBODING MUSIC) (TIMER BEEPS) - (SIGHS) (SUSPENSEFUL MUSIC) (MUSIC SWELLS) (BEEPING CONTINUES) (FOREBODING MUSIC) (GRUNTS) - What are you doing here? (DRAMATIC MUSIC) (TENSE MUSIC) You killed that guard, didn't you? - (PANTS) That guard's the least of your worries. I rigged those tunnels with enough explosives to blow us both to kingdom come. We gotta clear out of here. Let's go. - If you don't tell me where the bombs are, you'll die right here. - Listen. Not long ago, you wanted an apology from me, and I never gave it to you. I failed you, son. - Mm, don't call me that. I'm not your son any more. - (SIGHS) You know, I... I said that to my father once when I was your age. I tried so hard not to become him, but I just kept the cycle goin' ` pushed all that hurt on to you. I never let you be your own man. I am so... sorry, James. (POIGNANT MUSIC) - I am my own man now. I moved on when I burned your house down. So if you're done crying like a little girl, show me where the bombs are. (TENSE MUSIC) - All right. Just follow me. (MUSIC CONTINUES) - (GRUNTS) - (TIMER BEEPS) - Hunter, have Joe and Norrie help you pack anything useful from the house. We're gonna need to clear out. - Uh, Joe and Norrie aren't back yet. I haven't heard from them in a while. - (SIGHS) OK, I'll go look for them. Do what you can in the meantime. - You shouldn't be here. - This is what it's come to? We gonna gun each other down in the street? - I'm guessing you're not a very good shot. But either way, you lose. - Oh yeah? how's that? - You're too late. Dale and I are bonded now. If you kill me, the man you love will never forgive you. - What do you know about love? Are you even capable of feeling it? - Love is a human construct. It has no value for the Kinship. - (DRAGS BODY, GRUNTS) (TENSE MUSIC) (SUSPENSEFUL MUSIC) (PANTS) I truly am sorry. (MUSIC CONTINUES) - People like you and Jim Rennie, you'll be left behind. Dale and I, we're the future. - What you have is built on a lie. What Barbie and I have is real. (TENSE MUSIC) (OMINOUS MUSIC) (DRAMATIC MUSIC) (TIMER BEEPS) - (GRUNTS) (BEEPING STOPS) (FOREBODING MUSIC) (TIMERS BEEP) (OMINOUS MUSIC) (BEEPING ECHOES) - I don't have to kill you. - Everybody get out! There's bombs in the tunnel! Everybody, go now! Let's go! Clear out the tunnel! - Hey, what's that yelling? - Let's go! Come on, get out of here! Everybody, get out! - Drop everything! - Go, go, go! Everybody out! There's bombs in the tunnel! Everybody out! - When Barbie finally breaks free of this, he's gonna choose me. It's why I'll keep fighting for him. It's why I'll win. - (GRUNTS, GROANS) (OMINOUS MUSIC) - Come on! Let's go! Norrie! Stop! (RUMBLING) - Norrie? Norrie, where are you? - I'm here. - (GASPS) - You saved me from that blast. - (CRIES) You're my daughter. - Mom. - (BOTH CRY) You're back. - (GROANS) - Help me get this off of her. - GROANS: What happened to me? I'm so sorry. - I can't move them. - No, I should be the one apologising. All those things that I said ` - (ROCKS CLATTER) - I didn't mean them. I was just trying to snap you out of it, and... I was lying. - Norrie, we have to hurry! These tunnels are gonna collapse. - You have to get outta here. - No. Mom, I'm not leaving you. - There's no time. You have to go. Now! - I said no! - That's my girl. Such a fighter. - (BOTH SOB) (OMINOUS MUSIC) GASPS: Keep her safe, Joe! Keep her safe! - I will. I will, I promise. - I love you so much, Mom! (SOBS) - GASPS: I love you too, baby girl. Go, Joe! - No, no! - Go, Joe! Go! - Mom, please don't leave me! - We have to go now! Come on! - (COUGHS) (MUSIC CONTINUES) (TENSE MUSIC) (FOOTSTEPS APPROACH) - (GASPS) - Easy, Annie Oakley. - What happened? Are you bleeding? - No, that was somebody else. Look, as much as I'd like to stick around and watch the people of Whoville cry about their precious tunnels going boom, we gotta get back to Bird Island. - Not yet. Joe and Norrie are missing. - (GASPS, GROANS) - Barbie. You OK? - (GROANS) There were bombs. (GROANS) Lots of bombs. (PANTS) - Big Jim did this. - (PANTS) Of course he did. - (GRUNTS) - Help! Somebody! - Who is that? - Down here! - (SOBS) - (BOTH GRUNT) - Is there anybody else down there? - My mom. (TENSE MUSIC) - Come on, Norrie. It's not safe. Let's go. - You can't call yourself the new Hunter. The old Hunter is still here, thank you very much. I didn't come up with the name. They gave me your workstation, and people started calling me that on their own. - Wait, wait. Did they swap out my PC? - Nope. And by the way, it took me no time at all to find all your 'hidden' files. There was a disturbing amount of hentai in there. - Oh, no, no, no, no, no, no. It` It was there to hide my actual secret files. - Sure. Seriously. No, no, no. The file labelled Tentacles has my password-cracking algorithm in it. Is there any way you could send it to me? I've been busting my ass trying to rewrite it from memory. - Hiding secrets in the porn. I'm almost impressed. Sending the algorithm now. (ALARM BLARES) - What's goin' on? - They're here. I need you to hold on to some files for safekeeping. I gotta wipe this drive. - They? Who's they? - (SIGHS) - Whoa. - Gotta go. Good luck, Hunter May. - Wait! Lily! (DRAMATIC MUSIC) - (GASPS) Stop, Joe. I can't go any more. (WAILS) - Norrie. - (WAILS, SOBS) (SOMBRE MUSIC) When I came here,... (SNIFFLES) I had two moms that loved me. (MUSIC CONTINUES) And now I have no one. - What? No. You have me here, Norrie, and I love you. (SNIFFLES) - Well, that's just great (!) - What? (OMINOUS MUSIC) - Uh, Norrie, we have to go. - Where? We're under a freaking dome. - Now! - (TYRES SQUEAL) - Get in! - Let's go! Come on! (DRAMATIC MUSIC) (MUSIC FADES) (EERIE MUSIC) - I stashed the car at Sam's cabin. Still no sign of him. We should keep looking, though. He could be an ally. - There are no allies left in Chester's Mill. - Those people may be infected, but they're not lost. I'm not giving up on Barbie. - Well, you should. Poured my damn heart out to Junior. It's useless. Emotion doesn't work. - It does work. I got through to my mom. For a moment, she was herself again. - Why only a moment? - Because she's dead. She was trapped. She made us leave her behind. - We barely got out before the tunnels collapsed. - My mom sacrificed herself so that her child could live, and there's nothing more human than that. - You set off those bombs, didn't you? You had no idea what was down there. What were you thinking? - There's no regrets in war, Red. (TENSE MUSIC) - Here's your schematic. (PENSIVE MUSIC) (MUSIC SWELLS) (DOME CREAKS) - These amethysts were essential. - We'll find a way to push on. Has Sam come back to us? - Depends how much fight is left in him. But if you provide people with the right lie, they'll believe what they want to. For this town, it was an image of the end of the world. With Sam, all it took was a pint of his own blood. See? Not a scratch. And my forgiveness. (TENSE MUSIC) (SIGHS) - That's the only one left. - How did this happen? - Blame Big Jim. - And Julia. (MUSIC CONTINUES) Thank God I had a gun. Otherwise she would have killed me. - Wait, she tried to hurt you? - I found her fleeing from the crater. She started shooting at me, so I fired a shot in the air so she'd take cover, and then I ran. I barely got away. She's obsessed with you, Dale. She's not gonna stop. - This is my fault. I saw Julia this morning. I` She` She told me that she was just here to talk, and I believed her. She didn't care if I died in those caves. I could have stopped her, and I didn't. (DRAMATIC MUSIC) - The actions of this resistance have threatened our very survival. The time has passed for peaceful co-existence. We need to strike back. We need to kill them all. (MUSIC SWELLS) (MUSIC FADES) (SUSPENSEFUL MUSIC) Captions by Able. Captions were made with the support of NZ On Air.